TIA - Lea Threatening My Shadow

THE SAILOR´S BRIDE.wav

ONE LINE LOVE

熱海で撮影しました。
この鳥はカモメなのかウミネコなのかどっちだったかな。
I took this photo in Atami.
I wonder if this bird is a seagull or a black-tailed gull.

Migratory bird(渡り鳥)

A synth retro dark wave pop  elettronic t and synthetized arp 100 lirics is record directly at studio

In Take Out take

A twist on the 'Appearance Medicine' phrase.

APPEARANCE MEDICINE

Tripping round some corridors
Nothing but neon lights
Floor polish and hidden voices
There you are before my eyes
It’s appearance medicine
Like a hormone injects in a vein
It’s appearance medicine
A face that lights a flame
S O B and tachy heart when lightning seeds a body start
That jumps a gate to permeate my actual need 
For you with me - today

This hospital’s a restaurant
Medicine is the menu
God’s own surgeon shaped the face
That walks me to the moon
It’s appearance medicine . . .

Ah-huh Ah Huh da da da da da da da da
It’s appearance medicine
It’s appearance medicine

Everyday it’s much the same
Going on that ward round
Floor polish and hidden voices
Soon my heart it’s on the pound





Appearance Medicine

Getting Lame

This song corresponds to the bilingual world we live in (and the madness into which the world is slipping more and more):
Vérité Enterrée – Buried Truth
J'ai traversé les rues sous la lumière - artificial light that leads nowhere. 
Dans cette ville où tout le monde marche - after these lies so large.
Tout le monde - walks alone - Tout le monde - lives in silicone.
You and I we make noise this night, without voice, truth being noise.
Les ombres dansent sur les murs - show us what once was sure.
Chaque pas – could bring truth ahead -  quand ce sera jamais - truth is never said. 
Tout le monde - is alone. Tout le monde - lives in silicone.
Toi et moi on bruit dans cette nuit – but only we. 
Perdu dans la foule, mais trouvant du réconfort - dans notre monde à part, s'échapper d'un trésor
Tout le monde - flees from the treasure. - Tout le monde - leaves truth in seizure.
Toi et moi on bruit dans cette nuit - without voice, truth being nose.
Perdu dans la foule, mais trouvant du réconfort - dans notre monde à part, s'échapper d'un trésor
Tout le monde - flees from the treasure. - Tout le monde - leaves truth in seizure.
Toi et moi on bruit dans cette nuit - without voice, truth being nose.


Vérité Enterrée - Buried Truth

Pierre Bordetti productions (c) 03/2025.

Composed, arranged, performed, and produced by:
Pierre Bordetti with the collaboration on drums of Jean-Claude Bordetti.

Lyrics - Bye Bye spleen

relieve the pressure,
make peace with yourself,
remember the good times,
follow the star of my mind,

bye bye spleen,
bye bye spleen,
bye bye spleen,
I close TV screen,
we must chase away the spleen,


J'ai passé l'âge de m'prendre la tête,
de croire au miroir aux alouettes,
j'préfère vivre tous mes rêves,
dans mes pensées signer la trêve,
dévoiler mon âme, mon cœur,
faire abstraction de ma pudeur,
regarder la vie en face,
en faisant fi d'toutes les menaces,

bye bye spleen,
bye bye spleen,
bye bye spleen...

Bye bye spleen

Virtual Lies

Only Love

Full extent of EQUATORIOUS recording on Zoom R24 prior to DAW processes.
(Version on the Windscale Blues Experiment page: https://soundcloud.com/windscaleblues/equatorious?si=f6d8b199abbc430899b9ed80466c3730&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing )
Recording notes:
[As an experiment saxes were recorded with just left hand - right hand attempting to match on synth....not immediately discernible but it was fun to try....] [Flutes and other synth track played normally!]
Photo by NM.

MOO155M3 Equatorius pre-DAW

noxpox - trallalla

https://chrisjunos.bandcamp.com/album/greek-drama

The post promotes "Greek Drama - Ελληνικό Δράμα," a track by CHRIS JUNOS on SoundCloud, reflecting a modern nod to ancient Greek theater where music was integral, as noted in Aristotle’s Poetics, which ties the origins of tragedy to dithyrambic performances blending song and dance.
Recent archaeological findings, including a 2024 study from the University of Liverpool, uncovered musical fragments from 400 BCE, suggesting Greek dramas used complex scales, potentially influencing CHRIS JUNOS’s experimental electronic style seen in related posts like "APHRODITE'S CHILL."

Greek Drama - Ελληνικό Δράμα

A Storm In The Desert

they ask me to compose. What I compose u find on this profile after maybe will be remix or they use for song. Enjoy 
I Study harpsichords Geneva conservatory after finisbeig geologiust best oper for me is (Seixas Op Sonata no.24 D Minor )

In Take Out take

egobandit

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