Name: El Buho - Pavonine Quetzal (Pharomachrus Pavoninus) by El Búho in A Guide to the Birds of South America
Duration: 3 min 56 s
Description: An EP of tracks inspired by South American birdsong. Each song takes a bird call as the base and is built up around it.

definitely ahead of its time !! great work by a great master

here: https://www.mixcloud.com/radiokrimi/worldwide-airlines-flight-021-l%C3%A9treinte-du-serpent-a-plumes-freelegal/

This tune was so radically ahead of its time

An EP of tracks inspired by South American birdsong. Each song takes a bird call as the base and is built up around it.

A Guide to the Birds of South America

Colombia is currently in a national strike, which began to counter attempts of the State to impose abusive taxes on basic necessities in a moment in which many people are already greatly struggling.  The response of the government to the protests has been extremely violent, up till the moment of writing this more than 40 protestors have been killed, hundreds have been injured, and hundreds more are currently missing.  The strike continues.
@Menteorganica
@Gusanitodiscos

Parar Para Avanzar - Mente Orgánica & Casa Seis (Biomigrant Remix)

Wilderness of ruin by Urban Sufi Music produced by Hasan -Vs- Goliath.

The title is from a famous turn of the 20th century allegory. It's about the westward push of European-American destructive force.

Wilderness of ruin is an album of ambient, background and library music. Hasan -Vs- Goliath picks up where PER Music Library left-off.

wilderness of ruin

Wilderness of Ruin

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Naturalist (Anonymous)

El Buho - Great Jacamar (Jacamerops Aureus)

El Buho - Spix's Woodcreeper (Xiphorhynchus Spixii)

El Buho - Pauraque (Nyctidromus Albicollis)

El Buho - Tropical Screech Owl (Otus Choliba)

El Buho - Pavonine Quetzal (Pharomachrus Pavoninus)

Ohxalá is the musical project of a Portuguese duo: Maria & Luís. Maria works as a printing technician in a photo lab and Luís works as a website programmer moreover both devote much of their non-working hours to music and photography. From this dedicated and parallel passion started the will to make it alive somehow and, consequently,it had been growing faster particularly since the recent adventure of the duo in Germany in 2016. Such a journey is the starting point of this plot. On his return to the Portuguese lands, eager for information; an effervescent and inspiring will to investigate and absorb settled in the duo. They are in need of a call to go through other times, other peoples; which have completely overwhelmed them.

The name Ohxalá comes from the Arabic expression “ 'in sha' allh ”, whose meaning is “God willing”, which is used as interjection to express the desire for something to happen. Nevertheless, it is also a reference to the father Oxalá, orixa associated with the creation of the world and of the humankind. Maria and Luís make distinguished use of African-born religions' "imaginarium" as a basis for inspiration in the elements of their music. This connection and rescue came to light their debut EP: "O Futuro do Passado EP" (“The Future of the Past”). The work alludes to the importance of the historical preservation of the rituals, songs, traditions and customs of the ancient peoples. Music that's transcendental, music for your mind, body and heart.

The EP includes four tracks. “Ossaim” is an encounter with the God of the forests and the flowers. In this piece of jungle-sound the duo invites us to embark in the woods, the ritual has begun. In the sequence appears “Sarvará”, an edit of a track of the very-very Brazilian ProjetoMujique; of this bridge Brazil-Portugal appears this second track, an electronic ode to Oxalá. “Ovoavoa” is an invitation to the liberation and celebration of life and love. An invitation to smile and dance freely. “Urubu Violeta” finishes the thematic clipping. It is a “musical illustration” of an original poem by actor Rui Queirós de Matos aka Spike that gives voice to the more futuristic composition of the EP. With an organic feel that is the result of an exciting layering, the Portuguese newcomers deliver a cosmic, fresh, unique and emotionally rich production of intentions.

“O Futuro do Passado” is a vivid introduction to the thematic clipping explored by Maria and Luís. With a down tempo ethnic's scene still embryonic Portugal seems to contribute strongly to the artistic extrapolation of the duo. An infinity of perspectives and colours, together with a powerful groove feeling make this project a unique sound experience. With the incessant search for ways of expressing themselves through popular music, Ohxalá delivers in such a different way a sound package that make us reflect on the past and look to the future without fear.

Ohxalá:
Facebook: https://www.facebook.com/ohxala/
Soundcloud: https://soundcloud.com/ohxala

Credits:
Art: Helder Dias.
Master: Andreh Torres @ RD Studio, Brazil.
Voice: Track 04 - Rui Queirós de Matos.
Contains samples of the work of documentarist Ricardo Esposito.

Special Thanks:
To Vitor Aguiar our Olorum, one of the promoters of this project and creator of the beautiful Ohxalá logo. To Project Mujique, Rui Queirós de Matos aka Spike. Helder Dias by the cover art. To Casa Caos, Tropical Twista and all those who have supported and influenced our music. "Bem hajam, Axé!"

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Ohxalá — Ossâim

Mosaico De Bunde -Grupo Bahía (Mr. Toé Edit.)

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Fiesta aymara - Wara (Lagartijeando remix)

Following the first year of Mateo Kingman’s international touring, AYA Records - new imprint from ZZK Records - is releasing a collection of remixes from his debut album "Respira" (breathe).  Few times have we had such an overwhelming response to a new album by an up and coming artist and it's heart-warming to find his work so inspiring for musicians and producers from around the globe. With versions from Japan (Ground), Chile (Matanza) passing through the United States (Jeffrey Paradise from Poolside) amongst others. We can see how songs mutate and adopt new personalities in different hands, exploring new atmospheres and rhythms, down tempos in dynamic songs, inflections and accents, textures and new attributes that appear as the essence of artistic expression and collaboration. This creative transmission attests to an endless quality of the original material and it's our pleasure to share this sampling of remixes to accompany Mateo's upcoming European tour this fall, with debut shows in Amsterdam at ADE and Paris at Hasard Ludique.

Mateo Kingman - Lluvia (Kurup Remix)

Last december 2019 while on tour in Norway, in one visit to my brother Julius in the middle of the forest where they have this beautiful place with Permaculture, arts Projects and Home; we get inspired by his little pewen trees (araucaria) wich this seeds he bring from Patagonia where this tree is origin.
Sacred for Mapuche, Pehuenche and Tehuelche cultures; is one specie in danger because of the forestal companys that destroy the local species to make paper and wood.
we start to make shaker with the seeds and then play some music all together with Rokaya and Xola..then "araucaria" come.
same month later in Berlin after playing together a showcase with my brother Rodrigo Gallardo, we meet at Organic Studio and we record beautiful quenas and charangos for couple of songs include "Araucaria".
full respect and honor to see this sacred Pehuen growing in far north.
Chaltumai!
Marichiweu!

******************

El pasado diciembre de 2019 en tour por Noruega, en una visita a mi hermano Julius en medio del bosque donde tienen este hermoso lugar con Permacultura, Proyectos artísticos y Hogar; Nos inspiramos en sus pequeños árboles de pewen (araucaria) que trae estas semillas de la Patagonia donde se origina este árbol.
Sagrado para las culturas mapuche, pehuenche y tehuelche; Es una especie en peligro debido a las empresas forestales que destruyen las especies locales para hacer papel y madera.
comenzamos a hacer una coctelera con las semillas y luego tocamos música junto con Rokaya y Xola ... luego viene la "araucaria".
El mismo mes después, en Berlín, después de tocar juntos en un escaparate con mi hermano Rodrigo Gallardo, nos encontramos en Organic Studio y grabamos hermosas quenas y charangos para un par de canciones que incluyen "Araucaria".
Respeto y honor completos al ver a este sagrado Pehuen creciendo en el extremo norte.
Chaltumai!
Marichiweu!

Voices: Rokaya Elise Nielsen & Julius Maske
Xilophon: Rokaya Elise Nielsen.
Atmosphere sounds and spacey vibes: Søola
Quena: Rodrigo Gallardo
Araucaria Seeds Shakers: Julius Maske & Intiche.
Guitars, Bass, Synths, Beats and Production: Intiche

Recorded in Norway by Organic Structure Homebase.
Mixed in Berlin by Organica Studio.
Master by Tillmann Wasser

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Araucaria * Intiche feat Rodrigo Gallardo &  Rokaya & Organic structure

Espinal EP

Salvaje Libertad

Buy: https://montoya.lnk.to/otuntheremixes

In 2019 Montoya released his 3rd album ‘Otun’ on ZZK Records. His blend of Afro-Colombian Rhythms and electronic beats (featuring vocalists Pedrina and Quantic collaborator Nidia Gongora) found support from the likes of Branko, Nubya Garcia, Papaoul, and many a dancefloor that came out to see him on tour.

Montoya is a classically trained violinist who moved from Colombia to Italy in 2001 where he joined Fabrica, a “cultural subversion center”, and experimented with arts and music. His fresh take on Colombian sounds pricked up the ears of contemporaries and soon he was asked to remix Nicola Cruz, Matanza and others. 

To borrow some words from DJ Mag, “from Colombia to Treviso via music. Montoya is surely one of the most interesting musicians on the scene”.  Montoya has now invited some of his friends, from Treviso to Colombia, to put their spin on his music. 

Chilean DJ Raff was an architect of the hip-hop scene in Chile and his ‘Latino & Proud’ track was used as the theme tune for Comedy Central’s award winning Broad City.  Since moving to London his electronic productions have gained support from Tom Ravenscroft and Gilles Peterson (BBC 6 Music) and others .  Having recently released music on Dengue Dengue Dengue’s new label, DJ Raff now turns ‘Solo Quiero’ into a sun drenched summer anthem.  

Clap! Clap! has developed his own inimitable style which has seen him gain support from Paul Simon, Gilles Peterson, Future Music Magazine and a raft of others. Montoya recently remixed Clap! Clap!’s ‘Rising Fire’ and now Clap! Clap! dials up the bass and marimba on Montoya’s ‘Pasillo’.

Barcelona based Baiuca has been making a name for himself with his unique vision of traditional folk music from Galicia reshaped with club orientated electronics. His take on ‘Otun’ gives it a deep bouncy and propulsive bass line punctuated with Nidia Gongora’s hypnotic vocals. 

Kenyan field recording and experimental sound artist KMRU, who received recognition from the likes of Resident Advisor for his delicate works, has put his distinct ambient touch on ‘Perla’.  

Lorenzo BITW, Cornelius Doctor, and Delaunay offer up their experimental versions and Joaquin Cornejo revisits ‘Solo Quiero’ with an ethereal blissed out mix.

Otun Remixes

Solo Quiero ft. Pedrina (Joaquin Cornejo Remix)

Montoya - Solo Quiero (Joaquin Cornejo Remix)

Latin American rhythms, digital sounds, claps, flutes, harps, tweets, hoots and leaves!

El Buho - Pavonine Quetzal (Pharomachrus Pavoninus)

El Búho

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