Are we both connected? This is wicked. "Plusminuszero". Its a ritual. There is no coincidence. PM me, please,x

definitivamente modular, es único e imprescindible

Kiss U

Filthy Believer

indigo dream

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I Am A Joker!

"It'll Cost You" is the next single from House of Feelings' just-announced debut EP, Last Chance, out Aug 11th on Infinite Best. The track features production by Dale Eisinger of Yvette and vocals from film critic Kristen Yoonsoo Kim. It's about life during late capitalism.

next party:
House of Feelings: Northside Edition @ Baby's All Right
Sat June 10th, midnight 
www.facebook.com/events/432452060448602/

🔮 pre-order: https://houseoffeelings.bandcamp.com/album/last-chance-ep
 ⚗ spotify/itunes/etc: https://lnk.to/lastchance

Last Chance EP tracklist:
01 Teach You
02 Last Chance
03 Hurt Me feat. GABI
04 Avatar feat. Meredith Graves
05 Keep On Runnin
06 It'll Cost You
07 Falling feat. Shamir
08 Let's Pretend

I can get you a little help, kid, but it's gonna cost you 
So I need to know that you really understand 
It's gonna take everything you have, kid, it's gonna cost you 
Why don't you go ahead and cancel all your plans

Cause that feeling you have inside kid well, it's gonna cost you 
You're gonna do a few things you probably will regret 
You can blow everything you know away, but it'll cost you
If you're going to get what you think you want to get

You're gonna wake before the sun comes up it's gonna cost you 
It's a combination of exhaustion and panic
Your commute's almost two hours, door to door 
With people behaving like they've got 3rd-class seats on the titanic

I get can you a better place kid, but it's gonna cost you 
Years of debasement, and shitty basements 
You can put a little reverb on your name, but it'll cost you 
In your aching spine and the lines of your aging face

And your friends your friends and your family, well you can forget them 
You'll have nothing left to give to anyone else
You're a soldier of fortune and your isolation 
Is your wedding vow in your marriage to yourself

And your body, let's be honest well it could be better
It’ll cost you hunger, and the vain, harsh light of the gym
And those slick, smiling people you always wanted to run from
I'm afraid, I'm afraid, afraid you're going to have to become one

And the worst part, the worst part is you might have been happy
If you could only admit that nobody owes you a thing
And that feeling, the feeling you loved when you were younger
It's gone somewhere, disappeared, went missing

And the night's a blink and the days are long it's gonna cost you 
But you're in the wrong business if you’re looking for a guarantee
The only thing you own is the way you keep you keep trying
Your only home is having somewhere else to be

House of Feelings is an NYC based collective helmed by Matty Fasano and featuring a bevy of talent from the basements and bedroom studios of the New York underground. At once a band, weekly radio show, and roving dance party, the crew has swelled ranks and earned a growing following through a modern, multidisciplinary approach to creating and sharing music, fully embracing the community aspect so often present in the culture of dance music.

Last Chance EP

pre-order'll cost you

House of Feelings - It'll Cost You

Earlham Mystics - Ada L

Charlotte Adigéry - 1,618

From the album Anne.  Available November 16, 2018 from Western Vinyl.

Bandcamp https://josephshabason.bandcamp.com/album/anne
iTunes https://itunes.apple.com/us/album/anne/1427808233?ls=1&app=itunes
Spotify https://open.spotify.com/album/19FD6RN5K3xYFThAHM4fGy?si=0hUO0rFVQAigvSPTvJL_4w
WV http://westernvinyl.com/shop/wv182

Joseph Shabason
Twitter https://twitter.com/JosephShabason
Instagram https://www.instagram.com/josephshabason/
Facebook https://www.facebook.com/josephshabason

Anne, the second album By Toronto saxophonist and composer Joseph Shabason, is a tonal essay on degenerative illness. Delicately and compassionately woven with interviews of Shabason’s mother from whom the album takes its name, Anne finds its creator navigating a labyrinth of subtle and tragic emotions arising from his mother's struggle with Parkinson’s disease. Across the nine vivid postcards of jazz-laden ambience that comprise the album, Shabason unwraps these difficult themes with great care and focus revealing the unseen aspects of degenerative diseases that force us to re-examine common notions of self, identity, and mortality. 

Shabason’s uncanny ability to manoeuvre through such microscopic feelings is mirrored by his capacity to execute a similar tightrope-walk through musical genres. His music occupies a specific space that is as palpable as it is difficult to pin labels to. On Anne’s second track “Deep Dark Divide” rays of effected saxophone shine behind clouds of digital synthesizer that echoes the sound of jazz in the late 80s, but with a Jon Hassell-esque depth of sensibility that consciously subverts the stylistic inoffensiveness of that era. There is detail and idiosyncrasy beneath Shabason’s dawn-of-the-CD-era sheen that elevates the album far beyond a mere aesthetic exercise.

Still, the sounds on Anne are not so experimentally opaque as to stand in the way of the album’s through-line of sincerity and emotionality. When dissonance is employed it is punctual and meaningful, like on album-middler “Fred and Lil” where a six-minute cascade of breathy textures builds suddenly to an agitated growl, only to abruptly give way to Anne Shabason speaking intimately about her relationship to her own parents. Snippets of such conversations see her taking on something like a narrator role across Anne while the sound of her voice itself is sometimes effected to become a musical texture entwined into the fabric of the songs without always being present or audible.  The subsequent piece “Toh Koh” then drifts into playful disorientation as a lone female voice echoes the two syllables of the title, recalling the vocal techniques of composer Joan La Barbara, or even the light-hearted mantras of Lucky Dragons. From here the album veers back onto its aesthetic thoroughfare with “November” where Shabason lays muted brass textures atop a wavepool of electric chords provided by none other than the ambient cult-hero Gigi Masin, one of Anne’s many integral collaborators.

The serene tragedy of the album distils itself gracefully into the ironically titled album closer “Treat it Like a Wine Bar” wherein flutters of piano and mournfully whispered woodwinds seem to evaporate particle by delicate particle, leaving the listener with a faint emotional afterglow like a dream upon waking. There is a corollary to be drawn here with what it must be like to feel one’s own mind and body drift away slowly until nothing remains, while the collection of memories and abilities that we use to denote the “self” softens into eternity. On Anne, it is precisely this fragile exchange of tranquillity and anguish that Joseph Shabason has proven his singular ability to articulate.

Anne

Joseph Shabason - "Forest Run"

Andy Stott LUXURY PROBLEMS

acts of rebellion

do whatever you want, all the time.

N19 5NF

꙰꙰꙰❋❋\//⋯✺⋯✺⋯/\/❋❋\꙰
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𝗠𝗚𝗠𝗧
Ben Turner
ben.turner@graphitemusic.com 
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𝗟𝗜𝗩𝗘 + 𝗗𝗝 𝗕𝗢𝗢𝗞𝗜𝗡𝗚𝗦
𝗦𝗼𝘂𝘁𝗵 𝗮𝗻𝗱 𝗡𝗼𝗿𝘁𝗵 𝗔𝗺𝗲𝗿𝗶𝗰𝗮
TBA Agency
Devin Landau: dlandau@tbaagency.com
Avery McTaggart: amctaggart@tbaagency.com

//

𝗘𝗨/𝗨𝗞/𝗔𝗦𝗜𝗔
Sally Dunstone: sally.dunstone@primarytalent.com
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𝗹𝗶𝗰𝗲𝗻𝘀𝗶𝗻𝗴/𝗽𝘂𝗯𝗹𝗶𝘀𝗵𝗶𝗻𝗴:
carlos@dominopublishingco.com 
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anything else: 
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♡

do whatever you want, all the time.

Ela Minus

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