“The seaside encourages and capitalises on transgression,” says Brighton-based cultural commentator Andy Medhurst. “Seaside culture is somewhere [where] the everyday rules of behaviour are put on hold. Compared to the average working week, where most people have to do set things at set times for set rewards, the seaside is a zone where all bets are off. It gives us the opportunity to write our own rules; in some cases, that can mean the usual codes of respectability cease to hold much sway.
“Seaside towns are literally and metaphorically on the edge. They give a very particular perspective. When you look back inland, nothing seems as settled as it once did – and those instabilities can be culturally productive.”

Motto of the Wheel

Teresa Winter - Motto of the Wheel [RAVE031]

"Electronic echoes of ourselves" by fatalism - 09/02/2022

Order : https://ideologicorgan.bandcamp.com/album/higgs-boson

—

Runhild Gammelsæter and Lasse Marhaug are two Norwegian musicians/sound artists. Both started in the early 1990s music underground and have worked in many constellations with a wide range of collaborators.  
 
Despite knowing each other for a long time, Gammelsæter and Marhaug’s first collaborative work was the “Quantum Entanglement” LP in 2014. The album ignited a collective spark that both wanted to pursue further. Still, other commitments got in the way, and the project lay dormant until Stephen O’Malley, and Greg Anderson invited them to open for Sunn O))) for a special gig in the St. James Church of Culture in Oslo in the autumn of 2019. The two gathered for a long series of rehearsals, and after the successful performance, it was clear that it was time to start working on new compositions and recordings. That process initiated in late 2019 and continued to early 2021, encompassing before and after the world went through the lockdown. The result of this long development to be heard accumulated upon their new album “Higgs Boson” on Ideologic Organ Music.

GAMMELSÆTER & MARHAUG 'The Stark Effect' (SOMA043)

Live at Echo Festival 2022

Infinito Audio Mixes: PAULAWAR x Mente3000 - 07/12/2022

Elina Waage Mikalsen - guest mix / Land Services / IDA RADIO 20.04.23

1. Elina Waage Mikalsen – Fieldrecordings (Vasstrand)
2. Wimme Saari – Lodderáidaras (Milky Way)
3. Kite – People You Must Look At Me
4. Raven Chacon – MVHS
5. Viktor Bomstad – Strange will
6. Davaajargal Tsaschikher – Urgeljid Urgeljleh Urgeljlel
7. OKI – Oroho Raha (Mokor Mokor) (Sleep, Sleep)
8. Guorga, Niilas Holmberg & Jakop Janssønn – Oaidni
9. Leagus – Livkit
10. Avant Joik – Surveillance jah Fámmuo
11. Laura Ortman – GREY MATTERS
12. Elina Waage Mikalsen – Rođu Govkkit/Glenner i vier
13. Leilehua Lanzilotti – homesick

Guest mix / Land Services / IDA RADIO 20.04.23

mor wen (alexiswatchingyou adjustment)

https://soundcloud.com/ahlonne (live recording) for https://soundcloud.com/caninalrecs

Caninal took over our airwaves for a day following the launch of the label and its first release in June. Highlighting some of their favorite artists.

https://caninal.bandcamp.com

Caninal takeover: Alohn (27/09/23)

The cassette contains six songs recorded live in a state of depression and anxiety with minor manifestations of fleeting joy. The tapes I’ve used are probably older than me so please expect unexpected . Sorry if it’s too long.

FULL ALBUM HERE & CASSETTES HERE:
https://dymrecords.bandcamp.com/album/ycie-smutne-te-jest-weso-e-dm006-cassette

http://dymrecords.8merch.com/zycie_smutne_tez_jest_wesole_dm006-id10197

wrong dials - B3 [DM006]

Oil Thief - White Car

»KAMILHAN; il y a péril en la demeure« is the conclusion of a 5-part cycle of works by artist Grischa Lichtenberger which was initiated with the album »LA DEMEURE; il y a péril en la demeure« in 2015 and continued with the triple EP release »Spielraum, Allgegenwart, Strahlung« in 2016.
In addition to the concept of „demeure“, ones residence as a symbol for the joy and artistic possibilities one can find in isolation, Lichtenberger places a further emphasis on the expression of the voice, represented by the word „Kamilhan“. „Kamilhan“ is a non-existent word, an expression that Ernst Bloch once mentioned in an anecdote about his childhood. Fascinated by its sound but without knowing its meaning, it remained vivid in his memory in its purely „material“ form.
Lichtenberger also refers to this childish perception of language. Words that we do not know, but repeat in our thoughts until they become insignificant. Lyrics in a foreign language that we do not understand and still sing along and imitate. With computer-generated voices, Lichtenberger tries to reproduce these experiences. In his tracks we hear syllables and phrases that are similar to words and that seem familiar to us, but whose meaning remains a secret.
As on the previous album, the tracks on »KAMILHAN« are constantly torn apart and reassembled. Borrowings from hip-hop and even pop are unmistakable, desired, and yet delusive. Rhythms that are repeatedly broken in order to re-organize themselves into new temporal patterns. Melodies that are pierced by precisely these intricate rhythms. Voices that lack any empathy due to their artificiality.
Lichtenberger himself describes these tracks as „crooked ballads“, which, by deliberately following classic pop song structures, try to sell us the absurd as the normal, and in turn smuggle some hope of recognition into the absurd.
»KAMILHAN; il y a péril en la demeure« will be released on May 08, 2020 on CD and as a limited double vinyl edition including a handmade and signed silkscreen print.

KAMILHAN; il y a péril en la demeure

Grischa Lichtenberger »1s4 csr e« taken from »KAMILHAN; il y a péril en la demeure«

Artist&Musician
Sámi/Norwegain
Tromsø/Oslo

Next: 
By:larm, Oslo

Recent:
NTS RADIO: https://www.nts.live/shows/guests/episodes/elina-waage-mikalsen-6th-february-2023

IDA RADIO: https://idaidaida.net/episodes/land-services-2023-04-20

Guest mix / Land Services / IDA RADIO 20.04.23

Elina Waage Mikalsen

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