I just discovered you today and im loving all that I am hearing so far! :D Keep up the good work!

Tech 7

Curtis Roads creates and pursues research in music technology. He is Professor Emeritus of Media Arts and Technology (MAT) and in Music at the University of California, Santa Barbara (UCSB), where he also managed the Center for Research in Electronic Art Technology (CREATE). He studied composition at California Institute of the Arts and the University of California, San Diego and received a Doctorate from the Université Paris 8. A researcher at MIT for six years, he also taught at Harvard and the University of Naples "Federico Due." He was Editor and Associate Editor of Computer Music Journal (The MIT Press) from 1978 to 2000, and cofounded the International Computer Music Association (ICMA) in 1979. His album POINT LINE CLOUD was reissued in 2019 by Presto Records. His album Flicker Tone Pulse (2019) was published on DVD by Wergo (Schott Musik). The textbook The Computer Music Tutorial, Second Edition (The MIT Press) appeared in 2023.

MBP #165 Curtis Roads

BIO: Benn Jordan’s career began in the late 1990’s as a recording artist most widely released under the moniker “The Flashbulb”. A decade later, Benn would become synonymous with artist advocacy after he purchased his music rights back from record labels,formed a non-profit publisher, and challenged the early models of digital music distribution by using peer-to-peer file transfers instead of iTunes. This led to Benn being a consultant for Bandcamp before the service launched in 2007.&nbsp; After expanding his non-profit to carry a music education school and community center in Chicago, Benn moved to the Atlanta area in 2017 and started what has now become one of the most popular YouTube channels in the pro-audio and audio technology space. The channel now exists under Benn’s non-profit umbrella and funds data-science and the never ending challenge of finding ethical business models that can make the music business easier to navigate for artists and creators. During this time his unique relationship with audio-related businesses and organizations expanded as fast as his amount of viewers and public reach. Benn Jordan doesn’t exactly keep it a secret that he’s discontent with the way independent artists have been treated by the tech industry, and he is very proactive about getting ahead of the curve and attempting to help write and set ethical standards for AI audio technology, and holds patents in technology fighting the non-consensual training of generative AI.      &nbsp; &nbsp;

MBP #166 Benn Jordan

In this highly anticipated episode, we sit down with legendary sound designer and software developer&nbsp;Steve Duda, the mastermind behind Xfer Records and the groundbreaking synthesizer plugin Serum. Renowned for pushing the boundaries of digital audio, Steve has garnered a cult following among producers worldwide—from chart-topping EDM acts to film score composers—for his meticulous attention to sound quality and user experience. Now, with the release of Serum 2, Steve takes us behind the scenes of its development, sharing insights into the new features, workflow enhancements, and the innovative technology that will redefine the way creators craft their sounds. Tune in to learn about the challenges of maintaining Serum’s signature clarity while incorporating cutting-edge functionalities, the surprising inspirations that influenced its design, and how community feedback played a key role in shaping the next generation of this beloved synthesizer. Whether you’re a seasoned music producer, a synth enthusiast, or just curious about the future of sound creation, this episode promises a deep dive into the art and science of synthesis with one of the industry’s leading visionaries.   &nbsp;

MBP #167 Steve Duda

Written, mixed and mastered by @klabnz & @goosebumpz

Artwork by K+Lab

Free Download

K+Lab & Goosebumpz - Mr. Big Boss

Rodrigo Constanzo makes art. He thinks this is an important thing to do.  The art he makes is generally smeared in time, in the form of music. He improvises and acts as an antennae to the beauty, electricity, and endless surprise that is living a crazy life. He composes and tries to create new sounds, interactions and behaviors that he finds interesting and challenging. He performs his own music and the music of others on a variety of instruments, with close friends.  He believes in magic. He believes in sharing things. He believes in teaching. He believes in openness. He loves sweet jams, and avoids speaking with a complicated vocabulary as much as possible. He tries to live as presently and honestly as possible.

MBP #168 Rodrigo Constanzo

The Zenon Paradox (Compiled by Sensient)

One of Us

DMGAudio is Dave Gamble and co-conspirator Krzysztof Oktalski, enriched with ideas from hundreds of engineers, producers and audio specialists. Dave has worked in Pro-Audio for over a decade, for prestigious companies such as Focusrite, Novation, Sonalksis, Neyrinck, Brainworx. DMGAudio was created to build the products that we've always wanted; free from the constraints of a board of directors and instead driven by our users.

MBP #170 Dave Gamble

Matt Xavier is a full-time psychedelic guide, DJ, and mental health counselor whose remarkable career has spanned more than three decades at the intersection of music, healing, and expanded states of consciousness.  In the early 1990s, Matt gained prominence as “Matthew Magic,” a pioneering force in New York City’s underground electronic music scene. As cofounder of Tsunami Productions, he introduced Psychedelic Trance to the North American East Coast and later founded the influential techno label Railyard Recordings. Throughout his tenure, he held DJ residencies in both New York and Los Angeles, performing at renowned festivals and clubs around the world.  Educated at Loyola Marymount University and credentialed in California, Matt has worked as a certified Gestalt therapist and co-occurring addiction counselor, providing evidence-based care at leading treatment centers across Los Angeles. In 2019, he received formal training in psychedelic-assisted therapy and launched Integrated Psychedelics—a private practice offering harm-reduction therapy, integration counseling, and immersive, music-enhanced psychedelic journeys. Through his work with Therapeutic DJing, Matt teaches others how to harness the powerful synergy between music and psilocybin-assisted therapy to support emotional release, healing, and deep personal transformation.  Career News: Book release Early June 2025:&nbsp;  The Psychedelic DJ - A Practical Guide to Therapeutic Music Curation and Psilocybin-Assisted Therapy  DJ Sets @ Psychedelic Science Conference June 2025:  Shulgin 100 Year Birthday Celebration @ Psychedelic Science 2025 - Denver, feat. Oona Dahl &amp; Matt Xavier  AFTERGLOW: unofficial ambient-techno afterhours for Psychedelic Science 2025 - Denver, feat. Oona Dahl &amp; Matt Xavier

MBP #171 Matt Xavier

Andrew develops some of the world's most advanced analog modelling audio algorithms, releasing these as plugins through his own company Cytomic, and licensing technology to industry leading developers like Ableton (Live, Move, Push), and Xfer Records (Serum).     Summary In this conversation, Bill Day and Andy Simper delve into the intricacies of audio programming, DSP algorithms, and the evolution of music production tools. They discuss the challenges faced in hardware development, the early days of VST plugins, and the impact of the Glue compressor on Ableton's EQ8. The conversation also explores the technicalities of filters, the transition from bi-quad to state variable filters, and the nuances of summing engines in audio quality. Throughout, they emphasize the importance of efficiency in DSP and the future of audio processing. Chapters 00:00 Introduction and Background 06:02 Early Days of Audio Programming 11:56 The Glue Compressor and Its Impact 18:01 The Transition to Better Algorithms 23:55 The Future of Audio Processing 30:33 Understanding Audio Summing and Its Implications 36:06 The Complexity of DSP Equations 41:18 Optimizing CPU Usage in Audio Plugins 52:12 Challenges in Audio Feature Extraction 59:17 The Complexity of Circuit Simulation 01:06:18 Modeling Analog Gear: The Importance of Realism 01:11:39 Criteria for Meaningful Emulation vs. Mimicry 01:20:40 Imagining Unlimited Computational Power in DSP 01:25:42 Unsolved Problems in Digital Signal Processing &nbsp;

MBP #174 Andrew Simper

Scribble

Shmog (Original Mix)

Steamy Big Room (Original Mix)

Baited (Original Mix)

Scribble (feat. Morgan Agren) (Original Mix)

Circadoian Rhythms (Original Mix)

music > https://electrocado.bandcamp.com/
bookings > bookings@mrbillstunes.com
mgmt > mgmt@mrbillstunes.com

I have been making music with FL Studio for years now.  I have many other works not listed here, and I like to do all kinds of music: techno, rap beats, orchestral, etc.  I do not use pre-recorded loops or songs.  Hell, I don't even like using presets without altering them a bit for a more original sound.  Everything I put out is entirely my own work.  I have also written many poems/rhymes over the years but have only recently decided to start incorporating lyrics into my songs.  My newest track, "Follow Your Streams", is my first lyrical piece, but there will be more to come.  

My display name "Created A Madman" is an anagram of my first and last name.

Shmog (Original Mix)

Electrocado

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