deep N dancey (warmin up)

For the first show of the new year, The EDWIN Music channel welcomes Tokyo-based producer, DJ, and "Organic Music" Record Store owner Chee Shimizu (@organicchee).

For the full interview and tracklisting, please visit https://edwin-europe.com

№ 114 - Chee Shimizu

2013 Red Bull Music Academy alum @klokeuk has been keeping himself busy with more exquisite output, recently dropping the 'First Light' EP on Melbourne imprint @subsquared, while also getting his live electronic trio @TRAVANCORE1 off the ground.

We kindly urge you to seek out 'First Light' (http://www.juno.co.uk/products/kloke-first-light-ep/553941-01/) and TRAVANCORE's self-titled LP (http://hiddenwaves.bandcamp.com/album/travancore) when you have a spare minute - but first we'd like to draw your attention to this gem of a @suzannekraft remix. A fellow graduate of the 2013 Academy in New York City, Suzanne Kraft adds a dusty drum & bass flavor to "Space & Time" letting the original's synth crescendos open up wide open spaces in between breaks.

You can stream previews of the 'First Light' EP here:
https://soundcloud.com/subsquared/ssq04-kloke-first-light-ep-clips-12-download

Buy 'First Light' via Juno:
http://www.juno.co.uk/products/kloke-first-light-ep/553941-01/

https://facebook.com/klokesounds
http://redbullmusicacademy.com

Kloke - Space & Time (Suzanne Kraft Remix)

"This is something about mining nostalgia & the space of how I've been listening to music over the last summer in Perth.  Like when you share the space of the car, facing the same way in the same direction, no eye contact but a moment of shared expression, seeing images pass, cue points of intrigue wandering out of frame haunted by what the last song anticipates. Becoming nostalgic for something as it happens in front of you.  I feel like music makes this kind of space. Maybe for me its a liminal space preceding memory, non-linear but not circular, reducing anachronistic distances, like transposing past emo angst against future heartbreak. Driving through Perth suburbs down the coast, sometimes trite corny cinematic but in its own way just great."

@eleventeeneston

John Tanner - 18.02.24

Irregular extra special shows from the world of Melbourne reissue label Efficient Space.  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/efficient-space/episodes/efficient-space-th-blisks-25th-june-2024

Efficient Space w/ Th Blisks 250624

Residency show broadcasted live at Radio Tempo Não Pára (16.08.2023)

Artist: @fergus_cw

Object OD w/ Fergus @ Radio TNP 16.08.2024

Contrary to the misinformed UK rap didn’t start with Dizzy Rascal, The Streets & Stormzy

Neither was it always an inferior emulation of its US counterparts. The UK took musical influences from diverse sources inspired by the countries uniquely diverse spectrum of international cultures, embryonic influential moments that transformed into multiple worldwide musical phenomenons, hugely successful genres that could only of been forged in the UK. 

The evolution of rap in the UK is a complex and fascinating story, many of its first commercial releases might of been novelties or pop hit records but a parallel strong & passionate underground scene developed via events, clubs, magazines and nationwide specialist Rap radio shows, Hip Hop in the UK was a transformative colour blind unifying force. 

Although  much of it was ignored outside of the UK, Early British rap from across all regions of the country created many landmark timeless anthems that still sound as fresh and urgent today as they did when first released, equally as relevant as seminal revered releases from the same era across the pond, they deserve more respect and attention. 

I’ve tried to include as many of my favourite tracks from 1980-1996 as possible in this mix. In chronological order, but by no means definitive, I’m fully aware I’ve missed out loads of other great records, (and added some curveballs simply to infuriate purists) so my apologises to those legends & pioneers I didn’t feature. 

Also I’m certainly no turntablist so please don’t expect cutting, scratching or masterfully theatric blends, I’ll leave that to the experts. 

Apologies for playing Ian Dury during tracks from 1981, it was originally released in 1979 so really should have started the mix. 

Enjoy!

NB : Original broadcast as 3 parts on Noods Radio in 2025, this is an extended version of those mixes featuring bonus tracks not in the original Mixes.

UK RAP / 1979-1995 - Classics, Oddities + Novelties - NOODS RADIO

For RA.1000, DJ Sprinkles' first mix in over a decade is a powerful meditation on the genocide in Gaza.

Dance music often relies on simple narratives: release, escape, unity. But those narratives can often feel inadequate, and even at times, hollow. Or, as Terre Thaemlitz might bluntly put it, just "shitty."

For her first mix in around 15 years, Terre Thaemlitz AKA DJ Sprinkles, challenges us to think differently. "I felt this 1000th podcast should reflect the moment in which it was made," she told us in her Q&A.

And what is this moment? Every day since Israel's 2023 assault on Gaza began, an average of 28 children have been killed. That's an entire classroom, every day, for over 600 days (at the time of writing). It's a staggering figure that only captures a fragment of the listless cruelty imposed on the strip.

Faced with such a genocide, what can music really do? How political can it truly be?  For their RA.1000, Thaemlitz gives us an unflinching rebuke to the idea that music should provide escapism. The mix weaves ambient fragments and jazz passages, woven around samples from Israeli media and the voices of outspoken Jewish critics like Gabor Maté and Norman Finkelstein. 

The result is not just a protest, but a document of our time. For Terre Thaemlitz, music is never just music. Her RA.1000 serves as a reminder that in an age of relentless suffering, the most political act is to reject the illusion of escape, and search for something greater.

Read the interview and find the tracklist at ra.co/podcast/1013. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 Terre Thaemlitz / DJ Sprinkles

The masterful Japanese digger Chee Shimizu showcased his singular taste in music during the June 2017 edition of RA Live at Brilliant Corners.

RA Live

RA Live - 08.06.17 Chee Shimizu at Brilliant Corners

Alex Ferrazzi and Matteo Keemani a.k.a. Blue Mondays, longtime Laterra friends and collaborators (with releases on Sonar Kollektiv, Rebirth, Snatch!,Memento, Manocalda as well), strike again. They do it, as usual, their very own way: shades of Balearic flavours in there, but with a very dark and malicious twist. Marvin & Guy add some disco nuances (keeping it raw and obscure, though), while Nick Anthony Simoncino delivers a solid, strict, gloomy dancefloor affair. No frills, mad quality.

Mad At U

LT018 • Blue Mondays feat. Pat Cosmo - Mad At U (Marvin & Guy Whisper Mix)

Robert racic3

Robert racic 2

Robert racic 1

Sully brings pure junglist fire for the second release on Rua Sound offshoot, Foxy Jangle!

Premiere: Sully 'Soundboy Don't Push Your Luck'

3AM Spares is a new compilation of Australian Electronic Dance Music selected by Andras and Instant Peterson, encompassing the darker sounds and later nights of the 1990s and beyond. Following on from forerunner compilation Midnite Spares, this double LP draws from local 12” releases, CDRs and the archives of community radio station 3RRR FM to make a diverse and pumping scene audible once more. No longer confined to beer barns and back rooms, this generation of producers, DJs, clubbers and ravers spilled out into pavilions, warehouses and paddocks, embracing a new culture of machine-metaphor and chemical love.

Future Sound of Melbourne’s warehouse triptych Resist The Beat embodies a time when the country’s youth united with juggernaut stamina, partying beyond the long arm of the law. Restored from the ARIA award-winning trio’s original DATs, this debut 12” incited label offers from Jeff Mills, Frank De Wulf and Carl Cox.

Released by the likes of Clan Analogue, Creative Vibes, Volition, DanceNet, Juice and Psy-Harmonics, this era’s material has evaded sufficient digital documentation until now, some lost in the decommission of Angelfire, Tripod and Geocities websites. Often these bedroom experiments and one-off collaborations existed solely for compilation inclusions, a plausible scenario for the mysterious Inner Harmony. In the case of Tetrphnm, graphic artist Jeremy Dower’s glacial sub-bass was digitised from the only known CD-R copy, preserved by the 3RRR FM library.

Many key figures of this narrative have deep roots in the DIY/post-punk family tree. Third Eye, the impressive evolution of Whirlywirld founder and industrial legend Ollie Olsen, finds common ground with I Will Go, a hypnotic concoction by Adrenalentil and Poets of the Machine associate Jandy Rainbow, a transgender artist whose liberated electronics trace back to 1978.

The most unique take on this new wave of dance music comes from Turrbal-Gubbi Gubbi woman and Stolen Generations survivor Maroochy Barambah. Recorded in New York, Mongungi incorporates two lines of a traditional Gubbi Gubbi song Gurri Nina Nami with the sound palette of tribal house, highlighting the broadening ways that identity and culture were being negotiated and manifested within club music.

A lesson in intelligent appropriation, Artificial’s Sobriquet remix bends one of the most looped samples of all time to fit a wired new generation’s interrogation of that thing called disco. Artificial’s ingenuity was vital impact to the scene, releasing three influential albums as one half of B(if)tek and establishing the WINK Awards - a music prize that recognised and encouraged subversive electronics. Her playfulness is mirrored in Blimp’s frisky garage house, recalling Paul Johnson, while Ian Eccles-Smith’s borrowing is comparatively more discrete on the chillout sampledelic collage The Slaughtering Eye.

Andy Rantzen returns to Efficient Space in two incarnations - as one half of Itch-E + Scratch-E ambient alias Screensaver, and in collaboration with General Electrik on Leather Lover, a cocked and loaded glimpse at the bottom end of Oxford street, originally recorded for the Club Kooky compilation Gay In The Life: Adventures in the Queer Underground. Reinventing himself as Hypnoblob, fellow Sydney Oz Wave artist Ian Andrews also gives us his pneumatic-drill-step Deep Down.

3AM Spares: Compiled by Andras and Instant Peterson

A2 Hypnoblob - Deep Down 5:00 (ES009)

https://thebirdsthatmimicsolitude.bandcamp.com/releases

Jack Chrysalis - Life Codes

Label run by @noise-in-my-head

Distribution queries:

Australia | info@noiseinmyhead.com.au
Rest of the World | www.wordandsound.de

✧༺♥༻   c8t1?n   ༺♥༻✧
drums n wubs n textural dubs

@resonancenaarm

contact: caitlinmaybond@yahoo.com.au

A2 Hypnoblob - Deep Down 5:00 (ES009)

Efficient Space

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