MIDNITE SPARES: COMPILED BY ANDRÁS AND INSTANT PETERSON LP/DIGI OUT NOW

On Midnite Spares, Australian music devotees András and Instant Peterson hold a candle to overlooked avant-pop and electronic works by antipodean artists and outsiders working through the 80s and 90s. Through co-presenting weekly radio show Strange Holiday, the duo slowly upturned their locale for inspiration - archives, country bookstores, private collections and convenience stores, searching for a place to anchor their own identities in the oceans of the island continent. The 10 tracks acknowledge a minor history, passed on via a network of friends, friends of friends, the libraries of radio station 3RRR and more often than not, the artists themselves.

Renowned mixed media artist Maria Kozic enters with the mysterious downbeat of Trust Me, her partner Philip Brophy responsible for digital and analogue sonic construction. A recurring character in András and Instant Peterson’s investigations, Brophy reappears with a score piece from his divisive feature film Salt, Saliva, Sperm and Sweat, recorded as →↑→ (pronounced “Tsk Tsk Tsk”).

Other links are thread under the surface. Melbourne inner north experimentalist David Chesworth explores his Australiana songcraft leading Whadya Want?. The short lived project also featured Philip Jackson, whose duo The Couch is restored from Fast Forward’s dance issue - a pioneering cassette fanzine published by early-80s 3RRR personality Bruce Milne.

The collection binds a certain musicianship that’s indifferent to fame or chart success, although some artists unwittingly experienced this before and after. Poets of the Machine’s Grace Jones techno-wave was a modest moment for Coral Island and Red Stripe, an English migrant who once celebrated a #1 UK Christmas single with an acapella cover of Yazoo, while the morbid coming of age electronics of Foot and Mouth is a lesser known prologue to Sean Greenway and Matty Whittle’s rise as legendary teen punks heroes God. Quickly becoming a modern dancefloor hit, Mumbo Jumbo’s sole release Wind It Up is only now basking in it’s brilliance.

The remaining figures shape the diversity further. There’s Sydney dub addicts The Igniters, Mix’s groovy synth song about masturbation and the Cameron Allan/Graham Bidstrup soundtrack for petrol headed ozploitation film, Midnite Spares - the compilation’s namesake.

MIDNITE SPARES: Compiled by András and Instant Peterson(ES003) OUT NOW

In Focus: Jon Hassell 290621

Umé Records Manifesto Mix #4

Precipitation - Field Recording (Uguisu)
Ki Oni - Plant Life I
Matthewdavid's Mindflight - Tract of Hidden Animalia
iu takahashi - Daydreaming
Forrest - Crystal Suns
Rime Trails - Valediction I
Ulla - Somewhere Else
Øguu - Before Migration Pt. 2 (Umé Records forthcoming)
Rime Trails - Starless Lake of Blue
MIrage Area - Field Recording (Sea)
Emily A. Sprague - Star Gazing
Precipitation - Field Recording (Uguisu) Reprise

Mix by Zefan Sramek

Songs For Spiritual Healing

This is the first track ~ position A1 ~ my new EP for the famous Pinchy & Friends recordings division.  Following on from the impeccable string of releases i'm feeling chuffed to be sitting on PF009. 
•
•
• Mixed by Justin Vandervolgen 🔧 👍
•
•
• PRE ORDER AVAIL NOW ⚖️
https://pinchy-friends.myshopify.com/products/pf009-dreems-dreems-vs-scientist-pre-order
•
Mega Mega dope artwork 👑 🎨 by the one and only 
ALOHA PROJECT
https://www.instagram.com/alohaproject/
OBI design by @seancbate
•
Distro by Prime direct distribution

PF009

The Watchamacallit Machine [PF009] ~ out soon

Unspeakable Visions

Viva Voce

READ > inverted-audio.com/premiere-acid-springfield-troglodyte

Three months after releasing ‘Capsule‘, Melbourne via Brooklyn-based producer Acid Springfield gears up to issue his new album ‘Primitive Landscapes‘...Our pick from the album is 'Troglodyte'. In the sacred mountains of Dandenong, the producer presents a mesmerising downtempo fable that evokes visions of cavemen hunting. As the track opens with rainforest field recordings and digital soundscapes derived from uncanny constellations, it transforms into a space-time hypnosis of ceremonial percussion and a delirium of strange frequencies accompanied by faraway utterances reminiscent of mystical beings.

Primitive Landscapes LP

Troglodyte

Acid Springfield - Troglodyte [Self-released]

dima safronov - moyka, 3.10.24

A winding journey through the catalogue of All Night Flight's Stockport record store, spanning from modern classical and free-flowing jazz to a wide soundscape of dark ambient, folk and techno... with All Night Flight, anything goes! 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/all-night-flight/episodes/all-night-flight-6th-october-2024

All Night Flight w/ Bitzer Mal  061024

Ambient-Jazzy-Moody-Soundy

Tracklist:

01. AJO - H02S4YThA9Ku
02. Blondes - Aeon
03. Bloka - Night Runner
04. Khidja & Balabas - Chloe
05. Algebra Suicide - Tales Of Brave Ulysses
06. Pete Brandt's Method - What You Are
07. Shadowlust - Iris
08. Toulouse Low Trax - Non Giudicare
09. Jatibe - Entspannung
10. Meetsysteem - Bonaduz
11. Michele Mercure - Liberation Day
12. Cousin - Toad
13. Fernie - Opaque
14. Andy Stott - Sleepless
15. Lerosa - Suite De Paris
16. Le Marais - Forest Trip Adviser
17. DJ Sotofett presents Jesse - Autiomaa (I) (Tribbal)
18. Dazion - The Chant Of Celebrational Beings
19. Maria Minerva - Favorite Song
20. Androo - Wyatt Revolt
21. Angelo Badalamenti - Audrey
22. KRL - Intro Track, I Wanna See All My Friends At Once
23. Yogtze - Woodpecker
24. Plaid - Milh
25. Meetsysteem - Noch de Sterren van de Hemel (Speedy J Remix)
26. Louisahhh - Here Is Hoping
27. Rainer Veil - Change Is Never Easy
28. Benedikt Frey - Angst
29. Mike Leavy - Signs Of Things To Come
30. Jaki Whitren & John Cartwright - Times (Apophenia Dubit)
31. Chantssss - Fleur Oblique
32. Sea Urchin - Yohoforo Felmaya
33. Blotter Trax - Sleeping Though The Day
34. G P Hall - Alcheringa
35. Angelo Badalamenti - Fire Walk With Me
36. Beaumont Hannant - Utuba
37. Lamusa II - Get Your Job Done
38. Mila Anatoli - Too Late
39. Xyla - Ways
40. Heatsick - Deviation
41. Guido Flichman - Dos Ojos
42. Askia Lavender - Explain
43. Purelink - Slow And Steady Rush
44. B. B. Seaton - Dancing In The Moonlight (Instrumental)
45. 1987 - Michelle (Kornel Kovacs Remix)
46. Bell Towers - Privacy (DJ Python Remix)
47. Dreste - Intergers Cannot Float
48. Legowelt - Unconditional Contours Memorymoog
49. Global Aphasia - New Walk
50. Lamusa II - No Additional Text
51. Khey Mysterio - Infraglacier
52. Jeans - DLPFC
53. Overflow - Take Me There
54. Raff - Reductionist
55. Charlotte Bendiks - Hjemme
56. Atoloi & Gaia Ginevra Giorgi - In Questa Tua Prima Lettera
57. Richenel - I Need Your Love Again
58. Sleep D - Grass Bath
59. Robotalco - Saturday Latin Jam
60. Efdemin - Oh, Lovely Appearance of Death
61. Lamusa II - And I Hated It
62. Bjarki - Two Brainedness
63. Rupert Clervaux - Hidden In The Frail Partition

https://soundcloud.com/aleksandrl

Nešokiai w/Aleksandr L @ Baras Laiptinė / 25 October 2024

MIDNITE SPARES: COMPILED BY ANDRÁS AND INSTANT PETERSON LP/DIGI OUT 09 SEPT

On Midnite Spares, Australian music devotees András and Instant Peterson hold a candle to overlooked avant-pop and electronic works by antipodean artists and outsiders working through the 80s and 90s. Through co-presenting weekly radio show Strange Holiday, the duo slowly upturned their locale for inspiration - archives, country bookstores, private collections and convenience stores, searching for a place to anchor their own identities in the oceans of the island continent. The 10 tracks acknowledge a minor history, passed on via a network of friends, friends of friends, the libraries of radio station 3RRR and more often than not, the artists themselves.

Renowned mixed media artist Maria Kozic enters with the mysterious downbeat of Trust Me, her partner Philip Brophy responsible for digital and analogue sonic construction. A recurring character in András and Instant Peterson’s investigations, Brophy reappears with a score piece from his divisive feature film Salt, Saliva, Sperm and Sweat, recorded as →↑→ (pronounced “Tch Tch Tch”).

Other links are thread under the surface. Melbourne inner north experimentalist David Chesworth explores his Australiana songcraft leading Whadya Want?. The short lived project also featured Philip Jackson, whose duo The Couch is restored from Fast Forward’s dance issue - a pioneering cassette fanzine published by early-80s 3RRR personality Bruce Milne.

The collection binds a certain musicianship that’s indifferent to fame or chart success, although some artists unwittingly experienced this before and after. Poets of the Machine’s Grace Jones techno-wave was a modest moment for Coral Island and Red Stripe, an English migrant who once celebrated a #1 UK Christmas single with an acapella cover of Yazoo, while the morbid coming of age electronics of Foot and Mouth is a lesser known prologue to Sean Greenway and Matty Whittle’s rise as legendary teen punks heroes God. Quickly becoming a modern dancefloor hit, Mumbo Jumbo’s sole release Wind It Up is only now basking in it’s brilliance.

The remaining figures shape the diversity further. There’s Sydney dub addicts The Igniters, Mix’s groovy synth song about masturbation and the Cameron Allan/Graham Bidstrup soundtrack for petrol headed ozploitation film, Midnite Spares - the compilation’s namesake.

05 → ↑ → - Sedation 2:58 (ES003)

04 The Couch - Full Treatment (2:46)

03 Poets Of The Machine - Arabs 5:48 (ES003)

02 Whadya Want?  - Open Spaces 3:49 (ES003)

01 Maria Kozic And The MK Sound - Trust Me 4:33 (ES003)

Recording of live performance from the Brighton Modular Meet, 1st July 2017.
Line up also included Robert Aiki Aubrey Lowe, Russell Haswell and Makaton.
http://www.brightonmodularmeet.co.uk

PCAlive

PCAlive at Brighton Modular Meet July 2017

Representing the city of Geneva here is Second Circle affiliate Androo (androo-3) with his "m'enfin?!" mix in the MFM series. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hi Androo, thanks for contributing. For the readers who haven't been to Geneva before, could you describe the city a bit in terms of culture?

A: Mmmh, there are many things to say about the city. I feel that my generation came just after a certain “golden age” of the “underground” music culture. Geneva had a lot of squats during the 90s and early 2000s but now the political situation isn’t the same. Today we don’t have many non-normative venues allowing experimentally and who aren’t based on economic profit. For me, there is a certain vision missing from various clubs in the city. It feels sad that filling the room seems more important than exploring and defend other ones. I feel the potential of night culture and dance which is based on the collective energy of a certain youth is channeled into a kind of apolitical and dull consumption. I wish one day, the night may serve to create more spaces for political and experimental moments! But there is something amazing going on in Geneva, it’s the sound system scene. 

MFM: Your music as Androo sounds quite melodic and touches many different styles in an oddball kind of way. Where does all that come from? 

A: I was playing the piano when I was a child but I wasn’t working really hard (what’s work when you play?), I always preferred composing little things. There was also music in church. Later, I’ve had some reggae bands. I have always been a bit romantic with music. But the real explosion was the discovery of the sound systems culture. Every two months there was the Dubquake organised by OBF in Geneva (it’s still going strong!). Their style was informed by new wave melodies and futuristic dub sound, their sound and musical explorations created something really physical, experience! Around the same time I discovered what the music studio can be. You mix a new song and the same night you play it out, without a fuss, dubplate style. Later I opened up to other stuff and soon tried to bring together irreconcilable things. For more than a year now, I dived deep into jazz piano and contemporary music. Every day I do exercises, scales, etc, some of them become musical compositions. 

MFM: Could you take us on a tour through your studio? What's the vibe like, what's in there?

A: There is a mixing console with external effects, everything is done live. This is how I learnt it from the dub. I don’t do much arrangement on the computer, the track is being built at the console: you remove the bass now and then put a delay on the piano, everything is recorded in one take. It’s about the hands. There are some mistakes and you let them be, that is what makes music alive. There are some synths and drum machines, boxes of matches, wood pieces. I am just trying things out, it’s kind of a space for experimentation. It’s about researching, letting problems appear, chance is also important. Not everything is smoothen out, it’s about acceptation. You throw stuff on the floor, you accept them and then start from there.

MFM: Are you keeping it strictly to writing and recording music?

A: For now I don’t do electronic live acts. But I do piano lives. I keep them raw and experimental, so in a way it’s also influenced by the dub. I have been DJing since quite some time now. I approach mixing a bit like editing in cinema, I try to do cuts, rapprochements and loose associations. DJing is also somehow about friendship, the fact of doing, of organising parties together. Djing is great but feels a bit repetitive most of the time so I try to propose other things with DJ May and other. We are both drawn to cinema and theatre. So we started to read texts in the middle of a set, adding small dance pieces or even mixing silence. For us it’s about proposing simple and non extraordinary little experiences.

MFM Mix 014: Androo

Label run by @noise-in-my-head

Distribution queries:

Australia | info@noiseinmyhead.com.au
Rest of the World | www.wordandsound.de

NTS Radio Show | Record Label | Party Series | Publisher 

Bookings | james@watartists.com

04 The Couch - Full Treatment (2:46)

Efficient Space

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