Artist: Abortive Gasp
Album: With Her Boots On
Year: 1988
Genres: Industrial, Electro, Experimental
Country: Germany

Track-List:

The Lever Of Justice

A counter-antinatalism compilation by Abortive Gasp.
Neither the Church of Fear nor the Church of Euthanasia:
Goths and life can coexist.

Enjoy this album while you wait for the Bunker Busters. These will be violent impacts, not snowflakes - but nothing else helps. And they will break down the protective walls against the deadly state domination virus.


Abortive Gasp is an electro-industrial band formed by singer Tim Paal and composer Harry Luehr in Hamburg in the late eighties. The duo was musically characterized by the high degree of improvisation as well as the early use of dub.

'Hamburg Bunker Bands' were 'Girls under Glass', 'Cancer Barrack' and 'Abortive Gasp', who played their music next to the St. Pauli Flakbunker in the 'Stairways', which was located in the so-called 'Bermuda Club Triangle' at the end of the eighties. Although the name seemed militaristic, it was a post-punk scene.


All titles were recorded in 1988-89 and remastered in 2021.

Tracks 1/2/3/6/8/9 taken from the 'Bullfrog' album
Tracks 4/7 taken from the 'Raw Scent' album
Track 5 taken from the 'A Fridge Fulla Bribes' album
Track 10 taken from the 'To Have The Second Crack' album

Thanks to Harsh Reality Music, Memphis/USA and to Alternate Media Tapes, Birmingham/UK.

Good Bye, Decade!

A counter-antinatalism compilation by Abortive Gasp.
Neither the Church of Fear nor the Church of Euthanasia:
Goths and life can coexist.

Enjoy this album while you wait for the Bunker Busters. These will be violent impacts, not snowflakes - but nothing else helps. And they will break down the protective walls against the deadly state domination virus.


Abortive Gasp is an electro-industrial band formed by singer Tim Paal and composer Harry Luehr in Hamburg in the late eighties. The duo was musically characterized by the high degree of improvisation as well as the early use of dub.

'Hamburg Bunker Bands' were 'Girls under Glass', 'Cancer Barrack' and 'Abortive Gasp', who played their music next to the St. Pauli Flakbunker in the 'Stairways', which was located in the so-called 'Bermuda Club Triangle' at the end of the eighties. Although the name seemed militaristic, it was a post-punk scene.


All titles were recorded in 1988-89 and remastered in 2021.

We do NOT support drug abuse.

Tracks 1/2/3/6/8/9 taken from the 'Bullfrog' album
Tracks 4/7 taken from the 'Raw Scent' album
Track 5 taken from the 'A Fridge Fulla Bribes' album
Track 10 taken from the 'To Have The Second Crack' album

Thanks to Harsh Reality Music, Memphis/USA and to Alternate Media Tapes, Birmingham/UK.

Morph Pusher

Cripple Stomp

(Final Fracas) Chains

Reckon On You

On The Floor

Psychgod (ext.)

Media Overload

Product Control (ext.)

Humanity

Abortive Gasp do NOT support drug abuse !

Morph Pusher (Steps To Heaven)

The Beast

Smashed My TV (Legal Version)

Sororicide

Morph Pusher (1138fix Mix)

Investigate Suckers (Extended)

Morph Pusher (Fridge Mix)

Recorded 10-26-1989 at Stairways (Hamburg, Western Germany)

Record Sleeve - backside:
tinyurl.com/y3zh6kuz

more:
www.instagram.com/abortive_gasp/

Humanity (live at the Stairways)

Morph Pusher (live at the Stairways)

Thickhead (live at the Stairways)

Artist: Abortive Gasp
Album: With Her Boots On
Year: 1988
Genres: Industrial, Electro, Experimental
Country: Germany

Track-List:

Bye Bye, Honey (0:00)
The Lever Of Justice (7:09)
Last Larkspur (11:33)
Marckmann32 (16:37)
Church Is Empty (19:59)
Adjusting Submission Control (26:49)
A Vision Becomes Reality (28:21) 
Lashed Plague (32:18)


'With Her Boots On' was the first of four longplayers by the three young men from Abortive Gasp when they made their very own musical path from Post-Punk to Electro-Industrial. It was taped in 1988 at DESY (German Electron Synchrotron) in Hamburg. The recording got a little bit playful and methodless but also has felicitous moments. Extractions were 'Bye Bye Honey' and 'Church Is Empty' which both respectively sounds very atmospheric. The lyrics are partially bold as well as morbid and macabre. 
The track 'A Vision Becomes Reality' includes samples from the Glasnost/Perestroika era and Ronald Reagan. Some modest erotic samples were temperately used for 'Church is empty'. The psychedelic styled sleeve artwork was inspired by young Hungarian actress Cantu from the German vampire movie 'Darling, I feel queasy !'.

Bye Bye, Honey

Electro Industrial, Electroindustrial, Noisepop, Electro, Alternative Disco

Artist: Abortive Gasp
Album: With Her Boots On
Year: 1988
Genres: Industrial, Electro, Experimental
Country: Germany

Track-List:

Bye Bye, Honey (0:00)
The Lever Of Justice (7:09)
Last Larkspur (11:33)
Marckmann32 (16:37)
Church Is Empty (19:59)
Adjusting Submission Control (26:49)
A Vision Becomes Reality (28:21) 
Lashed Plague (32:18)

'With Her Boots On' was the first of four longplayers by the three young men from Abortive Gasp when they made their very own musical path from Post-Punk to Electro-Industrial. It was taped in 1988 at DESY (German Electron Synchrotron) in Hamburg. The recording got a little bit playful and methodless but also has felicitous moments. Extractions were 'Bye Bye Honey' and 'Church Is Empty' which both respectively sounds very atmospheric. The lyrics are partially bold as well as morbid and macabre. 
The track 'A Vision Becomes Reality' includes samples from the Glasnost/Perestroika era and Ronald Reagan. Some modest erotic samples were temperately used for 'Church is empty'. The psychedelic styled sleeve artwork was inspired by young Hungarian actress Cantu from the German vampire movie 'Darling, I feel queasy !'.

Last Larkspur

Marckmann32

Church Is Empty

A Vision Becomes Reality

Lashed Plague

Recorded 12-18-1989 at Kir (Hamburg, Western Germany)

Record Sleeve - backside:
tinyurl.com/y3zh6kuz

more:
www.instagram.com/abortive_gasp/

Include Me Out (Live at the Kir)

'Abortive Gasp' was a Dark Wave group formed by lead singer Tim Paal and composer Harry Luehr in 1988 in Hamburg, Germany, later expanding to a trio.

In their homeland, the Electronic Body Music- and post-Punk-scene, they were musically characterised by the atypical high degree in improvisation as well as the early application of Dub. Because of their apolitical position they were contentious

Electro Industrial

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