🔞PARENTAL ADVISORY... LOL

⭐🎵Exclusive to headphones with bass. If your earphone is different, the bits will be different and the volume will also be.

REFRÃO

Fashion 3x
Sempre que eu tô fashion, ela quer jogar oh no
Bitches come down, don't go
Descobriu meu contato, ela quer tá onde eu tô
Holy shit my bro

VERSO

Ela ensina (an...)
Sobe e desce (sobe e desce...)
Bitch num esquece (num esquece...)
Só quero o boquete (boquete...)
Sua gostosa (gostosa...)
Ela me olha (me olha...)
Pede que bota (han...)
Então toma e joga (toma e joga...)
Sem camisinha ela... delíra (delíra...)
Sem camisinha... vira piscina (piscina...)
Essa bitch sabe que é... minha sina (minha sina...)
Sem camisinha...

VERSO II

Bitch no sé... (ahan...)
Speak Francê ? (ahan...)
Baby baby b... (anrr...)
Vem aqui descer... (anrr...)
Essa rabona ela... empina (empina...)
Ela ensina (an...)
Pisca pisca (pisca pisca...)
Ela empina essa... Rabona (Rabona...)
Vai dançando sua Ca-valona (Cavalona...)
Rebolando na minha... Picona (Picona...)
Eu sou tipo AAnaconda (anrr...)

PONTE

Ela desce e geme (an...)
Ela geme e desce (ahan...)
Vadia não esquece (anr...)
Faz o seu boquete (anr...)
Ela  faz boquete (anrr...)
Ela é gostosa (anrrr...)
Sabe que eu tô viciado nessa... gostosa 
((CLAP)) Gostosa !

REFRÃO 2x

Fashion 3x
Sempre que eu tô fashion, ela quer jogar oh no
Bitches come down, don't go
Descobriu meu contato, ela quer tá onde eu tô
Holy shit my bro

CLAP😈

https://northfield-lenox.com/
This track features vocals and lyrics created by Jennifer Roe. Please visit her SoundCloud page for more amazing music. 

@jenniferroe

“Crystal Radio” is 4 track album released in 2022.  The central thread related to how time and life flow in an unpredictable pattern, but within boundaries. Lines are created based on decisions we make, big or small.  How different would someone’s life change based on these decisions?  Even say, stopping or not stopping to have a drink at a water fountain, decades previously. Everything after would have been jostled around, but with what impact?  

Two previous tracks have used this theme. ‘Silica Daughter’ appears on the 2021 project “Cloktacs III” and uses a sample where the question is asked, “You won’t fail me will you?”.  Later in 2021, samples from the 90-year-old movie ‘Back Street’ were repurposed to create a radio play called ‘Back Lane’ which will be aired as part of the 2022 Radiophrenia event in Scotland. The storyline of the movie follows a chain of events set in motion by a simple decision that alters the lives of the characters completely, forever, and ends in a classic, ‘what if’…

The final track “Tracing Home” again features Jennifer,  bookending this project with two fabulous performances.

Tracing Home [Ft. Jen Roe]

Falling (Instrumental)

For What Its Worth - Matt James -Buffalo Springfield

Optimism

Forevermore

Finding some old Tascam 4 or 8 track (cassette) recordings of songs from the late 80s/early 90s when Morry and I recorded during summers back from college and after, when we lived together in an apartment in 90/91ish...and played out as a duo occasionally. We had a lot of influences but seems like many songs from this time had an XTC influence. We were in our late teens, early 20s so my memories are not that sharp :) Mix has some blend issues but fun to hear these again. Hope you enjoy. Not sure why we called it Lady Lexus...maybe Morry will remember and comment. Morry wrote this song.

Sleep

Lady Lexus - Original

© 2023 Pantomime Riot

Black leather and a six-inch wedge
Cold wind at the scraper's edge
Deny your program as the vortex rolls
Laughing at the closets in their pigeonholes
Insane they’ll twist inside out
Scared faces that begin to shout
They never got it and they never will
Waiting mouths open for a media fill

You never know until it hits close range
The dark aroma sends the kids deranged
White knuckles on the feris wheel
The jagged razor cuts have all congealed

East escalates as West demands
Grey suits clap and rub their hands
Did you see it on the news at ten
Mad Billy climbed the electronic tower again.
Head back as the rain pours down
Blood pissing from a barbed wire crown
Close sources say it's not that deep
Then climb under their duvets for some beauty sleep

You never know until it hits close range
The dark aroma sends the kids deranged
White knuckles on the feris wheel
The jagged razor cuts have all congealed

Cars scorch through the narrow streets
Smoke rises as they overheat
But no one listens to the rider's joys
Pushing in their silver earbuds to avoid the noise
Chaos renders and the waves collapse
Walls tremble as the mantle cracks
Crowds travel to the northern lights
To fly their tired banners and defend their rights

You never know until it hits close range
The dark aroma sends the kids deranged
White knuckles on the feris wheel
The jagged razor cuts have all congealed

Phone hangs from an android’s arm
Firewalls keep you safe from harm
Creeps smiling coz they think they’ll win
As they push another chip under your fragile skin
An angel swings from the hangman's noose
Armed response let the jackals loose
But if they hurry there will just be time
To turn their fucking script into a pantomime

You never know until it hits close range
The dark aroma sends the kids deranged
White knuckles on the feris wheel
The jagged razor cuts have all congealed

EARLY BRIGHT

CLOSE RANGE

Q-Ambiente Tecnologico

Composed, arranged, performed, and produced by:
Carlos Vivanco

In music, the acoustic scale, overtone scale, Lydian dominant scale, Lydian ♭7 scale, or the Pontikonisian Scale is a seven-note synthetic scale.
This differs from the major scale in having an augmented fourth and a minor seventh scale degree. It is the fourth mode of the melodic minor ascending scale. The term "acoustic scale" is sometimes used to describe a particular mode of this seven-note collection (e.g. the specific ordering C–D–E–F♯–G–A–B♭) and is sometimes used to describe the collection as a whole (e.g. including orderings such as E–F♯–G–A–B♭–C–D).
The acoustic scale appears sporadically in nineteenth-century music, notably in the works of Franz Liszt and Claude Debussy. It also plays a role in the music of twentieth-century composers, including Igor Stravinsky, Béla Bartók, and Karol Szymanowski, who was influenced by folk music from the Polish Highlands.[8] The acoustic scale is also remarkably common in the music of Nordeste, the northeastern region of Brazil[9] (see Escala nordestina). It plays a major role in jazz harmony, where it is used to accompany dominant seventh chords starting on the first scale degree. The term "acoustic scale" was coined by Ernő Lendvai in his analysis of the music of Béla Bartók.
The name "acoustic scale" refers to the resemblance to the eighth through 14th partials in the harmonic series (Play (help·info)). Starting on C1, the harmonic series is C1, C2, G2, C3, E3, G3, B7♭3*, C4, D4, E4, F↑4*, G4, A13♭4*, B7♭4*, B4, C5 ... The bold notes spell out an acoustic scale on C4. However, in the harmonic series, the notes marked with asterisks are out of tune: F↑4*  is almost exactly halfway between F♮4 and F♯4, A13♭4* (Play is closer to A♭4 than A♮4, and B7♭4* is too flat to be generally accepted as part of an equal tempered scale.

The acoustic scale may be formed from a major triad (C E G) with an added minor seventh and raised fourth (B♭ and F♯, drawn from the overtone series) and major second and major sixth (D and A). Lendvai described the use of the "acoustic system" accompanying the acoustic scale in Bartók's music, since it entails structural characteristics such as symmetrically balanced sections, especially periods, in contrast with his use of the golden ratio. In Bartók's music, the acoustic scale is characterized in various ways including diatonic, dynamic, tense, and triple- or other odd-metered, as opposed to the music structured by the Fibonacci sequence which is chromatic, static, relaxed, and duple-metered.

Another way to regard the acoustic scale is that it occurs as a mode of the melodic minor scale starting on the fourth degree. Hence, the acoustic scale starting on D is D, E, F♯, G♯, A, B, C, D, containing the familiar sharpened F and G of A melodic minor. The F♯ turns the D minor tetrachord into a major tetrachord, and the G♯ turns it into Lydian. Therefore, many occurrences of this scale in jazz may be regarded as unsurprising; it shows up in modal improvisation and composition over harmonic progressions which invite the use of the melodic minor.

Heptagram

Lydian Dominant

Out of the Box April 2023
Happy Ending variation of the original Open the Box recording November 2022

Taste REMIX

~Everything~vibrates~
🤘My Followers Are Fucks ! Tnks for the compliments in private🔥 Love You❤️
𝙉𝙤𝙣𝙚 𝙤𝙛 𝙢𝙮 𝙢𝙪𝙨𝙞𝙘 𝙞𝙨 𝙬𝙝𝙖𝙩 𝙞𝙩 𝙖𝙥𝙥𝙚𝙖𝙧𝙨 𝙩𝙤 𝙗𝙚, 𝙩𝙝𝙚𝙮 𝙖𝙡𝙡 𝙝𝙖𝙫𝙚 𝙝𝙞𝙨𝙩𝙤𝙧𝙮, 𝙥𝙚𝙧𝙘𝙚𝙥𝙩𝙞𝙗𝙡𝙚 𝙖𝙣𝙙 𝙨𝙪𝙗𝙡𝙞𝙢𝙞𝙣𝙖𝙡 𝙩𝙚𝙖𝙘𝙝𝙞𝙣𝙜𝙨. 
𝙄𝙛 𝙮𝙤𝙪 𝙡𝙤𝙤𝙠 𝙘𝙡𝙤𝙨𝙚𝙡𝙮, 𝙤𝙣𝙡𝙮 𝙞𝙣 𝙨𝙤𝙢𝙚 𝙨𝙤𝙣𝙜𝙨 𝙄 𝙡𝙚𝙖𝙫𝙚 𝙖𝙣 𝙚𝙭𝙥𝙡𝙖𝙣𝙖𝙩𝙤𝙧𝙮 𝙢𝙪𝙨𝙞𝙘𝙖𝙡 𝙣𝙤𝙩𝙚.
𝙄 𝙬𝙤𝙪𝙡𝙙 𝙢𝙚𝙣𝙩𝙞𝙤𝙣 𝙟𝙪𝙨𝙩 𝟯, 𝙩𝙝𝙚 𝙤𝙩𝙝𝙚𝙧 𝙨𝙤𝙣𝙜𝙨 𝙄 𝙡𝙚𝙖𝙫𝙚 𝙛𝙤𝙧 𝙢𝙮 𝙖𝙪𝙙𝙞𝙚𝙣𝙘𝙚 𝙩𝙤 𝙞𝙣𝙩𝙚𝙧𝙥𝙧𝙚𝙩 𝙖𝙣𝙙 𝙩𝙧𝙮 𝙩𝙤 𝙪𝙣𝙙𝙚𝙧𝙨𝙩𝙖𝙣𝙙 𝙩𝙝𝙚 𝙢𝙚𝙨𝙨𝙖𝙜𝙚:

⭐𝙁𝘼𝙑𝙊𝙍𝙄𝙏𝙀 𝘽𝙄𝙏𝘾𝙃🍓: 𝙄𝙩 𝙩𝙚𝙖𝙘𝙝𝙚𝙨 𝙮𝙤𝙪 𝙩𝙝𝙖𝙩 𝙝𝙖𝙫𝙞𝙣𝙜 𝙖 𝙛𝙖𝙫𝙤𝙧𝙞𝙩𝙚 𝙗𝙞𝙩𝙘𝙝 𝙢𝙖𝙠𝙚𝙨 𝙮𝙤𝙪 𝙝𝙤𝙨𝙩𝙖𝙜𝙚 𝙩𝙤 𝙢𝙤𝙣𝙚𝙮 𝙖𝙣𝙙 𝙣𝙚𝙚𝙙𝙮. 𝙏𝙝𝙚 𝙨𝙤𝙣𝙜 𝙞𝙨 𝙖𝙗𝙤𝙪𝙩 𝙖 𝙢𝙖𝙣 𝙬𝙝𝙤 𝙛𝙚𝙚𝙡𝙨 𝙖𝙗𝙖𝙣𝙙𝙤𝙣𝙚𝙙 𝙚𝙫𝙚𝙧𝙮 𝙩𝙞𝙢𝙚 𝙖 𝙬𝙝𝙤𝙧𝙚 𝙡𝙚𝙖𝙫𝙚𝙨 𝙝𝙞𝙢.

🔮𝙎𝙝𝙚 𝙈𝙖𝙠𝙚 𝙎𝙥𝙚𝙡𝙡: 𝙀𝙣𝙘𝙝𝙖𝙣𝙩𝙚𝙙 𝙢𝙞𝙣𝙙𝙨 𝙚𝙣𝙙 𝙪𝙥 𝙜𝙤𝙞𝙣𝙜 𝙘𝙧𝙖𝙯𝙮 𝙞𝙣 𝙡𝙤𝙫𝙚 𝙛𝙤𝙧 𝙣𝙤𝙩 𝙝𝙖𝙫𝙞𝙣𝙜 𝙩𝙝𝙚𝙞𝙧 𝙄𝘿'𝙨 𝙙𝙚𝙨𝙞𝙧𝙚 𝙛𝙪𝙡𝙛𝙞𝙡𝙡𝙚𝙙

❤️𝘾𝙊𝙈𝙀 𝘽𝘼𝘾𝙆 - 𝙛𝙚𝙖𝙩. 𝙇𝙄𝙇 𝙂𝙊𝙏𝙃: 𝙏𝙝𝙚 𝙨𝙚𝙥𝙖𝙧𝙖𝙩𝙞𝙤𝙣 𝙤𝙛 𝙩𝙬𝙤 𝙥𝙚𝙤𝙥𝙡𝙚 𝙬𝙝𝙤 𝙡𝙤𝙫𝙚 𝙚𝙖𝙘𝙝 𝙤𝙩𝙝𝙚𝙧 𝙘𝙖𝙣 𝙗𝙚 𝙥𝙖𝙞𝙣𝙛𝙪𝙡 𝙛𝙤𝙧 𝙖 𝙡𝙞𝙛𝙚𝙩𝙞𝙢𝙚.

𝙄 𝙛𝙚𝙡𝙩 𝙩𝙝𝙚 𝙣𝙚𝙚𝙙 𝙩𝙤 𝙡𝙚𝙖𝙫𝙚 𝙩𝙝𝙞𝙨 𝙚𝙭𝙥𝙡𝙖𝙣𝙖𝙩𝙞𝙤𝙣 𝙤𝙛 𝙢𝙮𝙨𝙚𝙡𝙛 𝙖𝙨 𝙖𝙣 𝙖𝙧𝙩𝙞𝙨𝙩 𝙞𝙣 𝙢𝙞𝙣𝙚, 𝙗𝙚𝙘𝙖𝙪𝙨𝙚 𝙄 𝙧𝙚𝙖𝙡𝙞𝙯𝙚𝙙 𝙩𝙝𝙖𝙩 𝙨𝙤𝙢𝙚 𝙙𝙞𝙙 𝙣𝙤𝙩 𝙜𝙚𝙩 𝙩𝙝𝙚 𝙢𝙚𝙨𝙨𝙖𝙜𝙚𝙨.
𝙏𝙝𝙖𝙣𝙠𝙨 𝙛𝙤𝙧 𝙧𝙚𝙖𝙙𝙞𝙣𝙜 :)

𝙈𝙮 𝙣𝙖𝙢𝙚 𝙞𝙨 𝙏𝙝𝙖𝙡𝙚𝙨, 𝙄'𝙢:
💻 Software programmer
🎶Musical artist in his spare time :)

CLAP😈

𝗘𝗚𝗟

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