BANDCAMP

KING DAVID MIX 1.2.3 SAMPLE (available on bandcamp)

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Spammerheads, the Valencia-based duo known for their raw electronic sound, have been steadily cementing their reputation as one of the most solid projects in the new Spanish EBM scene. They now return with The Mire Chronicles. This new work, released by Banshees Records, is a sonic artifact born from catharsis. In the wake of the devastating floods that struck Valencia in October 2024, the group not only lost part of their studio but also witnessed the destruction and the subsequent wave of solidarity firsthand. From this traumatic experience, loaded with conflicting emotions, emerges their most personal, cohesive, and powerfully moving album to date.

If their previous work, Disclaimer (2024), certified them as a leading force in EBM, The Mire Chronicles deepens and expands that sound with a visceral narrative. The band maintains its unmistakable backbone of relentless sequences, abrasive basslines, and an industrial atmosphere inherited from the old school of the 80s.

However, here they incorporate nuances and textures that reflect the album's emotional journey. Powerlessness and shock are translated into desolate soundscapes and heavy, crawling rhythms, while fury and resilience erupt in peaks of controlled aggression. The production, meticulously detailed, is both raw and crisp, allowing each element, however harsh, to occupy its own space to maximize emotional impact.

Their evolution is palpable. From Espai, Temps i Materia and Bricks for Reconstruction to the essential Tar Blood / Cement Skin, Spammerheads have demonstrated a commendable capacity for growth, which culminates in the artistic maturity of The Mire Chronicles.

The album's greatest strength lies in its powerful narrative concept. It functions as a chronicle—a sonic diary that navigates the collective states of mind in the face of a catastrophe. The six main tracks (expanded to eight with the digital bonus tracks) are chapters in a story of loss and resilience.

Premiere: Spammerheads - Shocking Days [Banshees Records]

iFlowOnly - Storm Surge: A Turbulent EDM x Rock Collaboration ⛈️🔊
" Witness the sonic storm! 🌪️ iFlowOnly presents Storm Surge, a turbulent fusion of EDM's electrifying energy and Rock's raw power. 🎸
KEY FEATURES:
✨ Electrifying EDM synths and driving Rock riffs
✨ Pounding drums and aggressive basslines
✨ A sonic collision that's equal parts intense and chaotic
✨ Perfect for fans of EDM, Rock, and high-energy music
DETAILS:
🎵 Genre: EDM x Rock
⚡ BPM: 128
🎧 Best with headphones for MAXIMUM sonic impact!
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TAGS:
#iFlowOnly #StormSurge #EDM #Rock #Collaboration #Turbulent #SonicStorm #MusicWithoutBorders


EDM And Rock UNITE In A Powerful Music Fusion

LOOK OUT FOR THIS RELEASES SOME WHERE IN THE NEAR FUTURE HAVE NO EXACT DATES FOR NOW
BLESS JAH PEOPLE
***Teotihuacán o Teotihuacan *** 
         (Ciudad de los Dioses)
(en náhuatl: Teōtihuācan, ‘‘lugar donde los hombres se convierten en dioses ’;1​ ‘lugar donde se hicieron los dioses ’; ‘ciudad de los dioses’’)?2​ es el nombre que se da a la que fue una de las mayores ciudades prehispánicas de Mesoamérica. El topónimo es de origen náhuatl y fue empleado por los mexicas para identificar a esta ciudad construida por una civilización anterior a ellos y que ya se encontraba en ruinas cuando los mexicas la vieron por primera vez. A la fecha se desconoce el nombre que le daban sus habitantes originales. Los restos de la ciudad se encuentran al noreste del valle de México, en los municipios de Teotihuacán y San Martín de las Pirámides (estado de México), aproximadamente a 78 kilómetros de distancia del centro de la Ciudad de México. La zona de monumentos arqueológicos fue declarada Patrimonio de la Humanidad por Unesco en 1987.

Los orígenes de Teotihuacán son todavía objeto de investigación entre los especialistas. Alrededor del inicio de la era cristiana, Teotihuacán era una aldea que cobraba importancia como centro de culto en la cuenca del Anáhuac. 
No sabemos quiénes construyeron Teotihuacán, pero la planificación supuestamente comenzó alrededor del año 500 a. C. Debido a que los misteriosos constructores son desconocidos – no son aztecas, no son mayas, y tampoco olmecas – son llamados simplemente teotihuacanos. Estos teotihuacanos, al igual que todas las otras naciones centroamericanas de aquella época, son tenidos como habiendo sido gente de la Edad de Piedra sin ningún conocimiento de los metales

TEOTIHUACAN (THE CITY OF GODS) NDX MEETS JAHCOMMAND

GLORIOUS MIND MIX 1

BUNNINGTON JUDAH VOCALS BINGHI LUCA BAT ALL INSTRUMENTS FOR RAINBOW SOUNDS MUSIC RECORDED AT RAINBOWS SOUNDS STUDIO UK

CHATTY MOUTH

CLEAN DUB

THE PRIME TIME

Jah Chalice Records 12 Inch - JCR12003 - Jubal Sound Edition

Buy here: https://jahchalice.bandcamp.com

Jubal Sound Edition - A Side:
A1: Jubal & Timwe: Build A Home
A2: Jubal Sound: Dub A Home
A3: Jubal Sound: Tronstep RMX

Mixed and Produced by Jubal & Kedesh Soundsystem
arranged by Kedesh Soundsystem
Mastered by GKG Mastering / Ludwig Maier
Grafik & Artwork by Krissi Juls
all rights reserved JAH CHALICE RECORDS 2020

Build a home

JCR12003 A Side - Jubal ft. Timwe - Build A Home - Kedesh Sound

Productor mexicano de Reggae dub desde el 2017 🇲🇽


https://eksman.bandcamp.com/

CLEAN DUB

EKS MAN TMW

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