NPR Classical

Britten 3rd Suite for Cello I and II

John Tavener: The Protecting Veil I The Protecting Veil

Contrasts (Sz. 111, BB 116)  Sebes - Fast Dance composed by Béla Bartók

Take Me To The Water

Unrest

Britten: Cello Sonata in C Major, Op. 65: II. Scherzo-Pizzicato. Allegretto

Cello Sonata in C Major, Op. 65: II. Scherzo-Pizzicato. Allegretto

The Ugly Duckling

Mozart: Clarinet Concerto/Debussy: Première Rhapsodie/Takemitsu: Fantasma/Cantos

Clarinet Concerto in A Major, K. 622: II. Adagio

The first movement, Freylakh, is so titled because of its melodic and rhythmic representation of one of the best-known dances among eastern European Jewry. Although it is not especially or exclusively Hassidic, it was heard at Hassidic courts in the context of festivities. 

Part of Schoenfield's "Trio for Clarinet, Violin & Piano"

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Paul Schoenfield - I. Freylakh

Cello - Nathalie Clein
Electronics - Simon Fisher Turner

The Invisible Frame by Simon Fisher Turner (composer & electronics) & Natalie Clein (cello)

Critical Distortion by Shiva Feshareki (composer & solo turntables), Natalie Clein (cello)

Soloist Liam Lynch
Perf RSAMD Symphony Orchestra cond. Gao Jian
2007

John De Simone's Violin Concerto

This is whatever I want it to be when I need it.

John Tavener: The Protecting Veil I The Protecting Veil

eliasdavidrooneycello

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