Joyful, Joyful, We Adore Thee

Beautiful Savior (arr. F. Melius Christiansen)

Oct. 4

World Premiere performance of Kathleen Scheide's "Fantasia" written in 2015 for Edward Landin and Sarah Sutton.

Edward Landin, organ
Sarah Sutton, viola

Fantasia for viola and organ by Kathleen Scheide

Flourish (2016) by Edward Landin.
Performed at Bryn Mawr Presbyterian Church.

Flourish by Edward Landin

Recorded in recital at Bryn Mawr Presbyterian Church in February of 2014.

BMPC Recital

Praeludium in G major, Nicolaus Bruhns

Parodies (2016) by Kathleen Scheide
I: Voluntary after Stanley
II: Air after Purcell
III: Chaconne after Handel

Parodies (2016)

Night Song by Craig Phillips (b. 1961)

Edward Landin, harpsichord
Frances Tate, piccolo

Harpsichord Recital, Jan. 22, 2017

Night Song by Craig Phillips

Ricercari (2013) by Carson Cooman (b. 1982)
Edward Landin, harpsichord

Ricercari (2013) are three pieces inspired by the keyboard music of the early and mid 17th century: my favorite period of the early keyboard literature. During this time, the genre of the ricercare developed as a sort of instrumental motet and a kind of proto-fugue. Each work here is a contrapuntal ricercare in a modal cast, each in a different number of voices. However, all three blend elements of the early 17th century style with more contemporary sounds.
These pieces may be played on any keyboard instrument. While the pipe organ is perhaps most ideal, they can be performed effectively on harpsichord, clavichord, lautenwerk, harmonium, reed organ, piano, or even electronic keyboard. (On instruments with a decay, long tied notes should be restruck as needed.)

Ricercari by Carson Cooman

Hear My Prayer, Felix Mendelssohn

May, 2002.

Edward Landin, treble soloist
St. Thomas Choir of Men and Boys
Gerre Hancock, Director of Music
Thomas Bara, organist

Edward Landin Senn

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