Live with Ashbel and Friends at Hebbel-am-Ufer 1, Berlin

Solistenensemble Kaleidoskop
Ethan Braun, piano and conducting

Consists of Act II nr.s 4-6 namely: 4. “Tradition 3,” a riff on the theme song of Fiddler on the Roof; 5. “The Fifth Reich” a play on the reference, Steve Reich, and his horror of his name's historical relevance which was subject matter for the show; 6. “Cloud Study” an extreme slow-down and retuning of chords that appear in the work's first Act. The clouds of difference tones produced by the sine waves were the object of study, relating the clouds to dream. TRIGGER WARNING: The work can make people nauseous due to the difference tones produced. For me, the degree of intensity speaks to the intensity of sickness I feel at the torturously painful christian afterlives to which white oppressors have long subjected Jews, Zionists to Palestinians, and all imperialisms in sum to nigh-all peoples.

Fiddler! A Musical! Excerpt

murmurations

Ry Cooder talking about his guitars - specifically his 'Daphne Blue' Stratocaster and his Sunburst 'Buddy Holly Tribute' Coodercaster.

Ry Cooder - Interview 2006

Curtis Institute fof Music - Curtis on Tour String Quartet
Performance: Market Square Concerts in Harrisburgh, PA
July 19th, 2016

String Quartet No. 2: Forged Sanctuaries

David Yi, Yale Philharmonia
12/7/17

Wrest deals intimately with the liminality of the unconscious, and specifically with how the mind moves through stages of unconsciousness fluidly and with a kind of inexorable and invisible momentum. It’s a piece about the way we drift through these liminal spaces as we sleep — and the things that we carry with us without understanding why. It’s also an in memoriam, of sorts, to my grandmother Elizabeth Ann Greenhoe, who died in the summer of 2017 and whose life and death impacted me profoundly.

2/7/17

Wrest for Orchestra

oct-dec ’17
written for Plus-Minus
ded. to Bryn Harrison, Amber Priestley, Sergei Zagny, Laurence Crane;
Matthew Shlomowitz & Plus-Minus

studio recording
Irine Røsnes (vln), Colin Frank (pc), me (kbd/guitar)

1. 0:00   2. 2:21   3. 7:41   4. 16:28

fp was given by Mark Knoop, Tom Pauwels, Serge Vuille & Kasia Ziminska @ City University

art (clockwise from top left): Joseph Albers — Study for Homage to the Square, 1967; Homage to the Square: SP–IV, 1967; Untitled (from Homage au Carré portfolio), 1965; Homage to the Square: Starting, 1968.

Set of four

World Premiere: Recording of Performance by the New York Philharmonic for the Contact! Series Concert on Friday, December 21, 2012.  Conducted by Jayce Ogren

Composed by Andy Akiho: Sept.-Oct., 2012

Oscillate (NY Philharmonic Premiere)

Garden Song

Never released Andrew Voigt composition for ROVA Saxophone Quartet from 
the ultra rare Fore recording: Invisible Frames. Recorded at 1750 Arch Street Studios Bob Schumaker  May 15 1980.
ROVA was: Jon Raskin Baritone Saxophone 
                 Larry Ochs Tenor and Sopranino Saxes
              Andrew Voigt: Alto, Sopranino Saxes and E flat Sopranino Flute 
                  Bruce Ackley: Soprano Saxophone
waiting on original cover art from Bruce Ackley. This was the cover that caused all the trouble.... in case this is not rare enough stay tuned for another even rarer piece...

Narrow Are the Vessels ROVA Saxophone Quartet 1980

Never before released. Premiered by ROVA and Kronos String Quartets in San Fransisco, CA,  Moers Jazz Festival in Moers Germany with the WDR Radio String Quartet and as heard here by the Bratislava String  and ROVA Saxophone Quartet. Unfortunately the names of the German and Chech Quartets have been lost in the fog of time... if you know their names let me know please so I can properly credit them and their fabulous playing on this work. Good time to credit Lori B with her fabulous photos.

Campi Conceptuali composed by Andrew Voigt 1984

contact: eligreenhoe@gmail.com

Brooklyn born/based composer, songwriter, guitarist, conductor.

DMA candidate @ Yale School of Music

Wrest for Orchestra

Eli Greenhoe

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