Piano cover of "Comptine d'un autre été: l'après-midi" composed by Yann Tiersen. Performed & recorded by Dominique Charpentier aka The Piano Lover.

Yann Tiersen - Comptine d'un autre été: l'après-midi

The song is called "Fyrsta", which means "First". Because it is the first song of the series, but also because this piano theme was the first thing i managed to write while temporarily living in Los Angeles after weeks of severe creative block while trying to adjust to a new and strange place.

http://olafurarnalds.com/
https://soundcloud.com/olafur-arnalds
https://www.javad-majidi.com/

Ólafur Arnalds - Fyrsta

Music for solo piano.

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Vision

Sierra

op. 142/2025

Ezio Bosso - Following A Bird

Yann Tiersen - Porz Goret

Comptine d'Un Autre Été- Die fabelhafte Welt der Amélie Piano [Large Version 2010]

Partly inspired by Max Richter and Ezio Bosso

Full playlist: https://soundcloud.com/agamidae/sets/instrumental-6
Video: https://www.youtube.com/watch?v=L8aBcRrImX0

Tracks:
1. @renan-javier - Lovers & Madmen
2. @mattstewartevans - The Journey
3. @joblankenburg - Renascence
4. Armand Amar - La Roue Cyr
5. @mattstewartevans - The Search
6. @allenconstantine - Dark Lullaby

Swirling Mix - Neoclassical Strings

Piano cover for "On the Nature of Daylight" by Max Richter =)

On the Nature of Daylight (Full Piano Cover)

"Waking Dream"; 2008: http://bit.ly/wditunes

Waking Dream

Ten directions is a Eastern cosmogony’s term that means "in all directions throughout the space." These directions are the eight of the compass: east, south-east, south, southwest, west, north-west, north, north-east, plus the Nadir – to the down - and Zenit - at the top.  These "Ten directions" are often matched to past, present and future to describe the set of all places – Ten Directions - and times - Three Times.
 At any time and in any place existed a sound that awakens and resonates at a specific emotional state. A call that is heard and collected by those who were looking for it for a long time and in any direction.
 
While playing or composing, I take refuge into myself, directing the sound through the ten directions of space. Then, I let my thoughts meander both in the internal direction, the innerself, and in the outer, the discovery and the meeting. The union of these two states arouses emotion, subtle matter that can be felt by those who are listening and are on the same frequency and in tune.

 The launch of the thought starts from the silence, and then, one key after another, starts moving and traveling through the air like an arrow into space. The sound is without obstacles, in the ten directions, and resonates through the invisible world of vibrations. Announces itself and enters the inner space. It comes to ears, the hearing organ, and shakes all the other senses. It kidnaps, touch the nerve centre and pervades us. It meets and joins up with something that is already there, and is welcomed as it was expected all along.

 The sound is clear, it radiates and spreads everywhere, and comes back, in a two-way process, creating contact points and unexplained bridges. Is a dimension that affects and charms because we recognize it, surprised and excited at the same time. As a light, it illuminates hidden areas through the mind and the heart, and reaches the deepest part of our inner. The listener and the player finds themselves alive in a sensitive state, and this sharing creates the communion, the union of sound and spirit, music and noise away from fiction, which dwells always and everywhere in the ten directions.

Comptine d'Un Autre Été- Die fabelhafte Welt der Amélie Piano [Large Version 2010]

Elisa_-

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