𖤐𖤐 𖤐   I  Am  The  V  o  i  d   𖤐 𖤐𖤐

Demo track featuring AI-generated vocals. Instrumental fully composed and produced by a human. I compose and produce across genres, tailoring every song to the artist’s unique style. Experienced in ghost-writing & producing for multiple singer-songwriters.

Instagram: theestproducer

Let That Shit Go (Demo)

In Take Out take

This song is a mix of #electronic #trance #tech trance #hands up #chiptune #dubstep #psy-trance #goa trance #techno #ambient #downtempo #drum n bass #hardstyle #hardcore #dub #progressive trance
#dubstep #dance-pop #electro house #synth-pop
k pop dance-pop disco polo, grime, electro house, k-pop, trap, electro house, euro house, shoegaze, house, electro, hands up, electroclash, j-pop, eurodance, chillwave, vaporwave, tropical house, juke, jumpstyle, bassline, experimental neo soul funk
vocal ballad glitch synthwave synthwave jungle reggaeton progressive breaks 
grime hardstyle trap gangsta thug rap
electro house dub hardstyle dubstep tropical house chunk field recording k-pop gothic metal hands up synth-pop electro house trance reggaeton trap
and electro

Blowing Up Your House

About the depths of depression that I call the blackstuff. Happens to all of us, the trick is escaping. 

BLACKSTUFF WIP Mix 1.12725

Electronic electro  tranc tech hands up Dub
psy-trance goa techno Ambient dance-pop tropical house progressive breaks  synthwave  Reggaeton  trap  glitch synth-p op   jumpstyle  Experimental  neo soul chillwave vaporwave disco polo grime  K-Pop  j-pop  Ballad Trance

Bass Light Dads

Dive deep into the abyss with Zemandan's new hard-hitting, atmospheric dubstep track. Unrelenting bass, eerie melodies, and intricate sound design blend together to create a dark, electrifying experience. Turn up the volume and let the darkness take over—this track will hit your soul as hard as it hits your speakers. 🔊⚡ #Dubstep #Bass #DarkVibes #Soundscapes

I Am The Void

A cover version of Cold Night – originally by Swedish band Eskobar.

Cold Night

I Don't Wannabe (Your 51st State) - Dance Version

Mr. President, a moment if you please
Let me say to USA as nicely as I can
To leave it along and let us just be friends
Talkin' 'bout my country, my true North, Strong & Free
And like the song says, baby, We Stand On Guard for Thee

I don't wannabe your 51st state, no
I stand on guard for thee, that's my fate now
I don't wannabe, your 51st state, no

Friends like us gotta find a way
To make things right for the USA
Friends and family across the border
It's elbows up when we get in the corner
Where we live is happy home
Reaching for something that ain't your own
We understand you want to grow
Our advice, just leave it alone

Mr. President, a moment if you please
We used to be like brothers now you're coming after me
Mm-hmm we fought together, died together too
And I can't believe this nightmare is all because of you
So let me say to USA as nicely as I can
To leave it along and let us just be friends
Talkin' 'bout my country, my true North, Strong & Free
And like the song says, baby, We Stand On Guard for Thee

I don't wannabe your 51st state, no
I stand on guard for thee, that's my fate now
I don't wannabe your 51st state, no

C'mon, I don't wannabe
Never wannabe
I really don't wanna be
I like you very much but I don't wanna be your 51st state

I don't wannabe your 51st state, no
I stand on guard for thee, that's my fate now
I don't wannabe your 51st state, no

Cover Art: Young King Henry, Todd J McLean

All rights reserved

I Don't Wannabe (Your 51st State) [Dance]

Dans ses meilleurs aspects, le Gris a hérité le côté élégant du Noir. Il peut être soigné et délicat et apparaître, intemporel …. Pouvant être une rhapsodie de lumière et d'ombre.
Le Noir apporte profondeur et caractère, tandis que le Gris adoucit l'ensemble, créant un équilibre subtil entre sobriété et élégance, souvent source inattendue d’éclat et de profondeur. 
Cette création musicale ici avec voix féminine, essaie d'en interpréter les distinctions et nuances ….

********************************************************************************************************************

In its best aspects, Grey has inherited the elegance of Black. It can be neat and delicate and appear timeless .... Can be a rhapsody of light and shadow.
Black brings depth and character, while Grey softens the whole, creating a subtle balance between sobriety and elegance, often an unexpected source of radiance and depth. 
This musical creation here with feminine voice, attempts to interpret these distinctions and nuances ….

Black & Grey ....

Here's a track featuring the vocals from the masterful https://soundcloud.com/ipg1

Here's a link to the original vocal;

https://soundcloud.com/ipg1/welcome-back-for-more-vox-93


Artwork created with https://www.canva.com/



IPG1 x RiZLiX - Welcome Back For More

Lyrics: Mag ik dan bij jou (cover Claudia de Breij)

Als de oorlog komt, En als ik dan moet schuilen, Mag ik dan bij jou?
Als er een clubje komt, Waar ik niet bij wil horen,Mag ik dan bij jou?
Als er een regel komt, Waar ik niet aan voldoen kan, Mag ik dan bij jou? En als ik iets moet zijn, Wat ik nooit geweest ben Mag ik dan bij jou?

(chorus)  Mag ik dan bij jou schuilen, Als het nergens anders kan? En als ik moet huilen, Droog jij m'n tranen dan? Want als ik bij jou mag, Mag jij altijd bij mij Kom wanneer je wilt,Ik hou een kamer voor je vrij
Als het onweer komt, En als ik dan bang ben, Mag ik dan bij jou? Als de avond valt, En 't is mij te donker, Mag ik dan bij jou? ls de lente komt, En als ik dan verliefd ben, Mag ik dan bij jou? Als de liefde komt, En ik weet het zeker, Mag ik dan bij jou?
(chorus)  Mag ik dan bij jou schuilen, Als het nergens anders kan? En als ik moet huilen, Droog jij m'n tranen dan? Want als ik bij jou mag, Mag jij altijd bij mij Kom wanneer je wilt,Ik hou een kamer voor je vrij
 
Als het einde komt, En als ik dan bang ben, Mag ik dan bij jou? Als het einde komt, En als ik dan alleen ben, Mag ik dan bij jou?

Translation: When the war comes, And if I have to hide; Can I come to you then? If there is a club, That I don't want to belong to, Can I come to you then? If there is a rule, Which I cannot comply with, Can I come to you then?And if I have to be something, Which I've never been, Can I come to you then? Can I take shelter with you then? If it can't be done anywhere else? And if I have to cry; Will you dry my tears then? 
Chorus;
Because if I can be with you, You can always be with me  Come whenever you want, I'll save a room for you, When the storm comesAnd when I'm scared; Can I come to you then?
When night falls, And it's too dark for me, Can I come to you then? When spring comes, And when I'm in love, Can I come to you then? When love comes, And I'm sure, Can I come to you then? Can I take shelter with you then? If it can't be done anywhere else?And if I have to cry Will you dry my tears then?
Chorus;  Because if I can be with you,…L.
When the end comes, And when I'm scared, Can I come to you then? When the end comes
And when I'm alone Can I come to you then?

Mag ik dan bij jou (cover Claudia De Breij)

ROCK

pour Benjamin Fontaine


En février, alors qu'il neige encore en Sibérie, l'ajonc fleurit en Bretagne.

version vidéo:
https://youtube.com/shorts/cvyRrJ_Dcy8?si=M9yGj-PpfCbP5wqv

la musique de Benjamin :
https://on.soundcloud.com/hAl7RVNaqO5dRKg7WO

quand les ajoncs fleurissent

Arm-in-ARM, America moves on!  
www.americanrosiemovement.org  
Additionnal Vocals Barbara Browning

ROSIE THE RIVETER ROSIE THE RIVETER
RIVETING INSPECTING WELDING CONNECTING GETTING ALONG AND PULLING TOGETHER
ROSIES THE RIVETERS ROSIES THE RIVETERS ASSEMBLING PERFECTING ERECTING PROTECTING NEVER ALONE COS PULLING TOGETHER
JUNE ROBBINS ROSE SHELENGIAN GLADYS REESE BUDDIE CURNUTTE DOT FOSTER PAULINE ADKINS I COULD NAME THEM ALL
BUT THEY ALL ARE ONE
BERTHA GLAVIN NEVA REES KRISTINE VROOMAN MARY ANN DIAMOND THE GOODYEAR AIRCRAFT SQUADRON
I COULDN’T NAME THEM ALL
COS THEY ALL ARE ONE
ROSIE THE RIVETER ROSIE THE RIVETER PROTECTING COMBINING UNITING PRODUCING GETTING ALONG AND PULLING TOGETHER BELIEVING
RIVETING RIVETING
AFRICAN AMERICAN HISPANIC WHITE AND ASIAN PULLING TOGETHER THREE SHIFT ROTATION
ALL AROUND THE CLOCK COOPERATION
OH ARM IN ARM FREEDOM IS THE KEY
GETTING ALONG NEVER ALONE
ALL AROUND THE CLOCK WHATEVER THE LOCK FREEDOM IS THE KEY
ROSIE THE RIVETER ROSIE THE RIVETER RIVETING INSPECTING WELDING CONNECTING GETTING ALONG AND PULLING TOGETHER ROSIES THE RIVETERS ROSIES THE RIVETERS PULLING TOGETHER
GETTING ALONG AND PULLING TOGETHER
RIVETING INSPECTING WELDING CONNECTING ASSEMBLING PERFECTING ERECTING PROTECTING COMBINING UNITING PRODUCING
BELIEVING
COS IF YOU CAN USE AN ELECTRIC MIXER
YOU SURE CAN OPERATE A DRILL
DOING THE BEST QUALITY WORK
ARM IN ARM THE AMERICAN ROSIE MOVEMENT
FREEDOM TAKES WORK TO GET AND KEEP
RIVETING RIVETING RIVETING RIVETING
SHARING THE CHORES OF COOKING CLEANING AND BABY-SITTING DOING THE BEST
SQUARE DANCE ON THE SATURDAY NIGHTS IT WAS DIFFERENT TIMES
BELIEVING
WHATEVER THE LOCK FREEDOM IS THE KEY BELIEVING
RIVETING RIVETING RIVETING RIVETING

ROSIE THE RIVETER (Lyrics) + B.Browning. Song for the Rosie Team

Words and music written by Bartley Charles Mastin
Performance by Bartley Charles Mastin - All instruments and vocals.
Copyright 2025 All Rights Reserved

Tuning: Double Drop B
Instruments: Acoustic guitar, Slide Guitar, Bass, Shaker, Tambourine, Earbud can, Harmonica, Triple Maracas, Cowbell.

Lyrics:
I am the man they call Sue Monday
I used to ride in Tennessee
They finally caught me on a Sunday
Now they gonna crucify me

I’m gonna be dancin’ 
On nothing at all

Caught me some red legs down in Georgia
Where they been burnin’ down the mills
They had our sisters in their saddles
And I got me four and twenty kills

Yeah they were dancin’ 
On nothing at all

And I made it right
Yeah I made it right
And I made it right right right right

She must be wonderin’ where I am now
She must be lookin’ for me
But I’m locked up in Louisville, Kentucky
And they are never gonna set me free free free

I’m gonna be dancin’ 
On nothing at all

And I made it right
Yeah I made it right
And I made it right right right right





Historical References:
https://www.counterpunch.org/2020/12/25/i-am-the-man-they-call-sue-mundy-civil-war-kentuckys-female-confederate-guerrilla/

https://www.womenhistoryblog.com/2014/05/exile-of-the-roswell-mill-women.html

Note: The phrase "dancin' on nothin'" is an archaic or idiomatic expression that means to be hanged or executed by hanging.

Red Legs - https://civilwaronthewesternborder.org/encyclopedia/red-legs

Youtube Podcast by Ron Coddington from Military Images Magazine:
https://www.youtube.com/watch?v=QrMToQTdAAw



Dancin' on Nothin'

ik u hate me

n it rly hurts a lot

ive been smokin pot

i just smoke a lot

just get u out my thoughts

i end up in a spiral

stuck in a cycle

like i’m swimmin under current

i dont wanna die but im not gonna lie i just wanna let go just

take me under the riptide

take me under the riptide

take me under the riptide

take me under the riptide


i’m not gonna lie i just wanna die

i just wanna slit my wrists into the water

let the sharks come let the worms burrow themselves into my fodder

n when i start to drown and my lungs fill to the brim up with some water

then i’ll ask again

take me under the riptide

take me under the riptide

take me under the riptide

take me under the riptide

In Take Out take

egobandit

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