You delighted me again, the drums sound like from a different synth that I used, kudos for that (if you stayed in the rules, but I'm sure you did). Wonderful arrangement too. There are of course you style marks in punctuations of the theme, what I found the freshest was the bass part.

Very good sound design. I like your unique composing style.

Love the drum work I would personally enhance the dub /reggae elements, made them a bit more obvious and in your face but maybe it’s just me because I love these genres.

Again full of character and expression and a lovely musical tale and this time with 100% more drums :D

I like your use of space throughout.  It allows easier focus on the tastiness of each part.

That feedback is delightful. This is really well structured too.

I've probably said this before, but every month I feel like I have no idea what you're going to do, and this song totally continues with that theme. Organic, dynamic, weird, and playful. Bravo.

One Synth Challenge #169: kHs ONE

Hello all,
This is my 2nd participation in OSC! To be honest, i had a lot of fun working on this one using (and exploring at the same time) kHs ONE synth by Kilohearts. 

You can use any sound from my presets in your future tracks.
All sounds were created using only kHs ONE by Kilohearts from scratch. No samples are used.
Khs Reverb is used on some channels. The rest of DSPs / effects are Absolutely Native (Renoise).
You have the right to use any sound/preset in your future submissions, tracks or anything else. They are FREE.
*Kilohearts and KVR can include my presets pack \ and-or my bank in their download packs without my permission.
*keeping the full name of the pack*
*This track will be released on my label (MEDIEVIL-MUSIC)
Majed Salih 2023© KL
https://linktr.ee/medievilmusic
License: CC BY-NC-ND 3.0

Download the project file & presets here :
https://drive.google.com/file/d/1ZM77tMugJMl1v0sDZ2oBcHYM0_E1qh7t/view


This track was made in Renoise DAW
For non Renoise users: please download the Renoise DAW from the official site : https://www.renoise.com 
Run the DAW in demo mode (or just purchase this Masterpiece!), and open my project file Majed Salih - SemitOne (OSC169 - kHs One).xrns
*You will need kHs One and Khs reverb installed on your PC. They are Free on https://kilohearts.com

Explication:
Drums & Stuff : 24 Instances
FX : 11 instances
Synth : 21 instances
Total : 56

Master channel line : HPF > Gainer > Mixer EQ > Bus Compressor > Gainer > HPF > Exciter >  EQ10 > LPF> Maximizer. (Renoise native)
Effects used on send channels : Khs Reverb

https://youtu.be/SsjAB7y3w4U
Cheers

Majedsalih2023

SemitOne

Majed Salih - SemitOne (OSC 169)

ZioMau - Wet Shoes

For this One Synth Challenge I used 26 instances of a free synth named "One" by the Swedish company Kilohearts who are famous for their Phase Plant synthesizer. I used many of their free FX plugins as well. Additional free plugins are LaLa by Analog Obession, Wider by Polyverse and RF-DSP by Ronan Fed which is a wonderful and free multi-FX module that I found online just a couple of days ago.
DAW has been Cubase 12 Pro

Kilohearts One - Mille Coeurs

It's a little longer but the journey required it. Sail into the sea of stars and find what waits.

ONE SYNTH CHALLENGE. All sounds made with KHs One soft synth using Ableton Live Suite. KHs free effects plugins, Ableton effects (eq, delay, compressors), Valhalla Super Massive, and Limiter 6.

Moments In Doubt

Made with 59 instances of kHs ONE. I wanted to create something evocative of taking my kids to see the sunrise for the first time. It is an incredible experience. The sheer power of the light and warmth hitting them was amazing to see. A true balance of beauty and power. I hope you enjoy  the tune.

Spotify: https://distrokid.com/hyperfollow/mmghost/analog-sunrise

Analog Sunrise

Synthesizer: 6 instances of Ragnarok 2 by Full Buckett
Reverb: Plateau 2 by Dart & Warkauze
Compressor/Limiter: Frank CS by Analog Obsession
EQ: LV50A by Viator
Stereo Width: Wider by Polyverse

TSOM - The Day After (OSC #195)

OSC 195
Reaper 7.3
23 instances
ReaLimit, A1StereoControl, ReEQ, Replika, Valhalla Supermassive, Raum, ReaVerb, Trancegate (khs), STFU, OTT, Loudmax
LUFS-I=11.2

Any comments appreciated.

OSC195 Saneville (Ragnarok2)

Imagine you are walking in the woods towards a small village and you hear a flute player accompanied late by musical friends and you get to be there.

All sounds are created with Ragnarok synth by Full BucketMusic for the OSC195 challenge

Johnkhf_OSC195 Happy

This track made for the KVR One Synth Challenge with all sounds created by the VSTi Ragnarök 2. Only free 3rd party FX and DAW FX used.

DAW: Reaper

Track Details:
19 * Ragnarök 2
15 * ReaEQ
2 * Oril River
3 * Reacomp
3 * OTT
4 * kHs Transient Shaper
1 * Twin Delay

Master:
TDR VOS SlickEQ
Voxengo MSED
Limiter No. 6
TDR Nova

Meter:
SPAN
Youlean Loudness Meter

Stats:
LUFS: 12.0
DR: 10

Ragnarock - OSC #195 - Ragnarök 2

made for KVR "One Synth Challenge" with Full Bucket Ragnarok 2

ZioMau - jasf2 (not so stupid)

"Ooriv the weird professor was close to despair and wanted to give up so many times... He just couldn't do it and yet another village lay in ruins. He had followed the notes exactly. But every time he tried to create a Phoenix, it turned into a fire-breathing monster that knew neither friend nor foe. This time it hit Harold's flock of sheep... Only a few animals survived the attack. Fortunately, the creature turned back to ash in a few minutes. Was the merchant in KreVaRon ripping him off when he sold him the old manuscript from Ragnarök? He made his way to his old mentor Norat. He looked at the notes, but couldn't find any serious errors. Of course, as always, he found fault here and there. He was never completely satisfied with Ooriv's work, but that was always incentive enough to continue. Ooriv took notes and went back to his laboratory to try again. This time it had to succeed..."

Made with FL Studio and Fullbucket Ragnarök Mark 2 for KVR OSC 195

All Sounds made with Ragnarök Mark 2

Used Plugins: Ozone EQ 11, Firecomp2, Mix Space, TDR Nova, Panagement 2, Raum, Transpire, OTT, LoudMax, DD Filter, Deelay, Plateau 2, kHs Filter, Valhalla Supermassive, Lushtraq, Airwindows Galactic Reverb, Replika, Protoverb, DD Monodelay

The untold Story

Viroo - The untold story

Composed for KVR One Synth Challenge 195 using only sounds from Ragnarök 2 by Full Bucket Music.

DAW: Reaper 7.39

29 x Ragnarök

ChowMatrix (chowdsp)
Doppler Dome (Aegean Music)
epicVerb (Variety Of Sound)
filtrrr (blepfx)
GATE-12 (Tilr)
GraphHack (Analog Obsession)
HZ Multiplier (HigherHz)
ISOL8 (TBProAudio)
kHs Filter (Kilohearts)
Lens (Auburn Sounds)
NastyDLAmkIII (Variety Of Sound)
MIDI Note Repeater (Cockos Reaper)
Raum (Native Instruments)
ReaComp (Cockos)
ReaEQ (Cockos)
Ripple Delay Free (Davisynth)
Solaris (Adam Szabo)
SPAN (Voxengo)
TAL-DUB-II (TAL-Togu Audio Line)
TDR Kotelnikov (Tokyo Dawn Labs)
Unlimited (Sonic Anomaly)

The Orbit Space Conundrum [OSC 195]

This month's One Synth Challenge uses Ragnarok by FullBucket (and CrimsonWarlock). The slightly odd interface took a wee bit of getting used to but I'll not use that as an excuse for this effort. It does contain some passable bird type noises hence the unrelated reflection of a jungle in my living room. This is a first outing for my Exquis so most of it was recorded from live rather than my usual generated MIDI.

Anyway, this is brought to you with Bitwig Studio 5.3 and 19 instances of Ragnarok.  The following plugins were also used:

- dpMeter5, Blue Cat's Gain 3 and KClip Zero on clip to zero duty
- khs Delay, Reverb and Stereo to tart things up a bit
- Panflow to get it moving
- Bitwig's compressor+, eq+, drum machine, delay+ and multi-note
- the inevitable Valhalla Supermassive and almost as inevitable Raum for some reverb flavours
- TDR Kotelnikov and Nova for mastering with a wee bit of KClip Zero 

Also used Modalics Beat Scholar to generate the MIDI for the percussion and iZotope's Tonal Balance for, er, tonal balancing...

Unrelated Reflections

Made all sounds from only Full Bucket Music's Ragnarok 2
https://www.fullbucket.de/music/ragnarok.html

Ragnarok 2 x 27
Bitwig 5.3.8
Bitwig FX: Delay+, EQ+, Compressor+, Dynamics, Tool
Other FX: vladg Limiter no6, TDR Nova, XFer OTT, Dragonfly Room, Valhalla Supermassive

z.prime - Boom Boom Tss

Submission for One Synth Challenge #195 - "Ragnarok 2".
One Synth Challenge archive: https://sites.google.com/site/kvrosc/2025/osc-195-ragnarok-2

A new enhanced edition of this song is out on my YouTube channel. A slightly revisited mix and a few sounds added. Plus I recorded my bass guitar for it: https://youtu.be/141BdyqeZP0

More music:

Mercenaries: https://www.youtube.com/watch?v=tc6QpwOlc0c&pp=0gcJCbAJAYcqIYzv
All Gunz Blazing: https://www.youtube.com/watch?v=ojxE-rMtfOI
VVasabi: https://www.youtube.com/watch?v=5WHc3NVnn4s
Trailblazer: https://www.youtube.com/watch?v=CiEgYpJuoZQ
Ashes Of Time: https://www.youtube.com/watch?v=9CSN9S2Vq7U&pp=0gcJCbAJAYcqIYzv

I've been brought back to my video game soundtrack drafts lately. This song focuses on an atmosphere of a lush alien world that was turned into a battlefield. Although I'm happy with the usual Simmons style drums I made with this synth, there is a strange behaviour that occurs when two that uses noise instances playing simultaneously, some kind of weird phasing/flanging effect. I tried to minimize it as much as possible, but I can still hear it. The synth itself has good tone shaping capabilities and it's CPU efficient just like all Full Bucket instruments. I really like the sound of an overdrive and chorus effects, the much needed sauce for a virtual analog.

34 instances used to create a track.

Jungle Assault (OSC#195)

Join the challenge by going here: https://shorturl.at/bhBFQ

Moments In Doubt

ELEX

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