Hey Thomas, you can make Apollo III or IX, but it will never be better than this

that pure intergalactic shiiet

taken from the last and final EP in the Conjure series.  "Conjure Infinity"

Release: December 15th on Drumcode

Maceo Plex - Conjure Dreams - Drumcode - Dec 15th

We are happy to welcome Maceo Plex to Drumcode with the fourth instalment of his Conjure series, ‘Conjure Infinity’. Featuring two tracks ‘Conjure Dreams’ and ‘Conjure Floyd’, both are peak time monsters that introduce two very different elements. ‘Conjure Dreams’ utilises a groovy, melodic bass that is reinforced using tight thumping drums to shatter any dance floor into the universe. ‘Conjure Floyd’ builds into a more ‘heads down’ techno vibe with a very interesting breakdown. Two sure fire tracks to ignite the floor.

Maceo Plex - Conjure Dreams - Drumcode - DC136

Play with me Part 2
Minus Records




I don't own the rights of this track

Matador - Da Hustle

Back To The Technics

Lost times

Zumii Feat Andrea Kaden - Pretty Faces (Original Mix)

It was in 2014 when a mutual friend introduced me to Victor Ruiz while he was staying here in Berlin. I invited Victor to my studio where we had a fantastic session, playing our music to each other, listening to stuff we like and simply talkin and connecting. Since then, we became close friends as well as starting to work together. Victor has released two outstanding EPs on Electric Ballroom by now. This summer we met again and recorded three tracks. The result is our first joint EP, of which I am very proud. (Thomas Schumacher, November 2015)

Check:
https://www.facebook.com/ElectricBallroomMusic
https://www.facebook.com/ThomasSchumacherOfficial
https://www.facebook.com/victorruizofficial


Thomas Schumacher & Victor Ruiz - Apollo

Sinister, throbbing riffs and shuddering bass come in heavy supply, as do the mischievous melodies and driving percussion. There's a reason Anna is doing so well at the moment and this track sums up why. 

More exclusive music

Premiere: Anna 'Odd Concept'

PARANOIA, my new album!

Take a listen and if you like it, feel free to buy the CD incl. bonus DVD with fantastic videos of all tracks.
Also available 2x12" Vinyl and digital versions on Beatport, iTunes and other Downloadshops. 
All of course in full length.

The edits here are just for your pleasure and to get an impression;)

Release: 2.11.2011
Label: Ideal Audio

Oliver Huntemann -  Tranquilizer (Paranoia)

OUT NOW !!

Link> bit.ly/TheGameChanger_Standerwick_Remix

The Game Changer

Bryan Kearney & Will Atkinson - The Game Changer (STANDERWICK Remix) [ASOT 785 Trending Track]

Filth on Acid is excited to welcome Cari Golden for a new collaboration with label honcho Reinier Zonneveld. "Bending The End" is the second track they recorded together and the follow up of the enormous hit "Things We Might Have Said", which was one of the biggest electronic hits of 2016.

That being said, Cari and Reinier wanted to bring something new to the table and started with a white canvas when composing "Bending The End", and because of that they ended up taking a totally different direction. This time the track comes in two variations, the melody centred original mix and a dancefloor orientated 4AM mix. 

The original mix starts out with a throbbing, deep Moog bassline, and a round, deep bassdrum, while at the same time blending soft, haunting effects and a fragmented, distorted melody. Cari Golden's voice, deep and beautiful, comes in and sets the mood for a hypnotic slow burner. The bassline initiates a subtle chord progression and delicate production skills elevate the mood of the track. Powerful but stripped back drum programming along with short bursts of white noise bring impact for the dancefloor. A long breakdown starts the orchestra by three of the big classic synths - Oberheim, Moog and Juno - and pave the road for unimpeachable ear candy with Cari's angel like voice as the centerpoint of the attention. All the elements come together and form an indisputable peak; without building up too obvious. In the vein of bending the end to the beginning again, the track's outro ends as it started: deep and delicate. The second version in the package - 4AM Mix - has a definite peaktime feel to it. Powerful driving drums and a heavy bed of sub bass kick lead the way to the introduction of looped elements of Cari's voice. Colossal, bassy stabs hint to original in a disrobed way. Long synth notes lying somewhere between bass and melody introduce the harmonies of the original during the breakdowns and translate it to demanding dancefloors in a profound way.

Early feedback (in random order)
Monika Kruse: does reiner ever sleep? nice track again! 
Victor Ruiz: Reinier is on fire!!!!!!! 
Karotte: original and 4AM mix are great. love it.
Gabriel Ananda: Nice one! I am not exactly an vocal fan, but its really well made and a nice track. thanks
Sasha Carassi: good stuff!
Umek: top work 
Oliver Koletzki: 4AM mix is amazing!!
Coyu: 4AM mix sounds good
Noir: Nice tracks guys ;)
Chus & Ceballos: Beautiful vocal, great production! thanks 
Franky Rizardo: Supporting

Get it here

PREMIERE: Reinier Zonneveld & Cari Golden - Bending The End (Original Mix)

Joris Voorn returns with another sterling release on his Green label. I Ran The Zoo is a lesson in stripped-back contrast and subtlety, with an acidic groove bleeping away over driving percussion and delicate atmospherics in its Digital Version, the tension growing with every thud of the kick drum. A dizzying breakdown raises the bar with snare rolls and dramatic pads, with the wide-open space therein soon sucked back into the void when the beat drops back in.

Meanwhile the special Analog Version harks back to Joris’ techno sound of old. The throbbing kick and bass and acid blips are set against rising, white-noise drenched synth swells and simple percussion to create something moody and tough yet teasingly pared back.

These two heads-down mixes make this release a stark contrast to some of his more melodic, riff-fuelled releases of late, once again demonstrating Joris' endless versatility and shape-shifting abilities.

GR30

I Ran The Zoo

I Ran The Zoo (Digital Version)

Pan-Pot - Confronted

Drumcode has become a label synonymous with some of the most-cutting edge and forward-thinking techno over the last 20 years. Their artists include both emerging and established names, and one of those well recognised is Enrico Sangiuliano. Now announcing the very first concept album of his career.

The prolific Italian producer has been catapulted into the limelight after the runaway success of his past releases, and now Biomorph is born. 

A very special concept album designed to take the listener on a journey of evolution. A musical adaptation describing how biological and technological advances over numerous generations of time have all started from the same first step in our own biological journey.

Divided into 4 parts, Organisms opens with atmospheric tones, gradually blending complex textures and timbres to begin the evolutional process. The beginning of this section combines full sounding arrangements before stripping it all back to basics. From here it dissolves into the atmosphere. Organisms then progresses into a break-beat influenced, down tempo track using synths to add complexity to the straight, broken rhythms.

Galactic, futuristic elements are found in both tracks in Cosmic Forces. Upbeat, groovy, electronic synths resonate, before ‘Hidden T’ brings the tension to get things pumped up with stratospheric swirls and twirls to lay down one of the most mind meltingly deep drops.

Metamorphosis is mysterious, its opening beat is a deep and piercing tone that sends the listener into a sensory awareness of their surroundings before breaking into a fully charged, techno track, with Enrico’s trademark sounds and textures.

All evolution has an ending.

Two Probabilities shows the positive, starting out evocative and emotional, with a gentle harmony, gazing towards a ‘New Dawn’. On the other side of the spectrum lies the negative. This is influenced with a rhythm that articulates the beat of death, mathematical, cold and metallic in texture, it shows the unsustainability of its nature, with a hectic, anxious break beat influenced ending.

The digital version also features a bonus track; 'A Further Existence'.

Biomorph

Enrico Sangiuliano - Cosmic Ratio - Drumcode - DC190 [II - Cosmic Forces]

Pre-order The Veldt EP: http://smarturl.it/theveldtep [Released: 24th June]. 

deadmau5 feat. Chris James - The Veldt is out now at iTunes: http://smarturl.it/theveldt

deadmau5 feat. Chris James - The Veldt (Radio Edit)

New track "Open Heart" feat. Lissie is available now!
http://smarturl.it/openheart

Morgan's 2008 debut album for Nettwerk, featuring "The Longest Road"  http://smarturl.it/longestroad

The Longest Road (Deadmau5 Vocal Remix)

Recreated one of my favorite remixes by deadmau5
IG: Machtigen
YouTube: TheMachtigen

Medina - "You and I" (Deadmau5 remix) Remake/Cover

The Berlin based label of Thomas Schumacher, established in 2011. 

Thomas Schumacher & Victor Ruiz - Apollo

ELECTRIC BALLROOM

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