paper planes remix

Constitution Of The Orphan Society Of Philadelphia by Jasper Spicero

Jasper Spicero (born 1990, Yankton SD) lives and works in Los Angeles. He had solo exhibitions at Swiss Institute, New York; Mother Culture, LA; Johan Berggren, Malmo; Wapato Jail, Portland; and created installations at LUMA Westbau, Zurich and Musee d’Art Moderne, Paris.

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  / ___M ]__
C{ ( o o )}
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Jasper Spicero  (родился в 1990 году, округ Янктон, Южная Каролина) живет и работает в Лос-Анджелесе. 
Персональные выставки: Швейцарский институт, Нью-Йорк; Mother Culture, Лос-Анджелес; Johan Berggren, Мальме; Wapato Jail, Портленд; Инсталляции:  LUMA Westbau, Цюрих и Музей Современного Искусства города Париж.

https://jasperspicero.com/

027 – Jasper Spicero – Orphen Society

Wash

@Thomas55350 @s_candle guitar two guitar 22 Micronesian horse dream

March 14 ( Thomas Thatcher x Barrett Avner )

Mould In Spring

Shine Like Gold

https://exxy44.bandcamp.com/album/into-the-abyss-family-tree

Whitearmor & Björk, Into The Abyss: Family Tree

averture 0    #angelicismsound

eria 0.1 #angelicismsound

performed by childsoldier & Sibil Roosevelt

without ease ft Sibil Roosevelt

🎵 صوت الرمال (Ṣawt al-Rimāl) – The Voice of the Sands

[Intro – 0:00–0:50]
[soft desert wind, distant low hum like earth breathing; faint chime echoing from far away]  
[a single oud note sustained with deep reverb; silence between sounds feels infinite]  

[Verse 1 – Arabic, male whisper – deep and slow]
يا صَوتَ الرِّمالِ، يا نَفَسَ الأرض،  
في صَمتِكِ تُولَدُ الحِكايات،  
تَهمِسُ للأبدِ عن كُلِّ خُطوةٍ،  
وعن كُلِّ رُوحٍ عَبَرَت.  

[Bridge – 0:55–1:20]
[female breath-like voice echoes words “الرّوح... الرّمال... السّلام...” in stereo whisper]  

[Verse 2 – Arabic, female vocal – warm and fragile tone]
تَتَكلَّمُ الرِّياحُ بلُغَةِ النُّور،  
ويُجيبُ الصَّمتُ بنَغَمٍ خفيّ،  
يا رِمالَ الزَّمانِ، يا صَدى الحَياة،  
كُلُّ حَبَّةٍ مِنكِ قَصيدة.  

[Main Groove – 1:30–2:45]
[Minimal ambient deep groove (108 BPM): sub bass heartbeat, soft kick blended with desert wind,  
sparse tribal percussion — daf strokes fading in and out, ethereal synth pad like glowing sand.]

[Instrumental / Ney Solo – 2:50–3:30]
[slow ney improvisation drifting through wide reverb field; faint background choir “Ah...”]

[Verse 3 – Arabic, male/female duet – ethereal delivery]
يا صَوتَ الرِّمالِ، يا أُغنِيَةَ الفَجر،  
فيكِ تَنتهي الطُّرُقُ وتَبدأُ الرُّؤى،  
وفي نَسيمِكِ يَغسِلُ الزَّمانُ جَرحَه،  
ويَعودُ النُّورُ إلى الصَّدرِ.  

[Final Chant / Mantra – 3:40–4:40]
[grouped soft chanting, layered male and female voices repeating:]  
"رُوحٌ في الرِّمال... نُورٌ في السَّماء..."  
("Soul in the sands... light in the sky...")  
[wind intensifies, synths shimmer softly; no percussion — just pure breath and echo.]

[Outro – 4:40–5:15]
[wind fades slowly; single ney note remains; final whisper:]  
"النُّورُ يَبقى... والرِّمالُ تَتَكلَّمُ..."  
(“The light remains... and the sands still speak.”)

averture 0 #angelicismsound

twinflamegirl/eliskajah

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