Ahh the endless procession playful elements.....

I imagine your tracks, as well as being a great showcase, would often leve the Devs thinking " ....wait  ...how  the?!"

Such a lovely composition, perfect for an indie game. Plus for live playing, it seems that a very few people doing this over here.

This time it is less abstract, but no less beautiful and fascinating! Thanks for the accompanying stories that guide the imagination, this is a really cool move!) And the execution is flawless.

love that percussion. Some pretty cool harmonic and time switch ups going on too.

Love the lead sound but it's poking out of the mix a lot for me....

One Synth Challenge #151: GR-8 by Phuturetone

This month's One Synth Challenge synth here: https://www.phuturetone.com
An awesome synth, and free too

The One Synth Challenge is a monthly contest on the KVR audio forum:
https://www.kvraudio.com/forum/viewtopic.php?f=1&t=569994

Each month a synth is chosen, and contestants must make an entire track using only that synth for all parts.  This is my entry for OSC 151

Aiyn Zahev - Equinox

KVR.com's One Synth Challenge #151 
Created in Ableton Live 11. 70+ instances of the free VST synth GR-8.
Built in Live effects (Comp, EQ, Saturation, Delay, Hybrid Reverb, Auto Filter)
VST effects: Super Massive, Limiter 6.

Step into the fog one paw at a time (OSC 151 GR8)

All Sounds were made using Phuturetones GR-8 in Ableton 11 for KVR Audio "One Synth Challenge" No. 151

Milkster - Unarmed

My submission for the One Synth Challenge #151 using Ableton Live 10 and using the excellent soft-synth GR-8 by phuturetone.

35 Instances of GR-8 with Live 10's stock plugins

H - Man - Ks-8

Summertime..and the living ain't easy for Pullywags the tadpole. Being ogled by both a rock and a hard place, he works his yellow magic to take a leap into the blue...only to meet  Hari the Heron. Cheer up, Pully ! Life's too short to mope about.
.
.

Details below

Made in REAPER using 

Master:
M/S decoder, Protoverb
TDR Nova
JS Channel Mixer
VOS Ferric TDS
VOS Tessla Pro
TDR Nova
A1 Stereo Control
Limiter No6

tracks:
GR-8 ( 16  for 7 voice split instruments + 4 single layer percusssion ) 
Reacomp (3)
TDR Nova ( 9 )
TAL dub II

Percussion bus: 
Loudmax 

Composite reverb buses:
17 Oril River
2 Protoverb
22 HOFA SYS pan
4 Supermassive
TDR Nova

ELEX - The  Life and Times of Pully the 'Pole

Entry to September 2021 KVR's One Synth Challenge

All sounds made with GR-8 by Phuturetone

Reykjavik

My entry for OSC#194

16 instances of Monolit
All from init
DAW: Reaper
Dead Duck Delay & Limiter



OSC-194-Race To Your Bottom

This is my submission to the #kvraudio #OneSynthChallenge #195 featuring the VST Synth Ragnaroek by FullBucket. 
All sounds are coming from the Synth acompanied by a number of moderate tone shaping, mixing and mastering fx. I Mix/Master with MeldaProduction EQ/Compressor, Auburn Lense, Loudmax Limiter. All fx free or built into the DAW. DAW is Bitwig 5.3.x. No Samples. No Postprocessing after the audio export.
--
Ragnarök 2 by Full Bucket and Crimson Warlock

Last encountered in OSC70 this synth is available for Windows, Mac and Linux. Ragnarök 2 is an update of this unique synth simulating a custom-built one-of-a-kind analog synthesizer from 1980. It is written in native C++ code for high performance and low CPU consumption.

Ragnarök is the collaborative work of Hans Peter aka CrimsonWarlock aka TechnoGremlin (synth concept, GUI design, user manual, patch programming) and Björn aka Full Bucket (DSP+GUI+patch programming). Read more about the background of this project in the user manual and in the respective KVR thread! https://www.kvraudio.com/forum/viewtopic.php?t=620481

░▒▓  ømph ▓▒░

OSC 195
Reaper 7.3
23 instances
ReaLimit, A1StereoControl, ReEQ, Replika, Valhalla Supermassive, Raum, ReaVerb, Trancegate (khs), STFU, OTT, Loudmax
LUFS-I=11.2

Any comments appreciated.

OSC195 Saneville (Ragnarok2)

Imagine you are walking in the woods towards a small village and you hear a flute player accompanied late by musical friends and you get to be there.

All sounds are created with Ragnarok synth by Full BucketMusic for the OSC195 challenge

Johnkhf_OSC195 Happy

This track made for the KVR One Synth Challenge with all sounds created by the VSTi Ragnarök 2. Only free 3rd party FX and DAW FX used.

DAW: Reaper

Track Details:
19 * Ragnarök 2
15 * ReaEQ
2 * Oril River
3 * Reacomp
3 * OTT
4 * kHs Transient Shaper
1 * Twin Delay

Master:
TDR VOS SlickEQ
Voxengo MSED
Limiter No. 6
TDR Nova

Meter:
SPAN
Youlean Loudness Meter

Stats:
LUFS: 12.0
DR: 10

Ragnarock - OSC #195 - Ragnarök 2

made for KVR "One Synth Challenge" with Full Bucket Ragnarok 2

ZioMau - jasf2 (not so stupid)

One Synth Challenge #195: Ragnarök 2 by Full Bucket Music

kennu - viper

This month's One Synth Challenge uses Ragnarok by FullBucket (and CrimsonWarlock). The slightly odd interface took a wee bit of getting used to but I'll not use that as an excuse for this effort. It does contain some passable bird type noises hence the unrelated reflection of a jungle in my living room. This is a first outing for my Exquis so most of it was recorded from live rather than my usual generated MIDI.

Anyway, this is brought to you with Bitwig Studio 5.3 and 19 instances of Ragnarok.  The following plugins were also used:

- dpMeter5, Blue Cat's Gain 3 and KClip Zero on clip to zero duty
- khs Delay, Reverb and Stereo to tart things up a bit
- Panflow to get it moving
- Bitwig's compressor+, eq+, drum machine, delay+ and multi-note
- the inevitable Valhalla Supermassive and almost as inevitable Raum for some reverb flavours
- TDR Kotelnikov and Nova for mastering with a wee bit of KClip Zero 

Also used Modalics Beat Scholar to generate the MIDI for the percussion and iZotope's Tonal Balance for, er, tonal balancing...

Unrelated Reflections

Made all sounds from only Full Bucket Music's Ragnarok 2
https://www.fullbucket.de/music/ragnarok.html

Ragnarok 2 x 27
Bitwig 5.3.8
Bitwig FX: Delay+, EQ+, Compressor+, Dynamics, Tool
Other FX: vladg Limiter no6, TDR Nova, XFer OTT, Dragonfly Room, Valhalla Supermassive

z.prime - Boom Boom Tss

Submission for One Synth Challenge #195 - "Ragnarok 2".
One Synth Challenge archive: https://sites.google.com/site/kvrosc/2025/osc-195-ragnarok-2

A new enhanced edition of this song is out on my YouTube channel. A slightly revisited mix and a few sounds added. Plus I recorded my bass guitar for it: https://youtu.be/141BdyqeZP0

More music:

Mercenaries: https://www.youtube.com/watch?v=tc6QpwOlc0c&pp=0gcJCbAJAYcqIYzv
All Gunz Blazing: https://www.youtube.com/watch?v=ojxE-rMtfOI
VVasabi: https://www.youtube.com/watch?v=5WHc3NVnn4s
Trailblazer: https://www.youtube.com/watch?v=CiEgYpJuoZQ
Ashes Of Time: https://www.youtube.com/watch?v=9CSN9S2Vq7U&pp=0gcJCbAJAYcqIYzv

I've been brought back to my video game soundtrack drafts lately. This song focuses on an atmosphere of a lush alien world that was turned into a battlefield. Although I'm happy with the usual Simmons style drums I made with this synth, there is a strange behaviour that occurs when two that uses noise instances playing simultaneously, some kind of weird phasing/flanging effect. I tried to minimize it as much as possible, but I can still hear it. The synth itself has good tone shaping capabilities and it's CPU efficient just like all Full Bucket instruments. I really like the sound of an overdrive and chorus effects, the much needed sauce for a virtual analog.

34 instances used to create a track.

Jungle Assault (OSC#195)

Join the challenge by going here: https://shorturl.at/bhBFQ

ELEX - The Life and Times of Pully the 'Pole

ELEX

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