Yall got refreshin choons m8! Keep it up!!

great guitar tone, what are you using on the rhythm and lead here? I love the tone.

what effect are you using on the rhythm swell strums?

Love this! great music and atmosphere/mood

This song I remember to John Lennon voice.

Whenever I listen with headphones to this song it sounds like someones knocking about in the other room or creeping up on me

Are You With Me Now? - Cate Le Bon

From his forthcoming debut LP out January 28th, 2014 on Trouble In Mind Records. www.troubleinmindrecs.com

Morgan Delt - Obstacle Eyes

https://www.facebook.com/pastelcoloursband
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http://pastelcoloursuk.tumblr.com/


Hands Like Silk

Foxygen - "Cosmic Vibrations" from the forthcoming album "...And Star Power" out October 14, 2014 on CD/LP/Digital on Jagjaguwar.

SC Distribution: http://smarturl.it/foxygen?iQid=cosmic.scloud
iTunes: http://smarturl.it/foxygen_itunes?iQid=cosmic.scloud
Amazon: http://smarturl.it/foxygen_amazon?iQid=cosmic.scloud
Your local record store: http://smarturl.it/foxygen_indies?iQid=cosmic.scloud

FOXYGEN TOUR DATES:
[tickets: http://bit.ly/foxygen_tour]

Wed. Sep. 24 – Phoenix, AZ @ Crescent Ballroom w/ Dub Thompson
Thu. Sep. 25 – Santa Fe, NM @ Skylight w/ Dub Thompson
Sat. Sep. 27 – Dallas, TX @ INDEX Festival
Sun. Sep. 28 – Houston, TX @ Fitzgerald’s Upstairs w/ Dub Thompson
Mon. Sep. 29 – New Orleans, LA @ One Eyed Jacks w/ Dub Thompson
Wed. Oct. 1 – Atlanta, GA @ The Loft w/ Dub Thompson
Thu. Oct. 2 – Nashville, TN @ Exit/IN w/ Dub Thompson
Fri. Oct. 3 – Asheville, NC @ The Orange Peel w/ Dub Thompson
Sat. Oct. 4 – Charlottesville, VA @ Jefferson Theater w/ Dub Thompson
Sun. Oct. 5 – Washington, DC @ 9:30 Club w/ Dub Thompson
Wed. Oct. 8 – Brooklyn, NY @ Music Hall of Williamsburg w/ Dub Thompson
Thu. Oct. 9 – New York, NY @ Webster Hall
Fri. Oct. 10 – Philadelphia, PA @ Union Transfer w/ Dub Thompson
Sat. Oct. 11 – Boston, MA @ Paradise Rock Club w/ Dub Thompson
Sun. Oct. 12 – Montreal, QC @ Le National w/ Dub Thompson, Heat
Tue. Oct. 14 – Toronto, ON @ The Mod Club w/ Dub Thompson
Wed. Oct. 15 – Pontiac, MI @ Crofoot Ballroom w/ Dub Thompson
Thu. Oct. 16 – Chicago, IL @ Lincoln Hall w/ Dub Thompson
Fri. Oct. 17 – Chicago, IL @ Lincoln Hall w/ Dub Thompson
Sat. Oct. 18 – Minneapolis, MN @ Fine Line Music Café w/ Dub Thompson
Mon. Oct. 20 – Denver, CO @ Bluebird Theater w/ Dub Thompson
Tue. Oct. 21 – Salt Lake City, UT @ Urban Lounge w/ Dub Thompson
Thu. Oct. 23 – Santa Cruz, CA @ Rio Theatre w/ Dub Thompson
Fri. Oct. 24 – San Francisco, CA @ The Fillmore w/ Dub Thompson
Sat. Oct. 25 – Orange County, CA @ Beach Goth Festival at The Observatory
Wed. Oct. 29 – Brighton, UK @ Komedia
Thu. Oct. 30 – Manchester, UK @ Ruby Lounge
Fri. Oct. 31 – London, UK @ Village Underground
Sat. Nov. 1 – Paris, FR @ Pitchfork Music Festival Paris
Mon. Nov. 3 – Brussels, BE @ Botanique
Tue. Nov. 4 – Amsterdam, NE @ Tolhuistuin
Wed. Nov. 5 – Berlin, DE @ Frannz
Thu. Nov. 6 – Copenhagen, DK @ Pumpehuset
Sun. Nov. 9 – Austin, TX @ Fun Fun Fun Fest


Foxygen - "Cosmic Vibrations" from the forthcoming album "...And Star Power" out October 14, 2014 on CD/LP/Digital on Jagjaguwar.

Pre-order now

Foxygen - "Cosmic Vibrations"

07 Future Primitive

Vices by Atlantic Thrills

3rd  single out March 4th, 2016 from Elephant Stone's upcoming release, Ship Of Fools.
iTunes: https://goo.gl/hFKt9N // Spotify: http://goo.gl/ePQCVo // Deezer: http://goo.gl/JMhXnZ
04/14 La Sala Rossa (Montreal, QC)

Andromeda

The Orielles debut Heavenly Recordings single 'Sugar Tastes Like Salt.' Produced by Marta Salogni. The Orielles are Sidonie B Hand-Halford, Esmé Dee Hand-Halford and Henry Carlyle Wade.

Sugar Tastes Like Salt

We were all knocked out by the Frankie Rose and the Outs album from 2010, the effortlessness of its gorgeous girl-pop mantras, the intimate immensity of its Spector-esque walls of reverb, the beauty of a song sung sweetly over the most graceful two-chord vamps. But are you ready for the new Frankie Rose? – her transformation into a wholly other kind of pop, the reverie and revelation of "Interstellar," an album that floats free of its maker’s history – time spent with Vivian Girls, Dum Dum Girls, Crystal Stilts, and creator of one of the most breathlessly compelling girl-pop albums of the past few years – and offers the listener something strangely other, as alien as it is familiar, as compelling as it is enchanting.

Talking with Frankie about the record, it’s clear she was itching for a new start. The first big indication – production by Le Chev, remixer supreme (for Lemonade, Narcisse, Passion Pit, and Frankie’s own “Candy”), an ensemble member of Fischerspooner, etc. “We recorded the record in a private studio dubbed The Thermometer Factory in Park Slope. I wanted this record to be totally different and in so doing I knew I had to work with someone who would lend fresh ideas and know how to make sounds that I wouldn't know how to make. I wanted to make a particular record and I knew Le Chev would be the one who could help me do it.”

So, out with the reverb of the Frankie Rose and the Outs, and in with something altogether more glam, glittering, shivering. On "Interstellar" Frankie takes the lessons learned with her debut album – like reverb as the holy route to pop-grandeur, scaling a wall of teenage tears – fully digests, and transfers those skills into the brave new world mapped out by ten new songs. In its place is the confident swagger of a singer and auteur fully aware of how to build the simplest of pop moves into aching, full-blown melodramas, how to grab hold of an emotion and ride its darker waves. “I always have a big picture in mind,” Frankie reflects. “I knew I wanted a HUGE sounding record. Big highs, big lows, and clean. There is no fuzz on this record. I knew I wanted to make a streamlined, spacious record with big choruses that sometimes referenced 80s pop.” But that referencing never swamps the melodies: this record isn’t a retro trip. If anything, it liberates sounds familiar from that decade and gives them new context, breathes life into clay golems of sound that too often become basic, pre-set triggers.

On "Interstellar," Frankie Rose goes epic, goes widescreen.

Out February 21 on Slumberland Records in US, Canada, Asia, Oceania.
Out March 19 on Memphis Industries in Europe.


Frankie Rose - Night Swim

From the album Warrior, available April 6, 2018 from Western Vinyl

Bandcamp: https://airwaves.bandcamp.com/album/warrior
iTunes: https://itunes.apple.com/us/album/warrior/1337353378?ls=1&app=itunes
WV: http://westernvinyl.com/shop/wv167

The album cover for Warrior, the third full-length by Brooklyn-based band Air Waves, features a ominous, androgynous figure standing with a bicycle, wearing a gas mask adorned with a daisy.  The remarkable image was taken on April 22nd, 1970 at the inaugural Earth Day celebration in New York City by Nicole Schneit’s dad, Martin Schneit.  Forty-seven years later, artist Em Rooney hand-painted Schneit’s original black & white photo, resulting in an image that radiates with Warrior’s indefatigable spirit, strength, and love.

Like many queer women, Nicole Schneit is a warrior by necessity, fighting for basic rights, dignity, and acceptance.  Such determination in the face of hardship and injustice runs in Schneit’s family; her new album was inspired in part by her mom who was diagnosed with fallopian cancer last year.  As she explains, “The doctor told her she had a fifteen to twenty percent chance, and her response was ‘I’m going to get this mother fucker.’ So the title ‘Warrior’ and the song are about her. After chemotherapy,  surgery, and then more chemotherapy, all the cancer in her body has left and she's currently in remission. I feel like most of the people in my life, including myself, are warriors and have overcome obstacles that seemed impossible to defeat.”

The dignified fighter archetype referenced in the album’s title is explored on each of Warrior’s eleven pieces of bittersweet, empowering indie pop.  According to Schneit the song “Gay Bets”, written after the 2016 election is “about being gay and being proud and open. I was thinking about hate crimes spiking and the current state of the world. My friend Jennifer Moore, who sings on the track, was my partner a long time ago, so I felt like I was writing a fuck you to Trump, for trying to take away queer rights, women's rights, people's rights.”  The song “Tangerine” was inspired by the film of the same name in which two trans women try to make ends meet as prostitutes. This movie, a dark docu-comedy shot in the contrastingly sunny setting of L.A., reflects Schneit’s battle between identity and society via Brooklyn pop rock that swings between the pastel-tinged and the downright melancholic.

On the album’s gorgeous closer “Blue Fire,” (inspired by the Adrienne Rich poem "The Will to Change") Schneit equates her post-presidential-election anxiety to a flame that grows and recedes, as she pleads for herself and listeners to remain calm. Like its namesake, the track burns slowly and brightly into one of the most glowing points on the record, leaving the listener smiling with thoughtful hope.  Warrior’s highlights, and all of the unmissable, satisfying pieces that tie them together show Schneit’s perseverance and resilience through crumbling relationships, personal adversity, and the current political climate, all leading to her most powerful collection of songs to date. Understated, subtly sophisticated, and equally empowering and comforting, Warrior launches Air Waves above the apolitical complacency of too many of the group's contemporaries.  Schneit proudly declares her mission statement: “I want these songs to be heard by people in my queer community, but also by anyone that wants to feels strong, powerful, and included.”

Warrior

Air Waves - "Warrior" ft. Kevin Morby

Formed in January 2009, Girls Names quickly garnered recognition outside of the confines of their hometown of Belfast with the release of their eponymous debut EP in 2010 through New York's Captured Tracks. A mini-album through London imprint Tough Love soon followed, setting the foundations for their critically acclaimed debut LP "Dead To Me," released in April 2011, again by Tough Love in Europe and West Coast label Slumberland Records in the US. October 2011 brought the excellent "Black Saturday" single, a frisky slice of dark, driving pop. Earlier this year the band released "A Troubled See" as one side of a split 7" with Weird Dreams, also on Slumberland/Tough Love. "A Troubled See" startled with it's stark precision, pointing to a new direction.

Girls Names are now hinting at making their boldest and most exciting record to date. New single "The New Life" clocks in at over 7 minutes and takes you on a journey that mirrors the feelings of a band living and working in economy stricken Northern Ireland - the perfect soundtrack of the bleakness to where they exist. The B-side is a mesmerizing, dubbed-out JD Twitch Optimo remix of the single.

This year the band expanded to a four-piece and has spent the last six months in virtual seclusion honing and developing a more progressive and expansive sound, feeding on the darker sides of Echo and The Bunnymen, Spacemen 3, The Birthday Party and David Bowie's "Low" before heading off on a triumphant Spring/Summer European tour culminating on their biggest and most successful shows to date at the prestigious Primavera sound festival in Barcelona.

A new full length is currently being finished off but for now it seems Girls Names are intent on making a lasting impression with "The New Life." It certainly feels as though the band is ready to enter a new phase in their existence and the way they've grown and honed their sound shows that they're not afraid to take risks.

"The New Life" 12" is out now on Slumberland Records (North America)/Tough Love (Rest of World).

Girls Names - The New Life

Discover the soundz of Elephant Stone (the good, the bad, and the chutney)

Andromeda

Elephant Stone

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