This is about as simple a patch as can be made.

2 operators from the Humble Audio Quad Operator > Bard VTG (tube lpg), enveloped by CalSynth Changes (MI Stages). The envelopes are being triggered by Xaoc Devices Batumi II. The shape of the 2 operators are slowly being modulated by Triple Sloths. The v/Oct comes from the Bindubba, while the Ratio of the second operator is being modulated by a CV output from Stochaos (both via Quantermain). The output of the VTG > stereo matrix mixer.

This is being sent to the Olivia Arts Modular Time Machine for some fancy multi-tap echo, which is creating the rhythm of the patch. The Time Machine does most of the heavy lifting in the patch. The melody itself is rather sparse and pretty boring. The delay makes it interesting, especially with moderately high feedback. The delay output goes to the matrix mixer.

From there the delay goes to Panharmonium, set at Xfaded sines, -1 octave, a little blur and glide. It has a tap tempo that is roughly the same as the melody.

This is also sent to the Bizarre Jezabel Mimosa for some serious destruction that gradually comes in then fades away.

Time Machine First Patch

ODESSA + QMMG

O+Q2

So Percussion giving the world premiere of "Apart" at Dartmouth University, NH -April 20th, 2012.

Time Machine First Patch

eleaf

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