mithoonz

Mandolin,Prim,banjo- Prakash Hariharan
Lyrics- Engadyoor Chandrasekharan

NEELAKASHAM (Extended)

Aanandha Yaazhai - Thangameenkal | Anirudh Ravichander

Male Version of 'En Kanimalare' from Philips and the Monkey Pen
Composed by Rahul Subramanian Unni
Written by Siby Padiyara
Programming : Govind Menon
Guitar : Mithun Raju

En Kanimalare (Male) -  Philips and the Monkey Pen

Movie: Ohm Shanthi Oshaana
Starcast: Nivin Pauly, Nazriya Nazim, Renji Panicker, Lal Jose, Vineeth Sreenivasan
Director: Jude Anthany Joseph
Composer: Shaan Rahman
Singer: Vineeth Sreenivasan
Lyricist: Harinarayanan
Producer: Alwin Antony
Banner: Ananya Films
Label: Think Music

Kattu Mooliyo Pranayam_Ohm Shanthi Oshaana

Ee Mazha Megham Official Full Song - Ohm Shanthi Oshaana

Inky Pinky Inky Ponky - Vaalu

Devathai - Poojai

Dandanakka � Romeo Juliet

A dry simmer alt rock lab experiment disguised as a love panic. Deadpan delivery, pulsing synth bass, muted guitars, and clinical comedy swirl together while one very emotionally compromised test subject tries and fails to describe what a simple touch actually feels like.

It is awkward science. Accidental honesty. A hundred metaphors collapsing at once.
A nervous system waking up in real time.

Okay, so…
about what I said earlier.
The “rubbing a cut” thing.
I would like to formally submit
a better metaphor.

Initiating recap, try to keep this clinical,
words keep slipping, nothing stays minimal.
You asked me how it felt when you brushed that spot,
I panicked, said “like a cut,” which… no, it is not.

What I meant was more like nerves waking in a line,
old wires buzzing back to life at the same time.
Tender in a good way, too awake to hide,
like something half healed flickering inside.
Absolutely not. We are retiring the word “cut.”

It is that too bright feeling under brand new skin,
every gentle touch sends the whole signal in.
Hard to find the language when my thoughts derail,
every honest answer sounds like a medical fail.

For research purposes only,
I am trying to phrase this slowly.
It is not like a wound, it is more like a spark
running through a doorway in the dark.

For research purposes only,
my explanations own me.
Every time I talk, I cross the line,
but it is nerves lit up, not a cut this time.

Okay, imagine something raw but kind,
like all your nerves showed up on time.
Not broken, just loudly aligned,
a soft alarm running down my spine.

Like tapping on a half healed place,
but the rush is warmth, not ache or trace.
If anyone asks, I am doing fine,
this is completely normal for a nervous system… mine.

So when I said “like a cut,” what I meant to say
was heightened sensory translation in a pleasant way.
Like brushing near a live wire wrapped in silk,
tiny lightning threaded through warm milk.

Maybe think of it like sun on fragile skin,
the first day out after winter ends again.
Too much and it stings, but just right, it is bliss,
that line you walked with that little after kiss.

It is that too much truth under every touch,
my body takes notes when you do too much.
Trying to stay objective, trying to stay precise,
but the data keeps arriving as heat instead of ice.

For research purposes only,
I swear I am explaining this slowly.
It is not like a wound, it is more like a glow
spreading out from where your fingers go.

For research purposes only,
these metaphors are folding on me.
Every time I speak, I blur the line,
but it is nerves in chorus, not a cut this time.

Okay, erase the cut, the wound, the bruise,
it is more like strings you somehow tune and use.
You pluck one note and the whole thing rings,
my spine composing while my mouth says things.

It is like my skin forgot the script,
and every pass of your hand ad libs.
If anyone asks, I am holding the line,
but my body keeps writing footnotes down my spine.

Let the record show
the cut metaphor is officially withdrawn.
Replaced with
heightened localized sensation
in an emotionally compromised subject.

Look…
it feels like every nerve under your hand
remembers it exists
all at once.
Like someone turned the volume up
on a place that was just humming quietly before.

It is not pain.
It is not damage.
It is too alive to ignore.

For research purposes only,
I will stop pretending this is only
science and charts and careful design
it is the way your touch rewires my mind.

For research purposes only,
every failed metaphor showed me
there are no neat words for when you trace that line
just a body on fire where your fingers find.

It feels like glass turned warm beneath the rain,
like every softer version of the word “insane.”
No wounds, no harm, nothing out of line,
just living nerves singing when your hands meet mine.

Thank you for your participation
in this extremely uncontrolled study.

For Research Purposes Only

En Jeevan - Theri - Vijay, Samantha - Atlee - G.V.Prakash Kumar

Naan Un [HqMp3Songs.Com]

Uyire Uyire
Bombay 
Music : AR Rahman
Singers : Hariharan, K. S. Chithra
Lyrics : Vairamuthu

Uyirae

Sung by Sonu Nigam & Saindhavi... Melody of 2012

Manasellam Mazhaiye_Saguni

Thuppaki - Google Google

Nenjukulle - Kadal [ARRahman Unplugged]

Anirudh's brand new single from Bejoy Nambiar's Hindi-Tamil bilingual 'DAVID'.

Musician Credits :

Chennai strings Orchestra arranged by Anirudh and conducted by Kalyan
Violins : Mohan, Ramachandran, Himam, Kannan, Sampath, Palani, Selvaraj, David
Violas : Chandran, Murali, Sebastian, Rex, Baskar, Hemanth, Selvaraj, Gopi
Cellos : Sekar, Viji
Double Bass : Vidhu
Flute and other woodwinds : Navin Iyer
Guitars : Keba Jeremiah
Sitar : Pandit Janardhan Mitha
Solo Violin : Ananthkrrishnan
Chorus and harmonies : Anirudh and Shwetha Mohan
Recording engineers : S.Sivakumar, Pradeep, Kannan, Rachel, Karthik, Dinesh
Programming : Vivek Siva
In-house enginner : Aravinth Baskaran
Piano and keys : Anirudh
Music Manager : Iyappan Premkumar
Musicians' coordinators : R.Samidurai,B.Velavan
Song recorded at A.M Studios(Chennai), Boom Sai Labs(Chennai)
Song mixed and mastered by Aravinth Baskaran and Vivek Siva at Boom Sai Labs, Chennai


Thuppaki - Google Google

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