This is an EQ'ed version. How's the bass? Is it still too loud?

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05 A Strange Sound

"Fabricio, a.k.a. 4004, has been producing and mixing for quite some time now. From his small yet suitable home studio out on the west coast of Baja California, his output in music production has made its way through labels such as: FACES Records, Quintessentials Recordings, Cobra Voyage and his very own imprint, Vicario Musique Recordings, as well as a few others. His inspiration derives from everyday life, whether its cleaning his small studio room, or simply taking a walk outside, his vision and creativity for music know no boundaries."


https://soundcloud.com/4004_reasons

https://www.facebook.com/pages/4004/130390600417425?fref=ts

It Works Podcast #36 mit 4004

If you were an alien and you came to earth and saw anybody walkin´ a dog, doesn´t it look like the dog is the leader?

Synthbert - Allgemeinplatzhirsch

meerkat - the pendulum (bandcamp release)

Back 2 Pimpernel With Drunken Bananas And Roasted Margaritas
Mixed & Compiled By Petko Turner

Don't Record Your Mix When You Use Bose Loudspeaker
Every Song Sounds Same And Feel Like The Same Dynamics On It
That's Why It Has That Poor Quality
So Long Have Fun With That Raw Mix. :-)

Wild Style Nightz #200

Free DL Here

Petko Turner - Back 2 Pimpernel With Drunken Bananas And Roasted Margaritas

15th release of the strong Barba records! And its FBK who's back featuring a remix by none other than Claude Young - a Detroit heavy-weight who's been particularly selective with his output. Kevin's previous record for Barba, a 2016 twelve titled "Screaming Her Name", also featured a remixes by Terrence Dixon and Plural. Between then and now Kevin managed to put out a track for "The Cast Project" VA and a solo EP for Radio Slave's "Rekids" imprint. As we mentioned earlier, "Eclipse" features two original tracks, the title one and "To A Place I Know". "Eclipse" track is closer to the sound we've come to associate to FBK's productions - equally banging and meditative. This track takes you for a spin with hypnotizing lead synth, distorted acid lines and drums that intensify the vibe as the track progresses. It's dark and moody, but perfect for those moments when the dancefloor is ready to dive really deep. "To A Place I Know" starts on the similar note but as soon as the sampled vocal loop takes the lead it takes the song to a much happier place. Hypnotizing element is still unavoidably present but here the synth line is more subdued and plays a supporting role to the vocals. Something you would play when you need to dive out from the deep and feel some sun on your skin. Finally, Claude Young's remix of "Eclipse" is a fairly different affair, focusing on the meditative aspect of the original quite literally, and taking it to a whole other level. It is an exercise in restraint and patience, with a slowly-rising tension masterfully achieved by a piano line, ambient pads and synth textures subtly exchanging roles throughout the whole length of the song. Simply wonderful. All that, pressed onto a heavy duty 180 gram vinyl and beautifully packaged in an original artwork traditionally featuring local artists

FBK - TO A PLACE I KNOW

Rinse FM Podcasts 

Download

Hessle Audio with Ben Vince, Joy O & Ben UFO - 12th April 2018

Perry & Rhodan - The Beat Just Goes Straight On & On 1993

It is undeniable that we are living in uncertain times. For those of us failing to fit the patriarchal, neoliberalist mould we have lost hope in the future. We can see capitalism is not working but we cannot yet envisage an alternative. We discover that the stability we were instructed to obtain whether it be financial, political or ecological, is fleeting, if at all. The resulting anxiety is an instrument of neoliberalism that prevents many of us from being able to raise consciousness of the structural injustices that alienate us.

In a world where security is no longer feasible, the only constant we can rely on is change. Barad teaches us that the world is a dynamic process of intra-activity and materialisation, an ongoing ebb and flow of agency. The Buddhist Law of Impermanence proves that nothing in this world is eternal.

Regardless of ones point of reference we can understand that every aspect of life, physical and mental is in flux and perhaps this transience is the only thing we can depend on.

Each month we invite an artist to ruminate on these ideas and create an hour of relief from these anxieties. A temporary suspension of reality, where the listener can speculate on alternate modes of existence that reject hetero- patriarchal systems of oppression.

This month we have invited @minou-oram to respond to this concept. We recorded the mix live at Cashmere Radio Berlin. 

Photography courtesy Ángela de la Serna

For tracklist visit cashmereradio.com/shows/TRANSIENCE/

TRANSIENCE #16 with Minou Oram

Next into the FH mix series: Natascha Kann.   Having been involved in the scene since 2000, in 2011 Natascha moved to Berlin and immediately joined the ://about blank crew. The club’s vinyl puritanism further inspired her interest in wax, and led to a blank residency which seemed like a logical step.

Her blunt directness goes straightforward: her techno not too tough, her house not too soft. Clear and simple, no detours, old mixed with new, enjoy..

@nataschakann
www.fourheadsmusic.com

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FH || Natascha Kann

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