Daniel Schachter (Buenos Aires, 1953)

Compositor, artista sonoro, investigador. Miembro fundador de la RedASLA (Red de Arte Sonoro Latinoamericano), director del CEPSA Centro de Estudios y Producción Sonora y Audiovisual (CEPSA) de la Universidad Nacional de Lanús (UNLa). Distinciones: Premio de Composición Ciudad de Buenos Aires 1996/97; Premio Ars Contemporánea 1978, Premio Tribuna Nacional de Música Electroacústica (TRIME) 1994, Mencion Tribuna Nacional de Compositores (TRINAC) 1987; Compositor Invitado y por encargo en el INA.GRM, Paris (1993, 1994, 2006). Expositor central del Sonic Arts Network 2004 (De Montfort Universirty, Leicester) por beca de la Academia Británica. Ha ganado la Beca Ibermúsicas 2016 para realizar una residencia de composición en el CMMAS de México durante 2017. Presenta sus trabajos habitualmente en Festivales, Congresos y ciclos de conciertos alrededor del mundo. Sus escritos son publicados por Cambridge University Press, la UNLa, la Universidad de Uberlandia (Brasil), Editorial Ariel (Madrid) y su música es editada por el Fondo Nacional de las Artes (Argentina), la UNLa, la RedASLA, el CMMAS (Mexico), la Universidad de Tennessee (EE.UU.) y los sellos Cosentino (Buenos Aires), Pogus (Nueva York) y Elektrons (Estocolmo). daniel@schachter.com.ar - www.schachter.com.ar
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Composer, sound artist, researcher. Founder member of the RedASLA (Latin-American network for Sonic Arts), director of the CEPSA Research Center in sound and audiovisuals at the National University of Lanús, Argentina (UNLa). Awards: Buenos Aires City Composition Prize 1996/1997; Ars Contemporanea Prize 1978. National Rostrum of electroacoustic Music Prize (TRIME) 1994, National Rostrum of Composers Honorary Mention (TRINAC) 1987. He was invited composer and received commissions from INA.GRM, Paris (1993, 1994, 2006). Keynote Speaker at the Sonic Arts Network 2004 (De Monfort University, Leicester) granted by the British Academy. He won the Ibermusicas 2016 grant for a composition residence at the CMMAS, Mexico in 2017. He presents his production in Festivals, Conferences and Concert cycles worldwide. His papers are published by Cambridge University Press, the UNLa, the University of Uberlandia (Brasil, Ed. Ariel (Madrid) and his music is released by the National Endowment for the Arts (Argentina), the UNLa, the RedASLA, the CMMAS (Mexico), the University of Tennessee (USA) and the labels IRCO (Buenos Aires), Pogus (New York) and Elektrons (Stockholm). daniel@schachter.com.ar - www.schachter.com.ar 
Como un mar de hierro
Obra acusmática compuesta en 2017 por invitación de la asociación Musiques & Recherches, Bélgica dedicada a la compositora argentina Beatriz Ferreyra porsu 80 cumpleaños. Se trata de una reflexión sobre la relación entre timbre y movimiento que parte de una serie de muestras de sonidos marinos que va mutando tímbricamente hacia bloques de hierro pero manteniendo la gestualidad del movimiento del mar asignando las dinámicas del sonido del mar a las muestras de sonidos de trozos de hierro, trabajando siempre la dinámica y el timbre pero no la altura que permanece mas o menos estática durante toda la pieza. 

Como un mar de hierro
Acousmatic piece composed by Daniel Schachter in 2017 after an invitation from the Musiques & Recherches association (Belgium). It is dedicated to the Argentinian composer Beatriz Ferreyra for her 80th birthday. The piece is a reflection on the relationship between timbre and movement starting from a series of samples of marine sounds whose timbre mutates towards the one of iron blocks maintaining the gestures of the sea movement. For this purpose the dynamic envelopes of the sound of the sea waves were assigned to different samples of pieces of iron, keeping in mind that from the perceptive point of view these surrogacies intend to work on dynamics and timbre but not the pitch that remains more or less static throughout the whole piece.

EKN[ø]5

Daniel Schachter - Como un mar de hierro (2017)

Alejandro Brianza 

Compositor, investigador y docente. Licenciado en Audiovisión, Técnico en sonido y grabación, flautadulcista. Especialista y maestrando en Metodología de la Investigación Científica. 
Es docente en la Universidad del Salvador y en la Universidad Nacional de Lanús, donde además forma parte de investigaciones relacionadas a la tecnología del sonido, la música electroacústica y los lenguajes contemporáneos, de las cuales ha dado conferencias y talleres en congresos y distintos encuentros del ámbito académico nacional e internacional. Es integrante de la plataforma colaborativa Andamio y miembro de la Red de Artistas Sonoros Latinoamericanos.


Argentinian. Composer, researcher and teacher. Has a Bachelor in Audiovisual Arts and is currently pursuing master’s degrees in Methodology of Scientific Research. Is sound technician and recorder player. He teaches at the University of Salvador and the National University of Lanús, where is also part of researchs related to sound technology, electronic music and contemporary languages, of which he has lectured at conferences and various national and international academic meetings. Works in Andamio, collaborative platform in electronic arts and member in RedASLA, International network of latinamerican sound artists. 


Fútbol 

No importa tu edad, tu género, ni el interés o la habilidad que tengas para este deporte. Está en la cultura, en la tradición, en lo cotidiano. Todo Argentino, al menos "de rebote" ha oído acerca del fútbol, sus ídolos y leyendas. 

It doesn't matter your age, your gender, nor the interest or the skill that you have for this sport. It is in culture, in tradition, in everyday life. Every Argentine, at least "by rebound" has heard about soccer, their idols and legends.

Alejandro Brianza - Futbol (2017)

Gustavo Chab 

Gustavo David Chab Argentina-Spain (b. Buenos Aires, 1964)
Composer of mostly electroacoustic works that have been performed in the Americas and Europe.
He composed his first electroacoustic piece in 1993, specializing in composition techniques in electroacoustic.
His compositions, including works for instrumental, electronic music and performances. Frequently explores the spatialization of sound in composition, mixing electroacoustic sounds and acoustical instruments.
His compositions have been performed at numerous festivals and has received-among many awards - Prize Exhibitronic 2018/International Festival of Sound Arts (Strasbourg-France); First Prize of the FNA/Juan Carlos Paz (Buenos Aires, Argentina); a special Mention of the Municipality of Buenos Aires and a honourable Prize-Residence of the International Competition of Electroacoustic Music GMEB (Bourges-France, 1993) /Artist in Residence CCMIX, Center for the Composition of Music Iannis Xenakis (France).
gustavochab.blogspot.com

Pulsar 

A mixture is a material made up of two or more different substances which are mixed; in this combination, the identities of material are retained and mixed in the form of new solutions. 
Inside the series of mixtures, pulsar have regular rotational periods that produces a very precise interval between pulses that range from roughly milliseconds to seconds for an individual pulsar. Different substances of sounds are mixed in the form of new solutions.

Gustavo Chab - Pulsar (2014)

Javier Leichman 

Realizó sus estudios en el Conservatorio Nacional Carlos López Buchardo. 
Cursó estudios de Composición con Francisco Kröpfl. 
En 1990 obtiene una beca de la Fundación Antorchas para realizar estudios de postgrado en Composición. 
En 1996 recibe la beca de Investigación del F. N. A. en Análisis de Música Electroacústica. 
En 1999 recibe el encargo del F. N. A. para realizar la composición y arreglos para el espectáculo “Tango, otra mirada”, estrenado o en Buenos Aires y en Bourges, Francia. 
En 2004 recibe la beca Antorchas en el rubro Composición Musical. 
En 2006 recibe el premio municipal por su obra Todo bajo Control. 


Received a music degree at the Conservatorio Nacional C.A.Buchardo. 
In 1989 he took a course at C.I.M. (Musical Research Center) at the University of Buenos Aires wich lead to a scolarship from the Antorchas Foundation to study contemporary music. 
Leichman´s advances studies include also composition and music morphology with Francisco Kroepfl. 
In 1997 he won the Juan Carlos Paz National award by his electroacustic piece ¨Piedra Papel Y Tijera¨ , a work commissioned by the International Institute de of Music of Bourges, France, where he was a composer in Residence in 1996. 
In 1998 he obtained an scholarship from the Fondo Nacional de las Artes to research in electroacoustic music analysis. 
In 2004 he was granted with the Antorchas Prize in Composition. 
In 2006 he was granted with the Municipal Prize in Composition. 
He is currently Director of L.I.P.M. (Laboratory of Research and Musical Production). 


Los Poetas 

Materia poética convertida en materia sonora convertida en 
materia musical 

Poetry matter converted into sonorous matter converted into 
musical matter.

Javier Leichman - Los Poetas (2011)

Teodoro Cromberg 

Teodoro Pedro Cromberg es compositor (Licenciado y Profesor Superior de Música en la especialidad de Composición -UCA- ) y pianista. Fundó y dirigió la carrera de Artes Electroacústicas (ORT) hasta el año 2011. Es profesor (Contrapunto, Armonía, Orquestación, Música de los s. XX y XXI) en la Escuela de Música Contemporánea (Berklee International Network). Es profesor (Contrapunto, Fuga, Acústica, Música Mixta e Interactiva) e investigador (Piano y Nuevas Tecnologías) en el Departamento de Artes Musicales (Universidad Nacional de las Artes). Ganó el Premio Municipal de Música (bienio 2010 – 2011) en la categoría Música Electroacústica. 


Teodoro Pedro Cromberg is composer (Bachelor and Professor of Music in the specialty of Composition -UCA-) and pianist. He founded and directed the career of Electroacoustic Arts (ORT) until 2011. He is professor (Counterpoint, Harmony, Orchestration, Music of the XX and XXI century) at the School of Contemporary Music (Berklee International Network). He is professor (Contrapunto, Fuga, Acoustics, Mixed and Interactive Music) and researcher (Piano and New Technologies) in the Department of Musical Arts (National University of the Arts). He won the Municipal Music Prize (biennium 2010 - 2011) in the Electroacoustic Music category. 


“El Arpa, la Mano y la Sombra” 

Grabado en el Instituto de Tecnología ORT. El título fue tomado en préstamo de la novela de Alejo Carpentier “El Arpa y la Sombra”. La pista electroacústica es, en casi su totalidad, un único score de Csound, lenguaje de programación dirigido a la síntesis y el procesamiento del audio digital. 


Recorded at the ORT Institute of Technology. The title was borrowed from Alejo Carpentier's novel "El Arpa y la Sombra". The electroacoustic track is, in almost its entirety, a single Csound score, a programming language aimed at the synthesis and processing of digital audio.

Teodoro Cromberg - "El Arpa, la Mano, la Sombra" (1999)

Tekn[ø]5 es un grupo de compositores de Argentina comprometidos con la realización de actividades musicales con el uso de tecnología e intenta ser productivo e inventivo en la causa de una nueva música.


Tekn[ø]5 is a group of composers and performers from Argentina who are involved in musical activities with the use of technology and intend to be productive and inventive in the cause of new music.

Tekn[ø]5

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