A new original produced track, inspired by synthwave music, featuring rocking guitar, powerful drums, and a steady tempo, creating a classic 80s-movie-soundtrack vibe. Great for workouts and summer drives!

Beast Mode Activated

More Synthesized mayhem, written in Logic.

Hopeful Arrival

Something I wrote and recorded a couple of days ago. Enjoy!

Thinkables

Drafts of 1 minute long soundtracks to go along with a clip of film, altering the mood and character of the film. The said film clip is the opening sequence of No Country For Old Men. The instruments are rough recordings from a lecture to do with the module this was for: Scoring For Film. Enjoy!

NCFOM Soundtrack 1

Just something I've been working on recently. Enjoy!

Catch Or Be Caught

Periodic Contemplation

This is something I've been working on recently. It reflects what goes on in life; Despite being optimistic, pessimism always finds a way to creep in. Enjoy!

Pessimist/Optimist

Track I've been working on most recently, enjoy!

10-4

Now with high levels of artificial sweetener! Enjoy!

Artificial Colours

My entry for the Bleeding Fingers Contest. It is a remixed version of the original, subtracting a few of the original stems, and adding in synthesized bass, percussive effects, and a reverberated soprano saxophone line recorded and played by myself. Enjoy!

Reach For The Stars - Bleeding Fingers Contest

Sunday: the day of rest; where a mellow day in bed is the perfect end to the week. This is a new track that delves into the realm of nu disco. Enjoy!

Sunday Lovin'

This was written for a 'Scoring for Film' module at Uni back in December. The media clip used was the introduction to Equilibrium. The whole idea of the piece was to pay homage to that stereotypical sci-fi sound (you'll notice the Terminator motif). The competition I recently entered took ideas from this, which is why the intro's are the same.

We Have To Get Out, Now!

An intense, cinematic track that uses aggressive percussion, electric guitar, female vocal lines, reverberated piano, rhythmic string lines, and synths - all underlined by a ticking sound to push the tension.

Against All Odds

An intense, cinematic track that uses building percussion, synthesized bass, deep piano, and rhythmic string lines to create a dark heart-racing atmosphere.

Sinister Espionage

Had writers block for a while now, that and too much work to do, so I wasn't sure where the sudden spark of creativity had come from, but I now know that it came from the good weekends this Easter. And this one's free guys and girls, so download away!

Dreaming Of You [Free Download]

Originally written for Flow Fire's video game, Synthetik, now released as Synthetik Ultimate, this retro-sounding, electro-funk track was featured in their alpha trailer for the game.

Sci-Fi Retro Funk Action

Attack Of The Retro Funkbots

A slightly older track but I don't post enough of my saxophone recordings. This features tenor saxophone harmonies underlying a soprano saxophone melody with drums and percussion, creating a positive and reflective atmosphere.

The Cure To Sadness

I love Film and Game soundtracks, and the Halo franchise has to be one of my favourites. This song, along with 'Covenant Dance' from Halo Combat Evolved, is, in my opinion, one of the best within the score. So, I decided to do my own arrangement of it in tribute, using my saxophone to add to the texture. Enjoy!

Heretic, Hero (Halo 2) - Saxophone Arrangement

Hello Everyone! It's been a while but I am still around.

This is an example of music I wrote for game clips. The clip I'm referring to is actually a trailer for the game 'Splinter Cell Blacklist', a third-person stealth, action game.

The trailer shows a lot of gameplay footage of the protagonist, Sam Fisher, running, sneaking, climbing, zip-lining, and generally killing a lot of people. All of this is accompanied by an aggressive, in-your-face, synthetic soundtrack.

However, I wanted to go for a more lone wolf, against all odds feel, and thus came up with this, a sombre piece that, in my opinion, reflects the weight of responsibility on Sam Fisher's shoulders as he attempts to save the world.

This is also up on my portfolio soundcloud page: https://soundcloud.com/edward-brown-83

Last Line of Defence

After a 3 year hiatus, Nedwin's back with a retro track straight from an 80s B-movie. There's more music to come so watch this space!

'I'm Not Into Politics. I'm Into Survival'

This bouncy track uses a mixture of jazz and electro swing to create a sense of mischievous warfare. Tension is built using trumpet clusters, a driving drumbeat, and a double-bass rhythm, while a playful tune is performed on the saxophone.

Jazz Attack!

Nedwin, otherwise known as Edward Brown, is an award-winning woodwind player, music teacher, music composer, and music producer with a Master's in music composition for film and television, based in Wells, UK, and a seller of royalty-free stock music. 

Ed's royalty-free stock music has had many influences; he has worked with esteemed composers like Sefi Carmel, Martin Kiszko, and William Goodchild and has produced music for various indie films and video games, including the hit shooter, Synthetik: Legion Rising.

Over the years, Ed's music production has been influenced by various genres: he grew up listening to jazz classics, enjoys experimenting with synthesizers, and using his knowledge, learned at university, of scoring for orchestra and vocals in his music productions and royalty-free stock music.

Edward is available for hire for original music commissions or as a saxophone, clarinet, music theory, composition teacher.

Nedwin

Popular tracks