The gnomes are back and feeling smooooth baby!

Incredible percussion. Beautiful sound design in general. Super organic sounding all around.

Fantastic -- you have a very unique style.  This feels like Parisian cafe music of the 1930's to me.

Sophisticated, a little quirky, impeccable sound design and production.  Another ELEX track.

Very good jazz composition that is fun to listen to.

I'm in an off-world cantina somewhere in the 4th quadrant, a strange yet familiar space jazz is floating through the bar... I turn my head towards the stage to see one person hunched over a laptop with Ragnarok visible on the screen.  I cry tears of joy into my beer.  Wonderful, but you're owe me a fresh salt-free beer.  ;-)

One Synth Challenge #195: Ragnarök 2 by Full Bucket Music

Synthesizer: 6 instances of Ragnarok 2 by Full Buckett
Reverb: Plateau 2 by Dart & Warkauze
Compressor/Limiter: Frank CS by Analog Obsession
EQ: LV50A by Viator
Stereo Width: Wider by Polyverse

TSOM - The Day After (OSC #195)

This is my submission to the #kvraudio #OneSynthChallenge #195 featuring the VST Synth Ragnaroek by FullBucket. 
All sounds are coming from the Synth acompanied by a number of moderate tone shaping, mixing and mastering fx. I Mix/Master with MeldaProduction EQ/Compressor, Auburn Lense, Loudmax Limiter. All fx free or built into the DAW. DAW is Bitwig 5.3.x. No Samples. No Postprocessing after the audio export.
--
Ragnarök 2 by Full Bucket and Crimson Warlock

Last encountered in OSC70 this synth is available for Windows, Mac and Linux. Ragnarök 2 is an update of this unique synth simulating a custom-built one-of-a-kind analog synthesizer from 1980. It is written in native C++ code for high performance and low CPU consumption.

Ragnarök is the collaborative work of Hans Peter aka CrimsonWarlock aka TechnoGremlin (synth concept, GUI design, user manual, patch programming) and Björn aka Full Bucket (DSP+GUI+patch programming). Read more about the background of this project in the user manual and in the respective KVR thread! https://www.kvraudio.com/forum/viewtopic.php?t=620481

░▒▓  ømph ▓▒░

Imagine you are walking in the woods towards a small village and you hear a flute player accompanied late by musical friends and you get to be there.

All sounds are created with Ragnarok synth by Full BucketMusic for the OSC195 challenge

Johnkhf_OSC195 Happy

This track made for the KVR One Synth Challenge with all sounds created by the VSTi Ragnarök 2. Only free 3rd party FX and DAW FX used.

DAW: Reaper

Track Details:
19 * Ragnarök 2
15 * ReaEQ
2 * Oril River
3 * Reacomp
3 * OTT
4 * kHs Transient Shaper
1 * Twin Delay

Master:
TDR VOS SlickEQ
Voxengo MSED
Limiter No. 6
TDR Nova

Meter:
SPAN
Youlean Loudness Meter

Stats:
LUFS: 12.0
DR: 10

Ragnarock - OSC #195 - Ragnarök 2

Whassup - Nok Nok Ragnarok

This is a track made for KVR Audio's monthly One Synth Challenge contest. All sounds were created with Full Bucket Music's Ragnarök 2 software synthesizer.

I used:

Reaper v 7.39
36 instances of FBM Ragnarök 2
13 instances of Reaper ReaEQ
5 instances of Dragonfly Plate Reverb
2 instances of Dragonfly Hall Reverb
2 instances of Limiter No. 6
2 instances of Reaper ReaXComp
1 instance of Dragonfly Room Reverb
1 instance of Dragonfly Early Reflections
1 instance of Valhalla Supermassive Reverb
1 instance of TDR Molotok
1 instance of Transpire

hsje - OSC 195 - This is the Place

My Entry for OSC#195

27 instances of Ragnarok2
DAW: Reaper

Reverbs: Ambient Reverb, OrilRiver, Valhalla Supermassive
Dead Duck: Autopan, Delay, Compressor, Limiter, Filter
Khs Gain, OTT, Limiter No6
ReaEQ, ReaXComp,
JS: Saturation, Channel Time Delay, 
SPAN & Youlean Loudness Meter

Stuntik Velpern

Entry for One Synth Challenge 195 - Full Bucket Ragnarök2

Concocted in Reaper, using 35 instances of Full Bucket's Ragnrök2.
9 instruments, 7 effects, and 18 percs ( layering involved this time. ) No 3rd party sounds present. 
Lightly massaged, here and there, by TDR Nova at track level. Also present: HOFA System Gain & Hy-Delay 4.
Drums snipped by KClip Zero, subsequent light revitalising by Flux Bittersweet
Reverberated by U-he Protoverb and Valhalla Supermassive, aided by TDR Nova, HOFA System Pan & Delay, JS Mixer & A1 Stereo Control
Light manipulations at master level by TDR Nova, Flux Bittersweet, A1 Stereo Control & Limiter No6

Bouquet de Fleurs

kennu - viper

"Ooriv the weird professor was close to despair and wanted to give up so many times... He just couldn't do it and yet another village lay in ruins. He had followed the notes exactly. But every time he tried to create a Phoenix, it turned into a fire-breathing monster that knew neither friend nor foe. This time it hit Harold's flock of sheep... Only a few animals survived the attack. Fortunately, the creature turned back to ash in a few minutes. Was the merchant in KreVaRon ripping him off when he sold him the old manuscript from Ragnarök? He made his way to his old mentor Norat. He looked at the notes, but couldn't find any serious errors. Of course, as always, he found fault here and there. He was never completely satisfied with Ooriv's work, but that was always incentive enough to continue. Ooriv took notes and went back to his laboratory to try again. This time it had to succeed..."

Made with FL Studio and Fullbucket Ragnarök Mark 2 for KVR OSC 195

All Sounds made with Ragnarök Mark 2

Used Plugins: Ozone EQ 11, Firecomp2, Mix Space, TDR Nova, Panagement 2, Raum, Transpire, OTT, LoudMax, DD Filter, Deelay, Plateau 2, kHs Filter, Valhalla Supermassive, Lushtraq, Airwindows Galactic Reverb, Replika, Protoverb, DD Monodelay

The untold Story

Viroo - The untold story

This month's One Synth Challenge uses Ragnarok by FullBucket (and CrimsonWarlock). The slightly odd interface took a wee bit of getting used to but I'll not use that as an excuse for this effort. It does contain some passable bird type noises hence the unrelated reflection of a jungle in my living room. This is a first outing for my Exquis so most of it was recorded from live rather than my usual generated MIDI.

Anyway, this is brought to you with Bitwig Studio 5.3 and 19 instances of Ragnarok.  The following plugins were also used:

- dpMeter5, Blue Cat's Gain 3 and KClip Zero on clip to zero duty
- khs Delay, Reverb and Stereo to tart things up a bit
- Panflow to get it moving
- Bitwig's compressor+, eq+, drum machine, delay+ and multi-note
- the inevitable Valhalla Supermassive and almost as inevitable Raum for some reverb flavours
- TDR Kotelnikov and Nova for mastering with a wee bit of KClip Zero 

Also used Modalics Beat Scholar to generate the MIDI for the percussion and iZotope's Tonal Balance for, er, tonal balancing...

Unrelated Reflections

Made all sounds from only Full Bucket Music's Ragnarok 2
https://www.fullbucket.de/music/ragnarok.html

Ragnarok 2 x 27
Bitwig 5.3.8
Bitwig FX: Delay+, EQ+, Compressor+, Dynamics, Tool
Other FX: vladg Limiter no6, TDR Nova, XFer OTT, Dragonfly Room, Valhalla Supermassive

z.prime - Boom Boom Tss

Submission for One Synth Challenge #195 - "Ragnarok 2".
One Synth Challenge archive: https://sites.google.com/site/kvrosc/2025/osc-195-ragnarok-2

A new enhanced edition of this song is out on my YouTube channel. A slightly revisited mix and a few sounds added. Plus I recorded my bass guitar for it: https://youtu.be/141BdyqeZP0

More music:

Mercenaries: https://www.youtube.com/watch?v=tc6QpwOlc0c&pp=0gcJCbAJAYcqIYzv
All Gunz Blazing: https://www.youtube.com/watch?v=ojxE-rMtfOI
VVasabi: https://www.youtube.com/watch?v=5WHc3NVnn4s
Trailblazer: https://www.youtube.com/watch?v=CiEgYpJuoZQ
Ashes Of Time: https://www.youtube.com/watch?v=9CSN9S2Vq7U&pp=0gcJCbAJAYcqIYzv

I've been brought back to my video game soundtrack drafts lately. This song focuses on an atmosphere of a lush alien world that was turned into a battlefield. Although I'm happy with the usual Simmons style drums I made with this synth, there is a strange behaviour that occurs when two that uses noise instances playing simultaneously, some kind of weird phasing/flanging effect. I tried to minimize it as much as possible, but I can still hear it. The synth itself has good tone shaping capabilities and it's CPU efficient just like all Full Bucket instruments. I really like the sound of an overdrive and chorus effects, the much needed sauce for a virtual analog.

34 instances used to create a track.

Jungle Assault (OSC#195)

starting horns up yet again

Join the challenge by going here: https://shorturl.at/bhBFQ

Bouquet de Fleurs

ELEX

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