A four voice fugue made as a philosophical example for a project on Aesthetics in Art. What's the purpose of a work imitating a particular style that was popular so long ago now, even if it renders original (?) results. On the other hand, shouldn't we use within Music and Art (as mediums of expression) the well established patterns of communication, instead of  trying to be original and, possibly, unintelligible?

Anachronistic Fugue

A short little song about neglected, one sided feelings. Recorded way back at 1998.

Beloved Hand

Originally intended as a farce, this actually turned out to be quite personal, reflecting some of my thoughts and concerns at the time. As a pop-rock piece it just came out and its unusual simple harmony at the first verses surprised even me. 

Perhaps my most versatile and emotionally driven piece, it reflects all my thoughts about the global society in modern times. From the Big Brother (the TV show) to the war against "terrorism", us humans act as sociopaths, never stop to think how all this relates to us, until we are under the boot of the system, eιther with a well placed economic crisis or an actual war. Before that the only thing we care about is our self.

I don't want to face

Composed right after a terrible working experience in for a theatrical work, inspired by a very beautiful and cheerful woman.
After a 2 part intro (!) there is an actual song, its libretto based on Romeo and Juliet by Shakespeare. Romeo gazes Juliet under the moonlight for the first time.

Juliet

A piece for a string orchestra, it is basically a five part canon on top of a basso ostinato (cellos).
The piece gradually builds the theme in the whole range of the orchestra and breaks the repetition in it's closure. Written at 2003 it stands apart from my other work and although simple, it holds a special place in my heart.

Minimal

A three part symphonic poem composed at 2008 for the needs of a choreography. 
Initially thought to be a single part piece, two more parts were needed after the first one was almost complete (that's why the first part has a very strict A-B-A structure).
Each part symbolizes the worst fear of a person. The 3 actors-dancers changed the leading role between them as the act progressed and one fear succeeded the other in sequence.    

Nightmare

An work for orchestra made back at 2003, it has a characteristic repeated motif with the bass clarinets that set the ground for sequential passages from the rest of the orchestra, as it gradually builds up  to a fuller sound.  

Sunedria

At the Art school we were asked to make something that describes our 12 most loving things. At the time I was feeling a lot more intimate with Music than with Art (painting, sculpting and such), so my take was this little composition that I wanted to be a statement "I am not an Artist, the 12 notes are my closest friends". I know, very childish, but hey, it was a motivation to compose music after quite some time.

Twelve Things

Original composition. An adult reflecting back in his childhood years.


Once Again A Child

Losing My Mind

An original composition promoting the program YouGoCulture

YouGoCulture

Original composition for YouGoCulture, landmarking the City of Elefsina

Eleysina

Original composition for YouGoCulture, landmarking Lavrion and Sounion

Laurio - Sounio

Original composition for YouGoCulture, landmarking Acropolis, Athens

Akropoli

Original music for YouGoCulture, Amphiareion of Oropos, Marathon

Amphiareion Of Oropos

Original composition for YouGoCulture, landmarking Spinalonga, Crete

eli0s78

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