Name: Tangerine by Electric Eye in Prog pt2
Duration: 9 min 11 s
Description: First single from upcoming album, out April 5th, released on Klangkollektivet / Fuzz Club Records.

peeling back the skin into a fruit full of psychedelic goodness.......

Dr. prof    Z   You Don`t have to run faster than the Bear!     You Yust have to run faster than Your friend!

Prog pt2

Jos et sä soita

Semi Precious - Ultimate Lounge

The Great Escape

Hi everyone!!
We are putting out a new single "Crystal" on the 23rd of June on PHLEX
Featuring backing vocals by Hanin Zueiter
Mixed by Alex Ferrer

Summer shows:
Saturday 13th of June - Festival Estaciones Sonoras - Cascante
9th/10th/11th of July - BBK Live - Bilbao
Saturday 25th of July - Festival'Era - Girona
14th/15th of August  - Medusa Festival - Cullera
4th and 5th of September  - Ebrovision - Miranda de Ebro
11th and 12th of September - Festival de la Luz – Boimorto

Hope you enjoy it!!

Delorean

Delorean - Crystal

1st single off of the upcoming album Allow Me

Buy on iTunes

The Same

Night of the Fire Witch

Norwegian Art-rock progressive outfit Gazpacho are set to release their brand new studio album ‘Molok’ through Kscope on 23rd October 2015.
PRE-ORDER ON CD/2LP: www.kscopemusic.com/store
DIGITAL: http://smarturl.it/Molok_Digital

‘Molok’ the follow up to their acclaimed 2014 album Demon sees the band continue to push the boundaries for creating the most complicated and strangest concepts for a record while simultaneously becoming the first band ever who are actively trying to destroy the universe with their album.

A small code that sounds like a strange noise at the end of the album will cause the correction software that runs in all CD players to generate a random number every time the CD is played. If that number should correspond to the actual position of all electrons in the universe then technically the universe could be destroyed.  

Of course you may wonder why a band would want to destroy the universe but as the band ask, ‘If it can be destroyed by such minute creatures within it, if it is just a chemical reaction, then does it have any spiritual value? In this scenario there is no good or bad, just an absence of meaning'.

Across the album there are religious themes going head to head with modern day new science ideas and theories, Gazpacho’s Thomas Andersen states, ‘the album itself is about a man that sometime around 1920 decides that wherever anyone worships a God they always seem to be worshipping stone in some form. Whether it is a grand cathedral, the stone in Mecca or Stonehenge. God seems to have been chased by his worshipers into stone never to return. This harkens back to Norwegian folk myths where if a troll was exposed to sunlight it would turn to stone but it also reflects the way God has been incommunicado for a very long time.’

The band go on to say, ‘In a mechanistic view of the universe all events in the universe are a consequence of a previous event. This means that with enough information you should be able to calculate the past and the future and this is what he does. He names the machine ‘Molok’ after the biblical demon into whose jaws children were sacrificed because his machine crunches numbers. On solstice day he starts the machine and it quickly gains some form of intelligence as it races through history undergoing its own evolution.‘

Throughout ‘Molok’ the band focus on the idea that without God/a god to guide us, humanity is unsure of the meaning of life, that while we attempt to fill the void with other things we’ve still not found the answer and without a master to lean on we are very much alone in this universe.

On the album Gazpacho make a direct connection with history. Norwegian music archaeologist Gjermund Kolltveit appears on the song "Molok Rising" plays his reconstruction of stone-age instruments making an educated guess at what the early songs of worship must have sounded like. This includes small stones, moose jaws and an assortment of flutes and stringed instruments. He also plays the Skåra stone, a singing stone which has a strong possibility of having been in use since the last ice age ended 10.000 years ago. Technically this means that the album uses the oldest original instrument ever recorded on an album.
The band are also joined by world-renowned Norwegian accordion player Stian Carstensen who is a central member of Balkan-jazz orchestra Farmers Market

Gazpacho are on tour in Oct - for details : https://www.facebook.com/Gazpacho.Official.BandPage
PRE-ORDER ON CD/2LP: www.kscopemusic.com/store
DIGITAL: http://smarturl.it/Molok_Digital

Know Your Time

Gazpacho - Know Your Time (taken from Molok)

B-side from the Pathology sessions

we were trying to disappear
so you'd hardly even notice.
in a darkroom with a constant light
we developed out of focus.
dani had his weeks away
and maya had her bracelets.
I would lie in cold, cold water
just to watch the heat escape it.

now I can't deny:
we made it
we made it out the other side

don't try to tell us it was all OK
now that we've adjusted;
we've got records of everything
it's what I put my trust in.
molly put up skin she couldn't have
don screenshot her violence.
I would lie about anything
I preferred it to a silence.

now I can't deny:
we made it
we made it out the other side


Escape

Download @ Cosmonostro.lnk.to/runatme
More info @ cosmonost.ro/woodwire
Connect with @woodwire


Bloom

Hush (feat. MIA)

Limited 12": smarturl.it/MariaUsbeckVinyl
Spotify: smarturl.it/MariaUsbeckSpotify
Apple: smarturl.it/AmparoApple
___

Maria Usbeck's solo debut, Amparo, is a collection of songs written and recorded across the span of three years in Ecuador, Buenos Aires, Santiago, Barcelona, Lisbon, Easter Island, Costa Rica, Florida, L.A. and her home in Brooklyn. Though the songs were composed electronically, Amparo called for an acoustic treatment, so Usbeck spent a winter in the studio recording the arrangements live with producer Caroline Polachek and mixer & engineer Miles Benjamin Anthony Robinson. Fleshed out in full sonic color on the marimba, xylophone, quena flute, piano, and harp, the album stretched into something hi-fi and expressive, meditative but not meandering.

Amparo stems from Usbeck's desire to compose in Spanish, her native language. Growing up in Quito, Usbeck was immersed in salsa, merengue, bachata, and Andean music, but was more attracted to German and American culture than to her own, and moved to America by herself at 17. After five years of fronting new wave outfit Selebrities and writing songs in English, Usbeck experienced a delayed-onset homesickness and knew it was time to "let the mother tongue speak." The impulse manifested itself directly: Amparo takes its title from Usbeck's middle name and her mother's name, and translates roughly as "to guide, protect, and embrace." Usbeck wields her Spanish lyrics cleverly while folding in snippets of several other far-flung tongues: Rapa Nui from Easter Island, Quichua from Ecuador, Bribri from Costa Rica, and Catalan. Because these lyrics were composed while visiting the countries from which they originate, their usage is more impressionistic than literal, like a mockingbird imitating fragments of other bird calls. Similarly, Usbeck reinterprets the Ecuadorian music that she grew up with as a newcomer, returning home with fresh ears, and as such the sounds are very much her own.

The backbone of Amparo is percussion, vibrating throughout with timbales, tumbas, a talking drum, bongos, shakers, and an Indian flat drum, with the gaps filled in by her field recordings of birds, beaches, and jungles. The songs were written and recorded chronologically, with the exception of the closing track, a cover of Colourbox’s “Tarantula” reimagined in Usbeck’s Spanish translation. Amparo is a reflection of the textures of Usbeck's childhood. It is also a distinctly grown-up pop record – a travel diary, music made by a visiting outsider to tap into a shared core of human expression. Emotively, Usbeck is her most powerful on piano ballads "Uno De Tus Ojos" and "Jungla Inquieta," but is a magnetic narrator throughout, moving between whispers, chants, and lullabies. Amparo pulses with many stories in many voices, but they flow together seamlessly like water, leaving behind a wordless hum.

Amparo is released May 27 via Cascine in North America, Labrador in Euope and Rallye in Japan.
___

Cascine on FB: bit.ly/1QTpyHQ

Maria Usbeck - Jungla Inquieta

Lead vocalist Jon Anderson(architect  of YES music &  beyond )- and guitarist,composer,producer Roine Stolt (The Flower Kings, Transatlantic )  release their first  amazing album as "Anderson & Stolt" in 2016 -   "Invention of Knowledge" - The first electric full band album from Jon Anderson in many years - on Inside Out Music/Century Media. With guests Tom Brislin, Jonas Reingold, Nad Sylvan etc. Here's the opening track . - You can buy the whole album from shops,retailers, iTunes and every progdealer known to man,spirit & animal.  -      Pick up this album Anderson/Stolt - Invention of Knowledge. @
http://smarturl.it/iokAMAZON
http://smarturl.it/iokAMAZONMP3

http://smarturl.it/iokITUNES
http://smarturl.it/iokIOM
And you can view our videos at: https://www.facebook.com/AndersonStolt/?fref=ts

Invention of Knowledge

Invention Of Knowledge

AndersonStolt InventionOfKnowledge

Deadwing is the eighth studio album by Porcupine Tree, released on 28 March 2005. The album is based on a screenplay written by Steven Wilson and Mike Bennion, and is essentially a ghost story. Wilson had expressed the intention to eventually have this film script made into a movie.

The album produced two singles, “Shallow” and “Lazarus”. The album also produced three music videos for “Lazarus”, “Start of Something Beautiful”, and “Glass Arm Shattering”.

The album includes collaborations with King Crimson’s Adrian Belew, who plays guitar solos on the title track “Deadwing” and “Halo”, and Opeth’s Mikael Åkerfeldt, who adds vocal harmonies on “Deadwing”, “Lazarus”, and “Arriving Somewhere But Not Here”. He also plays the second guitar solo on “Arriving Somewhere But Not Here”.

http://www.porcupinetree.com/
https://www.facebook.com/PorcupineTreeOfficial/
https://twitter.com/porcupinetree?lang=en
https://www.instagram.com/porcupinetreeofficial/
https://www.youtube.com/channel/UCc3TEf15ldupda3ifbVzNMA
https://open.spotify.com/artist/5NXHXK6hOCotCF8lvGM1I0
https://itunes.apple.com/gb/artist/porcupine-tree/id155097

Porcupine Tree - Shallow (from Deadwing)

From the album A Wound in Eternity by Farflung (MeteorCity 2008)

Farflung - Unborn Planet

Single from our first album "Lemon Lord" 
© Polycool 2019 
Video, Merch & Fun www.polycool.cool
Other streaming platforms https://biglink.to/lemonlord

Recorded and produced by Alexis Fugain
Mastered by Paul Rannaud

POLYWOOD

First single from upcoming album, out April 5th, released on Klangkollektivet / Fuzz Club Records.

Tangerine

Electric Eye

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