[ONEINST] ALBUMS & EP'S

Label: Etat
Cat.No.: ET001
Artist: Elías Sternin, GNMR, Luca Piermattei, Troy, Kurilo.
Title: Etat #001
Format: 12"
Distribution: Viniildistribution
Mastering: Analog studio Berlin by Marco Pellegrino
Release: 2022

[ETAT001] VA - #001

B2 Z@P - In The Back

B1 Z@P - ATL2

A2 Z@P - Tunel

Introducing Niff’s new imprint, the first Fuori Orario Ep “Non Solo Moda” is by Dean Denali, an alias of Italian producer Filippo Bena, with four tracks blending Techno, House and Breakbeat.

-- 
Release : October 2022

Buy on OTG

FO001 - Dean Denali - Non Solo Moda Ep

Caution: Bass Heavy Deep House Bangers provided by Phil Evans.

A1 - Chuuch
A2 - Goin'
B1 - Neva Kno
B2 - Steez 

Mastering: Analogcut 
Artwork: Optik Illustration
Distribution: Ba Dum Tish 

 c2022, Freizeit Records 

1Love

FREIZEIT002 - Phil Evans - Tha Lowride EP

Out Now:

One Eye Witness: https://bit.ly/3YcjSRU
Juno:   https://bit.ly/3Dsc46L
Deejay:  https://bit.ly/3J2AKpq
Subwax: https://bit.ly/3YbgYfX



Coming in hot for its second outing is Anthea & Velasco’s PILLZ imprint, this time they turn to Oshana to take care of business. Chunky dance floor action with an attitude from the Berlin based artist as she showcases her characteristic sound once more. The four track “Letting Go'' EP explores extensive territory, meandering between distinctive shades of electro, breakbeat, techno and acid energy from an outer place. 

First up is “Vindicator”, a tightly arranged trip, bubbling from the word go, leading you down a path of tension before opening up into a mysterious frenzy, eccentric synths wandering around the powerful forward motion of the track. Further spaced out transmissions that pack a punch in title track “Letting Go”, despite the raw tenacity of the track you can easily become lost in the depth of the production.  

Tasteful retro drums pave the way on the flip side in “Jah Rules”, conversing blissfully with the squelchy bass tones that flash in and out. Closing off the “Letting Go” EP is “E Motions”, a fierce electro whipper, ready and waiting to be propelled into a club setting, circulating the room, simmering as it begins to build a unique atmosphere on the dance floor, allowing the imagination to wander. 

A powerful quest through Oshana’s versatile vibe, essential underground moods for the hazy hours of the night.

Tracks:

A1. Vindicator
A2. Letting Go
B1. Jah Rule
B2. E-Motions

https://soundcloud.com/oshana

https://www.instagram.com/pillz__records/

PILLZ02 OSHANA - LETTING GO EP

After a hit release of its first installment, Arpanet Records is back on your local record store’s shelves with a new underrated gem.
This time around, the repress label is shining a light on a mysterious French producer from the mid 2000’s.
Amplified People built a name for himself at the start of the millennium by offering up a powerful tragedy of emotions, blending together cheap but transcending synths in a raw distorted melody.

A decade later, Amplified People offers up a mash-up compilation of his best work for a second coming.

Distribution : @subwax-bcn-distribution

ARPA002. Amplified People - Screen Memory EP

After a couple of solo EPs to start the label, FAC 3 is comprised of four different artists, each with their own unique sound. Although a mix of up-and-coming and established producers, old and new music, there’s a common thread running through the EP.

First up, Justin Zerbst’s Waverider is an atmospheric nod to Detroit. Unearthed from a 90’s DAT, it’s built around some heavily modulated chords and 808 percussion which carry the track through to its string-laden climax.

Italian mainstay Luca Piermattei’s Venice is distinct end-of-night fare. Haunting pads sit atop a deftly-programmed bass which provides most of the movement over a tight drum groove.

While the A side has a undoubted warmth to it, the B dials things back and ups the intensity with two techier cuts. UK producer Skelter’s first release is a spacious acid groove, with the bassline taking centre stage amidst a nervy backdrop of percussive textures and reverb hits.

Finally, Melbourne’s LOIF rounds things off with the simmering Digiburra; a dense, electro-tinged breakbeat aimed squarely at the dancefloor.

Artwork by William Fairminer.
william@fairminer.com
fairminer.com/

V/A - EXPLORATIONS 1 - FAC 3

Back in 2018 Alex Picone’s first EP on OCD was also his last EP known to date under his own artist name. Five years passed since then but Alex’s approach to music production, with his sleek and elegant taste, hasn’t changed if not it evolved further. Excited to have a brother back to OCD for his long awaited return on wax with four varied journeys into his own vision of deep tech-house out of Today’s trends.

Artist: Alex Picone
Release Title: Late Labyrinth EP
Label: O.C.D. Open Channel for Dreamers
Cat n.: OCD009
Format: 12”

Tracklist: 

A1. Playground
A2. Chocolate Rushes
B1. Road Rage Record
B2. Swindler

Alex Picone - Late Labyrinth EP

Released April 6th 2018

ONEINST001 

A1. In Bloom - Korg DS-8 - 2:56 
A2. Korridor - Orgon Systems Enigiser - 8:13 
A3. Serena Butler - Korg Polysix - 6:29 
A4. Yhdessa - Waldorf Micro Q - 4:24 
B1. Yair Elazar Glotman - Contrabass - 3:38 
B2. Fjäder - Korg MS-20 Mini - 4:44 
B3. Claudio PRC - Rucci Minimal Drone - 5:12 
B4. Wanderwelle - Roland Juno-106 - 6:14 

One Instrument Volume 01 is the physical fulfillment of eight sound experiments composed by different producers using the guidelines of the label. 
The choice of the Various Artists format aims at creating an harmonious journey across different sub-genres in the ambient, techno and experimental worlds, which can perfectly embrace each other. 

The LP opens with a composition by In Bloom, the new project of Martino Bertola, who drives us directly into a melodic ambience. To follow it is the dense, polyrhythmic experiment by Fabian Kempe’s project ‘Korridor’. Serena Butler’s piece is built around spacey sounds and breezy rhythms. 

Yhdessa, the newly born Dutch-Italian duo formed by Grand River (Aimée Portioli) and Enrica Falqui, leans towards ambient atmospherics and ominous sonorities with a refined Northern European touch. Yair Elazar Glotman ventures us across his contrabass player skills giving an acoustic touch to the record. 

Swedish producer, Fjäder (Ida Matsdotter), handles the flip with a moody techno cut filled with evasive analog acutes. 

Claudio PRC delivers an electroacoustic soundscape created with a tiny, graceful drone machine. 

The Dutch duo, Wanderwelle, closes the LP with a dreamy and delicate excursion evoking the mysterious sides of nature. 

_________________________________________________ 

Mastered by Giuseppe Tillieci at Enisslab Studio, Rome
Original artwork by Marco Fasoli
Layout by Marco Fasoli

© 2018 One Instrument

ONEINST001

One Instrument Volume 01

ONEINST001 - One Instrument Volume 01

Released December 7th 2018

ONEINST002 

A1. Aria (Synthesis Technology - E340 Cloud Generator) 22:06 
B1. The Morning After (Roland SH-01A) 7:44 

In a scenario of overwhelming number of instruments, musicians often do not take the time to deepen and explore the creative possibilities of each gear they possess. One Instrument aims at counter-acting this tendency by challenging and limiting each artist in producing a composition by using only one instrument of their choice. 

One Instrument presents "One Instrument Sessions”, a new format on which each artist shows a more personal narrative of the sound experiments they compose. 

Neel opens the series with a solo record including “Aria”, a 20 minutes long piece made with the E340 Cloud Generator of Synthesis Technology, and “The Morning After”, composed with the Roland SH-01A. 

The E340 Cloud Generator is an oscillator which Neel says has always been a fan of. It has eight sines and sawtooth VCOs with unique modulation capabilities. “Aria” came to life while he was preparing for a live techno set: when he stopped the recording the oscillator kept running producing the sound and tones audible in the composition. 

The Roland SH-101 is Neel’s favorite synth. “The Morning After” is one of the 9 experiments he created while using the boutique version of the machine. 
_________________________________________ 

Composed and produced by Giuseppe Tillieci
Mastered by Giuseppe Tillieci at Enisslab Studio, Rome
Original artwork taken from the painting “B 5085175” by Filippo Scorcucchi
Layout by Marco Ciceri

© 2018 One Instrument

ONEINST002

ONEINST002 - Neel - One Instrument Sessions 02

In a scenario of overwhelming number of instruments, musicians often do not take the time to deepen and explore the creative possibilities of each gear they possess. One Instrument aims at counter-acting this tendency by challenging and limiting each artist in producing a composition by using only one instrument of their choice.

The LP opens with a composition by In Bloom, the new project of Martino Bertola, who drives us directly into a melodic ambience. To follow it is the dense, polyrhythmic experiment by Fabian Kempe’s project ‘Korridor’. Serena Butler’s piece is built around spacey sounds and breezy rhythms.
Yhdessa, the newly born Dutch-Italian duo formed by Grand River (Aimée Portioli) and Enrica Falqui, leans towards ambient atmospherics and ominous sonorities with a refined Northern European touch. Yair Elazar Glotman ventures us across his contrabass player skills giving an acoustic touch to the record.
Swedish producer, Fjäder (Ida Matsdotter), handles the flip with a moody techno cut filled with evasive analog acutes.
Claudio PRC delivers an electroacoustic soundscape created with a tiny, graceful drone machine.
The Dutch duo, Wanderwelle, closes the LP with a dreamy and delicate excursion evoking the mysterious sides of nature.

A4 Yhdessa - Waldorf Micro Q

Released September 6th 2019 - ONEINST003

A1. Fahmi Mursyid - Hening (Saron) - 03:12 
A2. Fahmi Mursyid - Wirama (Kendang) - 03:30 
A3. Fahmi Mursyid - Denting (Rösler Piano 50’s) - 03:36 
B1. Fahmi Mursyid - Halaman (Karinding) - 04.29 
B2. Fahmi Mursyid - Dentum (Bonang) - 05:37 
B3. Fahmi Mursyid - Alunan (Pan Flute) - 04.30

For the next One Instrument Session series, we’re pleased to present the Indonesian artist, Fahmi Mursyid. 
This mini-album, limited to an edition of 200, includes 6 tracks that take the listener on a warm, experimental journey of varying timbres.

The artist has always had a personal interest in traditional Indonesian instruments, specifically from Sundanese culture, the second largest Indonesian ethnic group, native to the western part of the Island of Java.

Paying homage to this source of inspiration, he has chosen to use Indonesian instruments for almost all of the tracks on the 12’’. Considering the strict guidelines One Instrument gives the artists, Mursyid has succeeded in getting the most out of his chosen instruments.

With each of the 6 different acoustic instruments he has eluded clichè and surpassed physical limitations to shape a bold, alternative musical language.    
All tracks are recorded with only one condenser microphone.

______________________________________

Composed and produced by Fahmi Mursyid 
Mastered by Giuseppe Tillieci at Enisslab Studio, Rome 
Original artwork by Alejandra García and Marco Ciceri 
Layout by Marco Ciceri

© 2019 One Instrument

ONEINST003

A1. Fahmi Mursyid - Hening (Saron) [ONEINST003]

ONEINST003 - Fahmi Mursyid - One Instrument Sessions 03

Released November 1st 2019 - ONEINST004

A1. Alessandro Di Puccio - Autumn Jig (Ludwig Musser M55 Pro-Vibe Vibraphone (1983) - 1:52
A2. Alessandro Di Puccio - Wandering (Ludwig Musser M55 Pro-Vibe Vibraphone (1983) - 2:11
B1. Alessandro Di Puccio - Transparent Shapes (Ludwig Musser M55 Pro-Vibe Vibraphone (1983) - 2:21

Certain to become a collectors item, 'One Instrument Sessions - Alessandro Di Puccio’ pressed onto 7” vinyl and will run a very limited edition of only 100 copies. On this record One Instrument presents their most minimal work to date; three one-take vibraphone tracks recorded by Alessandro Di Puccio eighteen years ago.

The tracks are a selection from eleven pieces that were originally created for a theatre piece called “Il silenzio è d’oro” (“Silence is golden”). After 18 years of being kept in a drawer in Di Puccio’s home, these previously unreleased works will finally see the light of day.
Short and powerful, these tracks suddenly break the silence and reflect Di Puccio’s interest in evoking virtuous and tender emotions. “One Instrument Sessions - Alessandro Di Puccio” gives the listener a feeling of simultaneously being tenderly cradled and awakened.

Playful and bright, the tracks reflect the joyful nature of the vibraphonist and composer who since 1986 has been experimenting and collaborating with many internationally renowned musicians.

______________________________________

Composed and produced by Alessandro Di Puccio
Mastered by Giuseppe Tillieci at Enisslab Studio, Rome
Original artwork by Alejandra García and Marco Ciceri
Layout by Marco Ciceri

© 2019 One Instrument

ONEINST004

ONEINST004 - Alessandro Di Puccio - One Instrument Sessions 04

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A4 Yhdessa - Waldorf Micro Q

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