UNDER CONSTRUCTION DAY ONE   00 TO 145   (SECOND BREAK DOWN) 

RONIN SHADOWS - THE UNDERGROUND  ( ACID IS MY SOUL e . p )

CODE DRIFT 011: ACIDULANT (LIVE)

Neil Hales aka Acidulant is an electronic music producer from Malta.
His most popular music to date includes releases on I Love Acid,
R&S Records, Balkan Vinyl, DJ Pierre’s Jack Trax Records & Afro
Acid (US) and Zodiak Commune to name a few. Even though he is
considered an acid freak, Neil’s passion revolves around
synthesizers and the experimentation in different genres and
electronic sounds. Parallel to his notable acid tracks, he has also
collaborated with visual artists, dancers, and actors under his alias
Collateral Intelligence. Neil is also the co-founder of Electronic
Music Malta (EMM), which is the first non-profit organisation
promoting electronic music in all of its forms in the Maltese islands.

IG: @ACIDULANT

CODE DRIFT 011: ACIDULANT (LIVE)

holy aggression ROB ACID _

FUN AFTERNOON  BUILD PART OF MY ACID LIVE    

RONIN SHADOWS - IMPRO LIVE  - FUN ACID EXIT AFTERNOON

lagoACID2

downloadable ;
 Artwork by PhiL:the circular saw developement
hardcore!

piano verticale syncro synth WeA

downloadable;
part of light weight intensity's 
atmosphere,as the tempo or the amount
 or the distortion.clear at night darck the days;low tempo surrounded by circular sounds.
sci-fi 's theme
.dont' play the fool



morlok siren b

Steve Bicknell enters the main room at The Villa, Oslo. With decades of experience, Bicknell plays with patience and intent. He does not rush the room. It takes about 25 minutes before he even remotely steps on gaspedal.

His sound is rooted in deep and stripped back techno. Often influenced by dub, early UK and Detroit traditions. The set starts in the shadows, with sparse rhythms, low pressure. Early on, there is space. Space to arrive. Space to breathe.

As the set continues, he builds through repetition. A new percussion line slips in almost unnoticed. A bassline tightens. The groove becomes firmer without becoming aggressive. Tracks are chosen for their texture and weight, with smooth transitions. The focus is on flow, and the dance floor is slowly pulled together.

Later in the set, the pressure increases and the rhythm becomes more insistent. The bass becomes more physical. By this point, the room is locked into the hypnosis.

Thank you Steve. And thank you to everyone who came to share this night with us

Follow :

https://soundcloud.com/steve-bicknell
https://www.instagram.com/steve_bicknell/

MNMT Recordings : Steve Bicknell @ Monument at the Villa - Oslo

recorded studio saint severin street on amig@ st laurent
archives nineteenth-2000 
remastered 2015
Artwork by PhiL

Pan pol (control bleeding)

EE033

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