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Prince of Denmark - (In The End) The Ghost Ran Out Of Memory

Parallaxis (The Borderland State Remix)

available through:  https://kann.bandcamp.com/album/rsd-ii

After one year collaboration with the almost last standing Recordshop "Freezone" in Leipzig, the KANN RSD series is going to be a musical and physical hommage to vinyl and this 15 years existing place. 
While trying not to fall into the trap of being narrow minded wax fanatics, neverless the 2nd edition comes again as a limited vinyl only. Check out 3 beauties courtesy of Lake People, Julian Neumann and Map.ache, these were put into a suitable frame designed by artist and good Friend Martin Lovekosi

Map.ache - Whenever

Amazing. Wow. Penguin. Strawberry. Astronaut.



Traumprinz - There Will Be XTC

Low quality / for promotional use only!
Release date 30 Jul 15 

http://www.juno.co.uk/products/makam-aardvarck-interstellar-dkmntl-x-patta-04/577656-01/

Makam  -  The Struggles

Boris Rogowski – The Darkness of Future Past
(out on piano and coffee records on November 7, 2025)

Jonas Burgwinkel—drums
Viktorija Kukule—vocals
Roland Muenchow—flute
Boris Rogowski—keyboards, (bass) guitar, percussion, programming, vocals
David Schuette—cello
Isabelle Seemann—vocals

Press info:
Somehow, Boris Rogowski’s The Darkness of Future Past manages to go from Renaissance and Baroque influences and minimalist piano pieces via Ambient all the way to arena-sized pop music. It has no right to work, but it works perfectly. I don’t know how.
If I had only one word to describe its general mood, I would call it haunting. And the album itself is haunted, too, by the ghosts of the past, of classical composers (Orlando DiLasso, Eric Satie and Alfred Schnittke explicitly, many others lurk in the shadows) and more recent musical specters. It’s called The Darkness of Future Past, and yes, that’s a Twin Peaks reference… but let’s not make too much of it, there are no real connections (I think!) except for a general love of mystery, darkness and beauty.

In contrast to Rogowski’s 2023 album The Waste Land that was largely defined by a good amount of classical rigor, consistent chamber instrumentation and a complete lack of vocals, The Darkness of Future Past is almost loose: We have long, winding instrumental pieces that straddle Ambient (The Past, Like a Strange Bird), Minimalism (The Bloom and the Flutter) and Jazz noir (the title piece). They are humming with sounds and melodies that always seem in a state of either synthesis or decay, giving way to one another or sticking around in the form of eerie echo loops that build up a dreamlike musical structure always on the verge
of collapsing into itself.
Those long-form soundscapes, some of which feature ominous spoken Journal Entries, alternate with solo piano pieces that sound like at least three different instruments—but were, in fact, all recorded with an old upright built in 1906 by some regal German manufacture. The audaciously titled Gymnopedie No. 4 wears its influence on its sleeve—and delivers on its promise: Rogowski’s love, respect and understanding of the original works of Eric Satie shine through in every note. Similarly, the other piano pieces, from the tiptoeing Sleeping Dogs to the dreamy, improvisational One Lonely Autoresponder Message, feel a bit like memory palaces—reminiscent of music that has always been around, but at the same time very much their own beasts.
And then, of course, we have the songs: Nothing Wrong is strikingly beautiful, its sparse musical arrangement serving as the perfect bed for Rogowski’s falsetto and the ghostly choir backing it. breatheINbreatheOUT is downright scary, like a field recording of some strange initiation rite: The words ‘breathe in, breathe out, it’s all right/mankind is no longer your kind’ are delivered in a moody croon that seems to channel the later Scott Walker.
And then, just when you think you have finally figured out how this album works, it leaves you with Them!, a monolithic sound colossus that begins as a shoegaze-y electro pop song and develops over 6 minutes into an arena-sized hymn with an otherworldly female voice lamenting ‘What a lonely world’ over and over. Rogowski did much of the work on The Darkness of Future Past in a desert cabin near Joshua Tree—maybe he passed Coachella on his way back; that, at least, would be a good explanation of the sound of Them!

There is a very clear and distinct consciousness of the past, and there are projections into the future that are as nebulous as they are frightening. The Darkness of Future Past has the power to conjure up mysteries, to shed just the right amount of light on them and keep us intrigued—without ever giving them up or serving us easy explanations. The beauty of the music itself remains a secret, one that Boris Rogowski as its composer seems hell-bent on protecting. After all, no-one needs to know who killed Laura Palmer.

A Pane of Glass

Original Soundtrack of the Series "Au cœur de l'histoire, le procès Nuremberg" directed by Alfred de Montesquiou.
Produced by KM, Arte

Ce qui reste

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Traumprinz - Faith

Relish

Relish (Shed Remix)

Traumprinz DJ Metatron - Love (What That Feels Like)

Artist: Voices From The Lake
Album: Voices From The Lake
Label: Prologue
Cat: PRGLP003

Voices From The Lake - Circe + S.T. (Original Mix)

Second round of 'Positive Contributions' from Metroline Limited after the four-track 12" single released in 2018.
For the occasion we more than doubled the output and compiled an uber-tasty little compilation featuring some of the cooler producers who have released with us recently, plus a few new faces.
We are very happy to welcome our long time friend Cesare Vs Disorder with the dark and rolling tech-house number called 'Funilaria' as well as another dude we've known for a ages and that we finally got to release some music with us: Blind Minded. The lush deep grooves of his tune 'Delicate' are pretty special.
Giash is back after his Sen_d_Ingo EP released earlier in the year, with the never-ending tripped-out Romanian house minalimism of 'Tukdam'. We welcome back the two producers behind our latest release, Pheek & Kike Mayor, who deliver some top-notch house again with their "Say A Little Less' while Dhaze returns with the stomping Chicago grooves of 'Don't Stooop'.
We are very chuffed to have Cem G back on the label after a long break since his 'Hot Night EP' released in 2013.
Gabriele Mancino and Thomas A.S. have both collaborated with us in recent times and they deliver once more with some excellent works.
Last but not least...who is Phichi? That's no other than one of our label heads Phiorio and our friend Michi. "Weird Concept' is their first collaboration and it's well rounded deep house number with a broken beat, lush pads and some quirky spoken word.

Positive Contribution Vol. 2

05 - Blind Minded - Delicate

Entre-Acte

Entre-Acte - Etherical Prelude Jazz-X-Positions

Marche D'Instrumentalique

Traumprinz ‎– Mothercave
©Giegling ‎– Glg LP 03
December, 2013.


https://www.discogs.com/Traumprinz-Mothercave/release/5129411
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Uploaded in low quality. For listening purposes only*
~If either label, artist or third party copyright holder does not agree with their material being uploaded, please message me directly for any copyright issues and the recording will be removed immediately~

Email: manndarin@protonmail.com

Mothercave

Traumprinz - Believe

Efdemin aka Phillip Sollmann (born 1974 in Kassel) is a German DJ, producer and musician based in Berlin. Known for his deep, psychedelic, and idiosyncratic take on both house and techno, he has released numerous 12“s on various labels, three albums on DIAL and a fourth LP called "New Atlantis" on Berghain´s inhouse Label Ostgut in 2019

Parallaxis (The Borderland State Remix)

efdemin

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