Name: conjuring by extortioner
Duration: 1 min 50 s
Description: “conjuring” is a rage-like rap trap song for Extortioner to express embodying a dark, powerful figure—like a vampire or conjurer—who thrives in the shadows, commands respect, attracts danger and desire, and dominates both enemies and admirers. It’s a fusion of horror symbolism with street credibility.

“conjuring” is a rage-like rap trap song for Extortioner to express embodying a dark, powerful figure—like a vampire or conjurer—who thrives in the shadows, commands respect, attracts danger and desire, and dominates both enemies and admirers. It’s a fusion of horror symbolism with street credibility.

conjuring

"gothic affair" is a rap trap song to celebrate a dark, rebellious, and powerful lifestyle, using vampire imagery as a metaphor for wealth, dominance, and living outside the rules of ordinary society.


gothic affair

"slice ur neck" is one of many songs on Extortioners 'VAMPIRE KISSES' album. The song is to assert power, dominance, and uniqueness by blending the vampire/gothic theme with rap bravado. It’s a way of saying:

slice ur neck

"vampire kisses" is a trap song for 6 and Extortioner to express a glorify a nocturnal, gothic, and gangster lifestyle, using the “vampire” persona as a metaphor for power, mystery, wealth, and fearlessness. It mixes street hustle and flexing (money, cars, women, dominance) with dark imagery (shadows, blood moon, crypts, night life) to create an identity that feels untouchable and larger than life.

vampire kisses (feat. 6)

"succubus 4" is a rage influenced song on the album "VAMPIRE KISSES". The purpose is to portray Extortioner as a powerful, relentless, and dominant figure, blending trap culture with vampire/gothic imagery to create a unique aesthetic of dark success.
It’s both a brag track and a symbolic reflection on ambition — showing that chasing power and money can turn someone into something almost inhuman, unstoppable, and eternal. You can find the rest of the "succubus" series on rappers Ken Carson and Vervain's accounts.

succubus 4

"graveyard" is about living a nocturnal, money-driven, dominant lifestyle — where the Extortioner compares himself to a vampire to symbolize power, hunger, and living outside normal rules. It’s both a flex anthem and a declaration of identity — saying “I’m built different, I thrive in the dark, and nobody can match my grind.”

graveyard

"torture" continues the vampire-trap aesthetic — a mix of dark fantasy, luxury flexing, and street hustle — but it’s more refined and symbolic than the earlier ones. It blends gothic imagery with themes of ambition, dominance, and inner emptiness, portraying the artist as a “vampire” who thrives in darkness, power, and desire.

torture

"mac 10" has a gritty, dark-trap energy — it blends street life, violence, and hustle culture with vampire and gothic imagery to create a persona that’s both dangerous and untouchable. The artist paints himself as a “vampire thug” — someone who rules the night, thrives in darkness, and lives by his own laws.

mac 10

"phantom" paints a dark, dominant portrait of power, money, and rebellion, built around the image of a vampire hustler who lives by his own rules. It blends trap and street culture with gothic, supernatural symbolism, turning the artist’s lifestyle into something mythic — immortal, fearless, and cold-blooded.


phantom

"paper" continues the “vampire trap” theme — a mix of street realism, gothic imagery, and flex-driven confidence — but this version is grittier and more aggressive than the others. It’s a portrait of a ruthless hustler who lives in the shadows, thrives on danger, and rules his world through power, money, and loyalty.

conjuring

extortioner

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