This tune popped into my head before. Had to come back(6 years later) to listen haha.

Neurons are sparking on the sparkling endeavor! Love the induction of industrial operations sending signals of inner strength turned outward! SUPERB conceptual turned towards a sonic realism.>>>🤖✨🔥🦾😎😎😎❣

@antilounge 11 release

beatport - http://www.beatport.com/release/engines/1167746
itunes - https://itunes.apple.com/nl/album/engines/id714034453
juno - http://www.junodownload.com/products/generate-engines/2304362-02/

remixes by @roelfuncken, @loyu, @marsman and @missingsense

Buy on bandcamp

Deviance

Drumfunk/braindance don dgoHn (John Cunnane) returns on Love Love for a collaborative 4 track EP ‘Talk To The Planets’ with jazzy experimentalist Danish friend Badun (Oliver Duckert). What results here is a bubbling platter of otherworldly sound design full of warmth (and the slickest drum-work going!) that fully imbibes both artists’ individual songwriting sensibilities, striking a curious balance between organic improvisation and meticulously detailed programming. 

Sonically the EP could be described as hi-resolution psychedelic drum n bass as much as it could alien future-jazz, detailed and rich with mad grooves just beneath the surface. Structurally the tracks are unpredictable but not jarring, with a free-flowing quality to them and a pace that feels like meandering at lightspeed. Way too immersive for casual listening, this is music for getting lost in the stars. Like using arcane beat science at a ruffneck hippy drum circle to astral project through space. 

Art by Mads Westrup

Pre-Order: https://dgohn-music.bandcamp.com/album/talk-to-the-planets

Talk To The Planets

dgoHn & Badun - Not Just A Best

https://microfunk.bandcamp.com/album/future-myth-ep

Microfunk Crew, the collaboration of Bop & Oak, unveils their latest 3-track EP, 'Future Myth,' out 12 July on Microfunk Music.

The EP kicks off with the chillout vibes of 'Aura,' transitions into the IDM-inspired 'Acid On Bog,' and culminates with the bass-heavy half-step title track 'Future Myth.'

Blending lush, heartwarming synths, nostalgic melodies, over-edited 303 basslines, and sharp punchy glitches, the EP transforms their live performance highlights into refined tracks, showcasing the duo’s distinctive sonic personality and unique take on leftfield electronica.

Microfunk Crew - Acid On Bog

Invisible Landscape

Dapple / Eyebeam

Eyebeam

ARBOU-Cold Neon Lights [DARK NATURE CONCEPT]

Mastered by Pranas Gudaitis at Audiomastering.lt
Artwork by Tomas Toleikis

Like Eternia Music on Facebook www.facebook.com/thisiseternia
Follow Eternia Music on Twitter twitter.com/eterniamusic

Survey - Untitled [ETRN015B]

https://planetmu.bleepstores.com/release/107937-richard-devine-sortlave
https://richarddevine.bandcamp.com/album/sort-lave
http://smarturl.it/RDSortLave

After a break of 6 years, Atlanta based electronic musician, producer and sound designer Richard Devine returns with a new album ‘Sort\Lave’ on Venetian Snares‘ Timesig imprint. Recorded between 2016 and 2017 using Richard’s custom built Eurorack modular system and two Nord G2 Modular units, Sort\Lave features 12 tracks of intricate electronica that ranges from abrasive percussive experiments such as ‘Revsic‘ to ‘Astra’s dazzling juxtaposition of sounds and onto the radiant ambience of the album’s closer ‘Takara‘.

Talking about the album’s genesis Devine explains “I’ve been using modular synthesizers since I was 17, but have never written complete tracks using these newer systems. This was my first experiment to see if it would be possible and I probably spent about 5 years building up the systems that I used on this album.”

“I wanted the record to sound very different to my previous works which had been more cold, digital, clinical even, and had all been made using computers. The aim here was the complete opposite, to create something that felt very organic, detailed, spacious, big and warm and just as importantly, a record that you could put on and play all the way through that flowed in a seamless way.”

This new approach was to prove fruitful and enabled Devine to create music in an entirely new way. “I really wanted to break free from timeline-based music creation and do things with my hands on the fly,” he explains. “So the tracks are more like captured snapshot performances where I could experiment and play around with the idea of probability-based sequencing for every patch, string multiple sequencers together that would feed other sequencers to come up with interesting rhythms and melodies. It was really fun coming up with new sounds this way too, I felt like I created several I haven't heard before with this album. Some of the tracks on the album were complete accidents and evolved from something that happened spontaneously. In the end I feel this is one of the best records I have released to date, so I’m very excited to share it with the world.”

Making his debut in 1995, Devine’s releases for labels including Schematic, Warp Records and Detroit Underground have established him as one of the leading figures within the electronica community. In addition to his musical productions, Devine has enjoyed a lengthy and successful career in sound design, developing patches for many of the world’s leading music technology businesses and working with companies such as Google and Nike.

Sort\Lave

Richard Devine - Opaque Ke (TIMESIG009)

‘And We Are Passing Through Silently’ is the sublime first survey of reworks by cult synthesist, Abul Mogard. 

Rounding up divine renderings of songs by Aïsha Devi, Penelope Trappes (The Golden Filter) and nick nicely (heralded by luminaries of the US underground Ariel Pink & John Maus), the album culminates with Brian Eno’s collaboration with Irish avant-folk band Fovea Hex. 

Also included is Abul’s brand new rework of Becoming Animal’s ‘The Sky Is Ever Falling’ which you can hear here, starring vocals from Cinder (This Mortal Coil/Cindytalk) and Massimo Pupillo on bass (Zu/Thurston Moore/Stephen O' Malley), exclusive to the 2LP, CD and digital release. Houndstooth have long been admirers of Abul Mogard’s beautifully stately, romantic melancholia for the best part of this decade. 

By most measures, Abul Mogard and his music are among electronic music’s most perplexing and revered quantities. Abul emerged in 2012 with an eponymous (and now sought after) cassette release for Steve Moore’s VCO. 

Unfurling Aïsha Devi into acres of imaginary space with ‘O.M.A.’ and transforming Penelope Trappes’ ‘Carry Me’ into a 12 minute organ meditation, Abul amplifies the emotions of each song while only making them feel more elusive in the process. It’s an approach which yields stunning results in the widescreen reframing of Cinder on ‘The Sky Is ever Falling’, and in his breathtaking, slow-mo explosion of Brian Eno’s Choral vocals for Fovea Hex, while the bruised soul and lysergic greys of his nick nicely rework, beautifully demonstrates the heart-wrenching grasp of harmonic distortion that everyone craves in Abul’s work. 

Leading on from Abul Mogard’s ‘Above All Dreams’ album in 2018 for Not Waving’s Ecstatic, and following veiled live appearances across Europe, ‘And We Are Passing Through Silently’ offers another tantalising window onto one of modern synth music’s rarest spirits. 

Art by London-based long-time collaborator Marja de Sanctis, who also works closely with Abul Mogard’s live visuals (marja.co)

And We Are Passing Through Silently

The Sky Is Ever Falling (Abul Mogard Remix)

Buy 2xLP  /  CD

Becoming Animal - The Sky Is Ever Falling (Abul Mogard Remix)

Response
Taken from 'None of the above' LP out now on none60 records: 
https://none60records.bandcamp.com/album/nsy035-none-of-the-above
Also available on limited edition 12 via bandcamp:
https://none60records.bandcamp.com/album/nsyltd001-lewis-james-response-oliver-yorke-u-no

Response

Forthcoming music on YUKU from:

Aagentah - Alex Banks - Audeka feat. Monolog Rockstars - Balatron - Chrizpy Chriz - Current Value feat. MVRK - Machinecode - Malsum -  Mystic State - Missin - Rohaan - Subp Yao feat. Warrior Queen - Woulg - War - yunis

YUKU stands as a counterpoint to contemporary arts culture and the way that it is experienced and consumed. In an age where music has been devalued to the point of performers being a list of names intended to sell tickets, impatience on the dancefloor, music being just another track in a playlist, and the visual artwork that accompanies it relegated to being a thumbnail in the corner of a player—we stand for those artists and listeners who take joy in immersing themselves in the worlds and journeys that are created by those who create. YUKU is an open and accepting forum of ideas, expression, and creativity that allows for those who are willing to drink in the emotions and concepts being communicated—an island of experience and stimulation for the kinds of people who like to be surprised, those who aren’t satisfied to hear and experience the same things time and time again, an oasis in the never-ending sea of digital information and consumerism.

We invite you to join us there...

www.yuku.io
Instagram: https://www.instagram.com/yukumedia/
Facebook: https://www.facebook.com/YUKUMUSIC

Label Dive 001

Experience YUKU

Label Dive I

Support

Yo Easy

The Isolated series is a collection of compositions by Grammy-nominated and multi-platinum-selling record producer Matt Lange, written and released in real-time to chronicle the global COVID-19 pandemic.

Isolated: Week 8

Truth Over Facts

Out now on cassette + digital download: microfunk.bandcamp.com/album/tudes-2008-2013

Taken from ‘Études 2008-2013’ LP by @Bop.

"All tracks on this album were written between 2008 and 2013 in Saint-Petersburg, Russia. It was a time of early experimentation with micro-sound and an exploration of different aspects of my musical identity.

«Étude» is an instrumental composition often designed to perfect a particular musical skill. Whilst making these songs I have been discovering and practicing new techniques. Be it mindful glitch-programming, sampling dad’s jazz records, or testing limits of the simplest FL Studio synth 3xOSC. The main goals were pretty much the same every time, to find fresh formulas and unusual patterns for new audio experiences.

Some of the tracks were made before signing to Med School (Searching The Truth, Microfunk, Phantasmagoria). Some were not included in my first three albums for one reason or another (Banana Electro Bebop Jam, I’m Not A Human, Dub Forest, Punk’s Not Dead). Projects for ‘Insight’, ‘Galactic Glider’, ‘Trash Bin Galaxy’ were lost, and so I used the latest found rendered versions here.

Genre-wise this album is quite broad. From ambient and experimental dub to wonky jazzy hip-hop and post dubstep. But, despite the diversity of the material I think it still has a strong identity and tells a complete musical story, from our first minimalist manifesto ‘Microfunk’ and deep leftfield drum & bass rollers, to more experimental twisted and sometimes dark ideas on the B side.

Thank you for your support and I hope you find this musical journey interesting." — Bop

Microfunk pages:
youtube.com/microfunkmusic
instagram.com/microfunkmusic
www.facebook.com/microfunkmusic
twitter.com/microfunkmusic
vk.com/microfunkmusic

Artwork: www.manvswheel.com/
Motion: www.instagram.com/vera_ae/

Études 2008-2013

Bop x Despot - Microfunk [2008]

// Formerly known as Generate.
contact: edwardvaneck@gmail.com

New Track on edwardj.bandcamp >>
https://edwardj.bandcamp.com/track/faded-summer

Remix for @f0resense 's A Floating Point in Past >>
https://antilounge.bandcamp.com/track/a-floating-point-in-past-edward-johannes-remix

Split EP w/ @f0resense >> 
https://antilounge.bandcamp.com/album/sudden-fiction-dots

Deviance

Edward J

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ElectroTrek

=== A d33p br34th L1k3 th1$ ===

Adrien d'Elzius.

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