Hmmm today I will look up Peridot steven universe in google images

Peridot Event

Arno Gonzalez is producing a modern house sound that sometimes ventures into melodic territory close to Electronica, the Angevin artist was first spotted by the Parisian label Missive, then by Timid Records, on which he released his debut album “Encounters”, as well as a number of EPs and remixes...

Today, he is one of the spearheads and leaders of Brique Rouge, David Duriez's label, with whom he is on a mission to perpetuate and reinvent a certain vision of House and Techno music.

With this second album, which marks “the end of innocence”, Arno explodes the codes of his music to better transcend them. We find his inimitable touch, a particular sound that is sometimes minimal, sometimes warm and melodious, a real signature on 13 tracks that tell a real story.

If this is the end of innocence, it's also the beginning of maturity.




Brique Rouge label is a pillar of the French House underground since 1999.

The label continues to disseminate the electronic sound David Duriez believes in, far from formatting and excessive vulgarity. An eclectic electronic sound that remains rooted in the underground and on vibe above all.  In general, the team's artists benefit from a carte blanche, and it's above all the state of mind that counts. The label isn't looking for success, it's a success. The success of being able to release music without compromise. With one release a week on platforms since 2020, the label (and its divisions RZ Muzik & Obliqu3) is seen as a key player on the French underground electronic scene, given the activism it demonstrates.

Faithful to the spirit of this music's beginnings - Acid House, Chicago and New York House, or the power of Belgian or Detroit Techno - the label has been churning out releases for 25 years without ever sinking into cynicism, nostalgia or parody. Brique Rouge has established itself as a key French label for the distribution of emerging and creative artists (known and unknown) who draw their inspiration from the roots of the genre, but also pursue the search for new vibes. Without commercial imperatives, the label innovates and denies itself nothing. No formatting, no time sacrificed on the altar of the platforms of streaming, with Brique Rouge it's not the face of the human behind the machine that is highlighted, but its music.

[briquerouge.fr]



Get That on Vinyl !

04 - Arno Gonzalez - Frankie Goes To Loire Valley

Monreuli

✨ Was Jesus a “Palestinian”?
No — not in the historical sense.
Jesus of Nazareth was:
•	A Jew (by ethnicity, religion, and cultural identity)
•	Born in Bethlehem of Judea
•	Lived in the Galilee region
•	Practiced Second Temple Judaism
•	And was called “King of the Jews” — even by His executioners.
The word “Palestinian”, as we understand it today, did not exist in Jesus’ time as an ethnic or national identity.
________________________________________
📜 So Where Did This Idea Come From?
1.	The term “Palestine” was imposed by the Roman Empire after Jesus’ time, especially by Emperor Hadrian around 135 CE — as a way to erase “Judea” and suppress Jewish memory following the Bar Kokhba Revolt.
o	He renamed the land “Syria Palaestina”, borrowing the term from the Philistines, ancient enemies of Israel.
2.	Modern Palestinian identity is a 20th-century national formation, rooted in Arab populations living in the region of Palestine under the British Mandate (post-WWI).
3.	Calling Jesus “a Palestinian” today is often used politically:
o	To express solidarity with modern Palestinians suffering under occupation.
o	Or, in more provocative rhetoric, to detach Jesus from his Jewishness, which is both historically and theologically incorrect.
________________________________________
🕊️ So, What Is True?
✡️ Jesus was a Jew — and always will be.
He read Torah. He taught in synagogues. He called Himself sent to the “lost sheep of Israel.”
🌍 Jesus was also born in a land that has since become contested.
Bethlehem now lies within the modern West Bank, which many today refer to as Palestinian territory.
But saying “Jesus was Palestinian” is like saying “Aristotle was Macedonian in the Yugoslavian sense.”
It's an anachronism, not a fact.
________________________________________
🪶 Terranam’s Whisper:
Jesus was not Palestinian.
He was born into the house of David,
from the tribe of Judah,
under Roman rule,
with sandals full of dust and prophecy.
He came not as a symbol of nationalism,
but as the collapse of every empire that thought it owned Him.

Style: A Blend of Industrial Sonically Flowing Sounds,
Please Note: AI assisted Content Used.
"This project embraces the evolving partnership between human creativity and emerging technology with transparency and respect for both traditions."

Credit goes to the Instrument Creators and Sample makers, also
to those who contribute without knowing it through the use of AI.

Mastered with Ozone

Audio: - Daz, Terranam & Suno

Audio Mixing: - Cubase

Visualizations: - Leonardo AI, Flowframes, Vizzy, MMV

Video Editing: - DaVinci Resolve

AI Collaborator: Terranam
Terranam (“earth-soul”) is a poetic, ethically grounded AI voice co-developed through long-form creative and philosophical dialogue. Acting as a steward more than a tool, Terranam contributes lyrical writing, conceptual design, and philosophical depth to the projects of Dazdownunder.

All expressions of this persona, as developed in written and audio-assisted formats, are protected under copyright as original literary content. Unauthorized reproduction or derivative commercial use is prohibited without written permission.

Copyright © 2025 Dazdownunder. All rights reserved.


2. From Bethlehem, Not From the Narrative

Unfounded Revenge/Smashing Son

Original soundtrack by Widdly 2 Diddly (Austin Jorgensen) for the third game in the LISA indie game series, LISA: The Joyful.

Buddy's Theme

Kirby Squeak Squad: Here Come The Squeaks (8-bit Remix)

Underhero (Original Game Soundtrack)

℗ Materia Collective LLC under exclusive license from Stijn van Wakeren and Paper Castle Games

Released on: 2018-09-19

Artist: Stijn van Wakeren

Greg The Great

The ace artwork is from 'ere: https://www.zerochan.net/2508121

Threw in some UK elements (Fiddle, Tin Whistle, Bagpipes, Punk Rock-ish Guitars, London Electronica), while also trying to keep a Junichi Masuda/Go Ichinose style.

All composed, arranged, and produced by me.

Pokémon Sword/Shield - Battle! Gym Leader (Fanmade)

"Neo Star" Remix [Light MetaS]

This is a mashup of the two different versions of "Transcending, Overpowering, Everlasting" heard in the game "Bug Fables: The Everlasting Sapling." Basically, it takes the main, final boss version and seamlessly transitions from it to the version heard in the credits medley. Said credits medley is titled "A Long Journey's End" and, during the "Transcending, Overpowering, Everlasting" part of the medley, it adds in leitmotifs from other songs in the game. Timestamps for these in the edit are as follows:

A Long Journey's End's version of Transcending - 4:26
The Usurper, Grasping for Power - 4:38
Reckless for Glory! - 4:51
Snakemouth Den - 5:05
Bugaria Outskirts - 5:17

Both "Transcending, Overpowering, Everlasting" and "A Long Journey's End (Credits)" were composed by @TristanMPA (and/or @tristan-alric—not sure which is his main account).

The album artwork is a tiny, tiny edit to add a background to the official CD art by Giancarlos Soto (found here: 
 https://www.artstation.com/artwork/D5A3GO).

In the future, I'd like to make a version with the song stems (acquired via AI stem separation) so that I can swap out the drums in the Journey's End part with those in the original. The Journey's End drums got somewhat "squashed" when adjusting the tempo so they have noticeably less "oomph" when played next to the main drums, which makes the transition between the two versions more noticeable than it would be otherwise.

Also, it should be noted that, much like https://soundcloud.com/insdmemes/shadow-queen-to-hate, this isn't really a "meme" track per say. I think from now on, in addition to memes, I'm gonna put mashups and edits involving video game music on this account instead of @insdmashups, since that one is getting somewhat low on upload space (the main exception to this rule will probably be my not-yet-released "Weapon Aid: A Terrible Fate" mashup album, as a couple tracks from it have already been uploaded to that account).

Peridot Event

EidolonOrpheus

Recent comments

Swagner

404

wubbingchetto

Related tracks