“textural digital sound design for mental distress and time / spatial obfuscation 

micro bounced buoyancy 

stream of consciousness fluids”

released March 25, 2021 

Mastering by Shy aka Special Guest DJ 
Album cover rendering by 3D bergsonist 
Individual track artwork by pent

hyper compulsive

@iueke has been playing music for more than 20 years, creating sounds for underground parties, raves and ragers, which have led to collabs with Aphex Twin and label Antinote. Every month on Rinse France, he delivers an always unique, immersive listening experience.
Catch Iueke every 1st Tuesday of the month, from 15h to 17h [CET] on rinse.fr

Rinse France Podcast

Download

The Iueke Show - 06 Avril 2021

Only 100 copies available of casettetape.
released April 14, 2021

Mastered By : Ena
Art : Keita Kagaya
Design : Zodiak

https://ryomurakami.bandcamp.com/album/-

Ryo Murakami - 跡(excerpts)

@airatoulouse

Première partie: @janloup
Max Eastley - Eyelash turned inwards
Jan Jelinek - Wood Pigeon
Max Eastley - Nights, demixed, circles
Biosphere - Antennaria
Arovane & Porya Hatami - Glepph
Max Eastley - Dust of points
C. Coiffure - ALGII
Fools - Terz
Asio Otus - Yo
Polygonia - Melting lake
TIBSLC - It Is Pink And Warm And It Makes Me Want To Weep
Piezo - Xerotonin
If58 - Evocazione
indigoblue - clairière
C. Coiffure - Ninefold Symmetry

Deuxième partie: @humtsi_tuluz
Atrium Carceri - The Void
Ager Sonus - Entrance To The Underworld
Randal Collier-Ford - Construction of a Demon
Ben Frost - Undulating Beast
Elisha Morningstar - Ghost Wife
Tanya Tagaq - Howl
The Legendary Pink Dots - The Creature That Tasted Sound
Paleowolf - Wolf-Shaman
Allseits - Monster

Sleepcore (Aïra) - Jan loup & Humtsi (Avril 2021)

Psychic Liberation presents “Friendly CSA Compilations Parts 1 & 2”. A compilation in two parts consisting of artists orbiting the PL canon from around the world in an effort to raise funds for Roots Unbound Friendly CSA.

Roots Unbound (RU) is an abolitionist grassroots organization based in Brooklyn offering nature-based programming centered around food justice, therapeutic horticulture and ecological disinvestment to people in the NYC area with a focus on supporting and uplifting people impacted by the carceral system.

Friendly CSA is a cooperative, agricultural initiative that was mobilized to respond to the food apartheid within New York jails and prisons. Roots Unbound sends care packages of harvested produce that are
chosen by incarcerated folks via a newsletter sent out every month, by growing and collaborating with local New York City land stewards. This CSA is provided at no cost to the recipients, funds raised for this CSA will be used towards packaging, postage, printed materials for newsletters, and a P.O. box.

To find out more information and donate further :
rootsunbound.org

opencollective.com/rootsunbound/donate

releases May 7, 2021

Mastering : Glyn Maier
Image :Nick Klein
Layout : RJM Vanderheyden

Friendly CSA Compilation Part 2

BUY/DONATE

WILTED WOMAN - Turnips

01. John Beltran - Snowdrifts [Delsin]
02. XOR gate - Minor Axis [Tresor]
03. New London School of Electronics - Air Check [Rising High Records]
04. Euphorhythm - Analysed Force [Space Teddy]
05. Hallucinator - Phebes [Chain Reaction]
06. DimDJ - Acid Template [DimDJ Self-released]
07. Tagwell Woods - Mercury [W.T. Records]
08. Don Williams - 3821 [a.r.t.less]
09. Proteus Generation - Cleo's Legs [Djax-Up-Beats]
10. Aleksi Perälä - GBLFT1740072 [трип]
11. Stereo Nova - Atari [FM Records]
12. 154 - Abrighterday [Delsin]
13. Jeff Mills - The Feeling Of Being Watched [Axis]

KAWRS w/ IOANNIS SAVVAIDIS - MOVEMENT RADIO (MAY)

TSVI - Solidarity with Palestine | Root Radio 14/05/2021

Taken from Reeko - Cryptophony [SMDELP17]

Cryptophony is released on 2xLP and Digital 

Black, Marbled or Collector’s Special Edition Vinyl options available

https://reeko-mdisorder.bandcamp.com/album/cryptophony

Continuing the trajectory set by last year’s EPs and experimental long-player, Reeko returns to Samurai Music to deliver an expansive album that goes further into his experimental practice at the intersection of deep techno, drum & bass and electronica.

On Cryptophony, Rico continues this thread of exploration and uses the concept of inaudible or encrypted sounds as an inspirational jump-oﬀ point for an incredibly detailed, nuanced body of work. When meditative minimalism and insistent repetition are key compositional tools, the sound ﬁeld is opened up for subtlety in the spaces between notes, and that’s precisely the experience Rico has crafted across seven extended pieces.

“Crytophony explores how sound can conceal, suggest or reveal information in a symbolic, sensory or ritualistic way,” Rico explains. “I found it interesting as a first step to investigate further. There are no hidden messages in the music, but there are strange voices that, after the final process, sound transformed.”

https://www.instagram.com/reeko_mentaldisorder/

Cryptophony

Reeko - Sequencia Criptofonica III [SMDELP17]

The darker side of Superball Bang in a bite sized library.  Some of our favorite patches from Superball Bang in it's own library.  Includes 30 plus new patches exclusive to this library.  

Noire Patch Run Thru - Drones

A version of another bubbling mass. Fits into deep apace dance.

Hatchet Banger's Sidewayz DUB

Acclaimed UK electronic musician Kevin Richard Martin (The Bug, King Midas Sound) releases a stunningly powerful rescore of Andrei Tarkovsky’s seminal 1972 movie Solaris on Phantom Limb.

In May 2020, British musician Kevin Martin was invited by the Vooruit arts centre in Gent, Belgium to compose a new score for a film of his choice. Having been long inspired by pioneering Soviet filmmaker Andrei Tarkovsky, Martin tells us that his 1972 masterpiece Solaris was the “natural choice”. The film is an unattested giant, not only of science fiction and Soviet film, but also in the annals cinematic history. And its original score, composed by regular Tarkovsky collaborator and early Soviet electronic musician Eduard Artemyev, is a magnificent work of haunting majesty, a key element to the film’s brilliance. Martin’s challenge was great: “it was with a certain amount of trepidation I stepped into such large footprints,” he writes.

The results - an all new score entitled Return to Solaris - are breathtaking. The film is intense, psychologically devastating and bleakly compelling. Interweaving themes of love, horror, sorrow, nostalgia, memory and dystopia, Martin’s score expertly mirrors this expansive breadth of psychic weight, from existential dread to heartbreaking poignancy, with immense emotional gravity. Drawn to its “narrative struggle between organic, pastoral memories of a lost past, and the harsh, dystopian realities of a futuristic hell,” Martin employs atonal noise, simmering waves of distorted synthesis, undulating drones and otherworldly, astronomic sound-design to crushing effect. Subtly submerged recurring motifs - reflections of individual characters - rise and fall amidst the fog, occasionally illuminating the doom like motes of starlight, before settling back into the density of space.

Album opener “Theme for Kris'' begins with a shimmering, alien tone, mimicking a disembodied, metallic choralsong that creeps and snakes about an unsettling frequency range. Ghosts aboard a deserted space station. The hissing, technological dystopia of subsequent track “Solaris'' sends evaporating torrents of steam through bulging, clanging, echoing chords, while later on the record, “In Love With A Ghost” revisits these same passages of seething doom, but now refocused into billowing, droning clouds of noise.

Determined that his score should retain the eerie, dreamlike mood of the film and authenticity to its era and origin, Kevin mined his analogue lab for suitable instruments and recording equipment, favouring antiquated, hands-on hardware over computer-based production techniques. With Voorhuit’s help, he acquired an original Pulsar 23 drum machine, created by cult Russian synth builders SOMA Laboratory. Appropriately, much of his rescore is centred around its spectral, strung-out sounds.

The project represents many firsts for Kevin: his first commissioned soundtrack; his first composition to picture; his first work in his new Belgian home after a move from Berlin; his first live performance to film screening. On completion, he performed Return to Solaris to picture over sold out two nights in October 2020, in the beautiful Voorhuit concert theatre of Gent, Belgium. And, with huge personal significance, this was his first public performance of the Covid era. He performed to a socially distanced crowd, many of whom unaware of his existing profile, “which made the rapturous reception and incredible feedback to the performance all the more memorable,” he writes.

Tarkovsky’s Solaris won the Grand Prix Spécial du Jury at the 1972 Cannes Film Festival and was screened for an incredible fifteen years uninterrupted in the Soviet Union. It is placed highly in “greatest movies of all time” lists published by Empire and the BBC, among others. Steven Soderburgh directed a Hollywood remake in 2002, starring George Clooney, and scored by Cliff Martinez.

In Love With A Ghost

Webradio and Label from Toulouse to Worldwide

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Sleepcore (Aïra) - Jan loup & Humtsi (Avril 2021)

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