Exorbitant!!! ...and very visual! ...and a little like „pendulum music“ by Steve Reich scored for instruments! I also read your explanation about all what's in here; amazing work, I really love it!

https://leolambert.bandcamp.com/album/the-retreat

Echo

Barkl

Code Blue

Just got Logic pro x- My first recording experiment. Recorded my group the snake pit and put in matching music ideas.
I used a beat track in pieces. otherwise guitars and my friends

The Snake Pit

2024-07-31

In The Mountains

Everything at once_03

The piece is divided into 8 sections, which each time extends followed by a number sequence: 3, 2, 3, 2, 3, 2, 3, and 2. In this case, the last section becomes twice longer than the previous one, representing the effect of longing, which means Pratiksha in Indian language. The harmony is based on the chromatic transposition down of the chord of three pitches until it supplement the first chord (upper tetrachord) to the full Indian raga scale.
Also, I was inspired by gamaka’s definition that they are basically connective forces and the manner of travel from one note to another. There are 32 ways of gamaka’s, which are mainly responsible for the aesthetic enjoyments in the entire performance, differing from each artist. My intention not to represent gamaka's, but use them in such a way, that they could transform into microtonal ornamentation of the melodic cycles.
The work is commissioned by the Wigmore Hall with the support of André Hoffmann, President of the Fondation Hoffmann, a Swiss grant-making foundation. The world is dedicated to the ensemble Apartment House. 

Recording engineer  - Simon Reynell

Pratiksha

Profile photo by © Martynas Aleksa

Each composition is based on the transformation of the various textile patterns or weaves into musical language. The methodology of mapping is concluded in PhD thesis at Durham University.  Textile patterns reflects distinct motions and atmosphere due its different structure and description. Indian ragas serves for the structure of harmony in order to construct a close relationship between sounds and textile patterns. Every Indian ragas has its own time, duration, specific mode of pitches as the textile patterns, which reflect various cultures and weaving methods.

Pratiksha

Egidija Medeksaite

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