Ambient/experimental electronic music by Eigenfrequenz. Main equipment used on this track: Yamaha E1010 analogue delay, Roland Juno-60, Gibson Les Paul Standard, Epiphone EB3. This track is a soundscape created from analogue delay feedback and guitar.

About Eigenfrequenz:
Eigenfrequenz creates electronic music based around vintage analogue synthesizers, guitars and sounds, from melodic instrumentals to abstract soundscapes, inspired by the sounds and instruments of the 70s and 80s. Influences include Tangerine Dream, Klaus Schulze, Jean Michel Jarre, Vangelis, Kraftwerk, Cluster, Neu!, Brian Eno, Orchestral Manoeuvres In The Dark (OMD), Ultravox, John Foxx, The Human League, Gary Numan, Cabaret Voltaire and Throbbing Gristle.

Eigenfrequenz is also looking at moving images as a way to connect music and visuals, in a different way to the conventional 'music video'.

Instruments
Roland Juno-60 (1982), Yamaha CS-15 (1979), Roland SH-101 (1983), Yamaha DX7 (1983), Sequential Circuits Pro-One (1981), Roland VP-330 Vocoder Plus (1979), Roland RS-202 Strings (1976), Korg M500 Micro-Preset (1977), Ace Tone Top 8 (1968), Roland CR-78 (1978), Roland TR-505 (1986), Roland TR-606 (1982), Moog Etherwave Theremin, Doepfer Dark Time, Gibson Les Paul Standard, Epiphone EB3

Effects
TL Audio C5021, Yamaha E1010 (1978), Korg SE300 Stage Echo (1979), Roland Dimension-D (1979), Roland SBF-325 (1979), Roland RV-100 (1978), Lexicon PCM70 (1987), Yamaha SPX90 (1985), Yamaha SPX90II (1987), Korg A2 (1991), Electro-Harmonix Small Stone (1976), E-H Small Clone (1979), E-H Frequency Analyzer (1976), E-H Deluxe Electric Mistress (1976), E-H Big Muff Pi (NYC) (1971), MXR Phase 100 (1977)

Recording
Revox B77 HS (1978), Mackie 1402 VLZ Pro, AKG Perception 420, Shure SM57, ART Tube MP Studio V3, Tascam US 122 MK 2, Mackie Big Knob, Tascam DR-40, AKG K702, Genelec 6010A, Laney CUB-12R, Logic Studio Pro 9 (as multi-track recorder -- no MIDI, no plugins)

Download on Bandcamp

Frequenz 14:  Elektronengeister

An extract from a performance inside the soon-to-be-demolished East Tower, part of the BBC's original Television Centre complex. This recording was made entirely from the naturally-occurring sounds of the tower, particularly the resonant frequencies of the empty rooms and  gutted offices. Thanks to Television Centre and Something More Near. 

Howlround - East Tower Dreaming - Version 2

Ambient electronic music by Eigenfrequenz. Main equipment used on this track: Roland Juno-60, Sequential Circuits Pro-One, Epiphone bass guitar. This track uses a Pro-One sequence, bass guitar riff and Juno chords with Juno melody over the top.

About Eigenfrequenz:
Eigenfrequenz creates electronic music based around vintage analogue synthesizers, guitars and sounds, from melodic instrumentals to abstract soundscapes, inspired by the sounds and instruments of the 70s and 80s. Influences include Tangerine Dream, Klaus Schulze, Jean Michel Jarre, Vangelis, Kraftwerk, Cluster, Neu!, Brian Eno, Orchestral Manoeuvres In The Dark (OMD), Ultravox, John Foxx, The Human League, Gary Numan, Cabaret Voltaire and Throbbing Gristle.

Eigenfrequenz is also looking at moving images as a way to connect music and visuals, in a different way to the conventional 'music video'.

Instruments
Roland Juno-60 (1982), Yamaha CS-15 (1979), Roland SH-101 (1983), Yamaha DX7 (1983), Sequential Circuits Pro-One (1981), Roland VP-330 Vocoder Plus (1979), Roland RS-202 Strings (1976), Korg M500 Micro-Preset (1977), Ace Tone Top 8 (1968), Roland CR-78 (1978), Roland TR-505 (1986), Roland TR-606 (1982), Moog Etherwave Theremin, Doepfer Dark Time, Gibson Les Paul Standard, Epiphone EB3

Effects
TL Audio C5021, Yamaha E1010 (1978), Korg SE300 Stage Echo (1979), Roland Dimension-D (1979), Roland SBF-325 (1979), Roland RV-100 (1978), Lexicon PCM70 (1987), Yamaha SPX90 (1985), Yamaha SPX90II (1987), Korg A2 (1991), Electro-Harmonix Small Stone (1976), E-H Small Clone (1979), E-H Frequency Analyzer (1976), E-H Deluxe Electric Mistress (1976), E-H Big Muff Pi (NYC) (1971), MXR Phase 100 (1977)

Recording
Revox B77 HS (1978), Mackie 1402 VLZ Pro, AKG Perception 420, Shure SM57, ART Tube MP Studio V3, Tascam US 122 MK 2, Mackie Big Knob, Tascam DR-40, AKG K702, Genelec 6010A, Laney CUB-12R, Logic Studio Pro 9 (as multi-track recorder -- no MIDI, no plugins)

Frequenz 20: Rising Thermals

Instrumental electronic music by Eigenfrequenz. Main equipment used on this track: Gibson Les Paul, Roland SH-101, Roland Juno-60, Roland RS-202. This track uses a 4/4 4/4 4/4 5/4 drum and guitar riff, SH101 bass and 202 pad chords with tape-delayed 101 effects over the top.

About Eigenfrequenz:
Eigenfrequenz creates electronic music based around vintage analogue synthesizers, guitars and sounds, from melodic instrumentals to abstract soundscapes, inspired by the sounds and instruments of the 70s and 80s. Influences include Tangerine Dream, Klaus Schulze, Jean Michel Jarre, Vangelis, Kraftwerk, Cluster, Neu!, Brian Eno, Orchestral Manoeuvres In The Dark (OMD), Ultravox, John Foxx, The Human League, Gary Numan, Cabaret Voltaire and Throbbing Gristle.

Eigenfrequenz is also looking at moving images as a way to connect music and visuals, in a different way to the conventional 'music video'.

Instruments
Roland Juno-60 (1982), Yamaha CS-15 (1979), Roland SH-101 (1983), Yamaha DX7 (1983), Sequential Circuits Pro-One (1981), Roland VP-330 Vocoder Plus (1979), Roland RS-202 Strings (1976), Korg M500 Micro-Preset (1977), Ace Tone Top 8 (1968), Roland CR-78 (1978), Roland TR-505 (1986), Roland TR-606 (1982), Moog Etherwave Theremin, Doepfer Dark Time, Gibson Les Paul Standard, Epiphone EB3

Effects
TL Audio C5021, Yamaha E1010 (1978), Korg SE300 Stage Echo (1979), Roland Dimension-D (1979), Roland SBF-325 (1979), Roland RV-100 (1978), Lexicon PCM70 (1987), Yamaha SPX90 (1985), Yamaha SPX90II (1987), Korg A2 (1991), Electro-Harmonix Small Stone (1976), E-H Small Clone (1979), E-H Frequency Analyzer (1976), E-H Deluxe Electric Mistress (1976), E-H Big Muff Pi (NYC) (1971), MXR Phase 100 (1977)

Recording
Revox B77 HS (1978), Mackie 1402 VLZ Pro, AKG Perception 420, Shure SM57, ART Tube MP Studio V3, Tascam US 122 MK 2, Mackie Big Knob, Tascam DR-40, AKG K702, Genelec 6010A, Laney CUB-12R, Logic Studio Pro 9 (as multi-track recorder -- no MIDI, no plugins)

Frequenz 23: Tempomat

I had the pleasure of remixing the wonderful John Foxx & The Maths recently. Have a look at this post on my blog to read more about it! 
http://analogsuicide.com/latest/2012/10/05/talk-i-speak-machine-remix-by-tara-busch-my-recipe-if-you-please.html?preview=true
In the meantime, this remix is available on the delicious new John Foxx & The Maths album, "Evidence". Buy here:
http://johnfoxx.tmstor.es/

Talk (I Speak Machine Mix)

Dont Worry Baby - I Speak Machine cover

patreon.com/ispeakmachine. Downloads the stems & song!

WAR PIGS  - I Speak Machine cover

Full version of the patreon exclusive cover, Bad Moon Rising. Join us here for stems, sample packs, song commentary, studio diary and these covers pressed on super limited edition 7" clear vinyl!! patreon.com/ispeakmachine

Bad Moon Rising (cover)

The September monthly cover from the I Speak Machine Patreon! Join here:

patreon.com/ispeakmachine

White Rabbit (cover)

join us on www.patreon.com/ispeakmachine for stems, sample packs, digital download and limited edition 7" vinyl of these cover singles!!

SUPERSTAR (I Speak Machine cover)

Eigenfrequenz (aye-gen-free-kwenz) creates electronic music based around vintage analogue synthesizers, guitars and sounds, from melodic instrumentals to abstract soundscapes, inspired by the sounds and instruments of the 70s and 80s. Influences include Tangerine Dream, Klaus Schulze, Jean Michel Jarre, Vangelis, Kraftwerk, Cluster, Neu!, Brian Eno, Orchestral Manoeuvres In The Dark (OMD), Ultravox, John Foxx, The Human League, Gary Numan, Cabaret Voltaire and Throbbing Gristle. All hardware instruments and effects are used, with no MIDI-sequencing and no use of software plugins.

Eigenfrequenz is also looking at moving images as a way to connect music and visuals, in a different way to the conventional ‘music video’.

Instruments
Roland Juno-60 (1982), Yamaha CS-15 (1979), Roland SH-101 (1983), Yamaha DX7 (1983), Sequential Circuits Pro-One (1981), Roland VP-330 Vocoder Plus (1979), Roland RS-202 Strings (1976), Korg M500 Micro-Preset (1977), Ace Tone Top 8 (1968), Roland CR-78 (1978), Roland TR-505 (1986), Roland TR-606 (1982), Moog Etherwave Theremin, Doepfer Dark Time, Gibson Les Paul Standard, Epiphone EB3

Effects
TL Audio C5021, Yamaha E1010 (1978), Korg SE300 Stage Echo (1979), Roland Dimension-D (1979), Roland SBF-325 (1979), Roland RV-100 (1978), Lexicon PCM70 (1987), Yamaha SPX90 (1985), Yamaha SPX90II (1987), Korg A2 (1991), Electro-Harmonix Small Stone (1976), E-H Small Clone (1979), E-H Frequency Analyzer (1976), E-H Deluxe Electric Mistress (1976), E-H Big Muff Pi (NYC) (1971), MXR Phase 100 (1977)

Recording
Revox B77 HS (1978), Mackie 1402 VLZ Pro, AKG Perception 420, Shure SM57, ART Tube MP Studio V3, Tascam US 122 MK 2, Mackie Big Knob, Tascam DR-40, AKG K702, Genelec 6010A, Laney CUB-12R, Logic Studio Pro 9 (as multi-track recorder – no MIDI, no plugins)

Frequenz 14: Elektronengeister

Eigenfrequenz

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