This playlist contains examples from the Elementary Signal Engine and electroacoustic composition environment for making microsound music.

The Elementary Signal Engine

This playlist contains examples from the Elementary Signal Engine and electroacoustic composition environment for making microsound music. You can read more about it in this blog: http://perevillez.wordpress.com/2013/11/26/wavehole-composition-audio-rate-pitch-intervals/

Inversion Morphs

Prime Morphs

Wavehole Tuplets 01

Wavehole and wavepan pattern. You can read about the Elementary Signal Engine at http://perevillez.wordpress.com/

ESE Fuzzed Mezzo To Tenor No Expr

ESE Wavelet Vowels Wavehole Wavepan

ESE Wavelet Wavehole Pattern 01

Simple vowel morphs. You can read about the Elementary Signal Engine at http://perevillez.wordpress.com/

ESE Alto Plainchant Vowel Morphs No Expr

An Indian vocal sound is analysed and mapped directly to the ESE synthesiser. ONly one formant is tracked but even with this you can hear the synthesised copy has expression. The synthesised voice is kept an octave below the original so that it can be distinguished easily. You can read about the Elementary Signal Engine at http://perevillez.wordpress.com/

Time Single Formant Fund Analysis

Simple Siberian/Mongolian throat singing imitation. This took 5 minutes to do on the ESE but with a little more time I could introduce more throat roughness and stronger harmonics. First approximation :-)

PWS Elementary Xhoomei 01

PWS Diffused Choral Textures

Electronic tones are easy to create with the ESE. This is reminiscent of Pulsar synthesis 1950s sounds.

PWS Electronic Texture 2

A slow evolving ESE bubble drone. It wants to talk. The interface is well on the way now.

ESE Digiridoo 01

One ESE layer only used. The waveshadow is the sound of piano strings convolved with  a formant particle. The particles change formant frequency which creates the sporadic melodies in the middle of the clip. Short durations create more energy in the waveshadow thus creating a richer and broader spectrum. Some clipping happened because the formant frequency collided with the impulse response resonant frequency.

Theatre Organ Particles

Voice disintegrates into particles and viceversa. Demonstrates microsound fission and fusion in the ESE.

Vocal Fission And Fusion 01

Voice To Waterdrops 01

Inspired by the 1933 novel by Lovecraft "The Mountains of Madness"

ESE First. "At The Mountains Of Madness"

ESE synthesis of an orchestral unison in a state of disintegration.

Melting Orchestra

The Bell Revisited

Sea life sounds from the forthcoming Elementary Signal Engine update

Sealife Fire

Taken from John Carpenter's "Assault On Precinct 13" original soundtrack

http://recordmakers.com 
http://twitter.com/recordmakers 
http://facebook.com/recordmakers

The Elementary Signal Engine

element433