This is really an original variation of the original. It is really amazing to see how a composition can be transformed

02 Struggle For Pleasure

Charity festival in Prague, from which all money is given to cancer cure development. 

Artists: Prague Radio Symphony Orchestra, Prague Philharmonic Choir, conductor Nic Raine

Rachel Portman - Suite from Chocolat

Bandcamp:http://stephanfischer.bandcamp.com/album/like-a-leaf
Cover Artwork by KaleylArts

Prelude #1

The Pigeon Tunnel (Soundtrack from the Apple Original Film)

Goodbye Ronnie

This album is part of Lost Tribe Sound's 11 album series, 'Maps to Where the Poison Grows.' Subscribe to the series to receive a discounted price on the CD or digital version, here: https://lnk.to/poisonmaps

Texas-based experimental percussionist Lavatone makes a commanding entrance on the Lost Tribe Sound label, with the new double album, ‘Lunar Mining and Excavation’. LM&E embarks on a rare concept album from the artist. This is heavy, filthy, industrial workplace, Total Recall eyes-popping-out-of-your-head type stuff, only no air this time, Cohaagan. It’s the ugly side of Space Music… overworked machinery, duct taped space suits, turds hovering at low-gravity in the porta-johns, pounding, grinding, noise and catharsis. 

If all that comes across as hellish and unapproachable, rest assured Lavatone’s a master of low-frequency sound and polyrhythms. While the label first discovered his impressive back-catalog in 2021, Drew Holder, the guy behind the alias, has been making his special breed of drone and thump music since the mid 90’s. While his mechanized approach takes on structural similarities to that of electronic music, Holder doesn’t even own a synth, and the percussive elements are all created by hand before being fed into a machine for further manipulation. This lends a deep, tactile richness to the music. This electroacoustic effect was well apparent in works like 2021 ‘Elevator,’ where these steady, brutish rhythms were aided by a multitude of strangely exotic offshoots, as they tunneled their way through a steely latticework of controlled noise.

Lunar Mining and Excavation

Fire Light Star Man

Lavatone - Fire Light Star Man (From Lunar Mining and Excavation - Maps Series)

Bach: Clavier Übung I

Partita No. 3 in A Minor, BWV 827: VI. Scherzo

Official Demo for Embertone's "The Joshua Bell Violin"

Coming soon...

As I Watched, I Wept - Offical Demo for Embertone's Joshua Bell Violin

For many years, whenever I play the piano and compose, before even touching the keys to play, I stay still. I begin from silence. I enter into a precise, recognized state and from this silence, the sound appears. It is an essential and directed sound that surpasses obstacles and divisions. It is not a mental or intellectual process but rather it is music that flows from emotion through melody and harmony, which, throughout time, have been the primordial elements of the power of sound.

“Quarto Tempo” is the space beyond the confines of the three time periods: past, present and future where the before, the now and the then, meet and cancel each other out. This inexplorable space is the setting where I find an attitude open to listening of the music and the sentiments that spring from it. This desire to go beyond these limits is a constant that is central to my work.

The historical view that at one time placed the musical time periods distant from one another has now changed from temporal, prospective and spatial; this modifies the relationship with consequentiality. One is not influenced only from what comes immediately beforehand but rather is impacted in the same way by a sound from five hundred years ago as by a sound from five years ago. 
The running of the tape or the turning of the needle on the vinyl of the LP, symbols of the running of time, is replaced by Hard disk where memory, rather than this running, exists. Here, the spanning of time becomes space.

Personally, I am interested in Music within mythology. This very music that through the powers of sound, charmed dolphins and made trees dance in the myth of Orpheus, sound that through its objective power, made the walls of Gerico come tumbling down. 
I believe that music, the universal language, should speak to everyone and needs not extensive explanation, at least in a deeper sense, but rather should be allowed to resonate within us so that we can hear what it evokes. 
The relationship I have with music has for many years, been tightly interwoven with my own search for personal evolution. It is an education that approaches, in essence a mirror. Through music I find myself in a vast and limitless flow. I have the opportunity to transmit my aspirations, to communicate what I feel and what I believe.

Seconda navigazione - Quarto tempo

A very evocative piece for piano, "Because this must be", by Nils Frahm, German musician and composer. From the album "7fingers" (2010)

02 Struggle For Pleasure

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