heard slip on sytycd and had to check you out. love your work!

Indie 8

Glass Animals - Black Mambo - Remix

http://slum-sociable.com
http://wikipedia.org/wiki/Mordialloc
facebook.com/slumsociable
instagram.com/slumsociable
twitter.com/slumsociable

'Anyway' via Itunes - http://bit.ly/slumsociable

Anyway

Tell Me

"Empty Nesters" is the first single off Toro Y Moi's forthcoming album "What For?" out April 7th. iTunes pre-order:  http://smarturl.it/whatfor_itunes

Lyrics:
Understand the purpose of making
Everything around you better
There are no zeros after this one
There is no one to destroy your sweater

I’ll try to hum it to you if I can’t sing
My Baby wants me back before I even leave
Smothered and covered by my high school dreams
Call Mom and Daddy cause the nest is empty
And so are you

Did you meet with your advisor?
Do you still draw in the margins?
Bubble letters reading “WHAT FOR?”
And “I wish I had a stand in...”

Let’s try to make another hit for the teens
I miss your bangs, can you cut them for me
Smothered and covered by my high school dreams
Call Mom and Daddy cause the nest is empty
And so are you





Toro Y Moi - Empty Nesters

"You" by Street Joy - Recorded by Michael Coleman in LA, CA

I want you.
You want me.
And that's what I like to feel.
It's what I know is real.

I know you.
You know me.
And that's the way it has been.
You give gifts that make me scream inside.
You tell to me all your dreams.

And you wonder why I drive to you.

I want to 
See you smile.
So I take you Disneyland,
And make sure you understand.

And you wonder why I drive to you

And you wonder why I drive to you

Buy Highspeeds: smarturl.it/highspeeds

www.elliotmoss.com

www.facebook.com/elliotmossmusic

www.twitter.com/elliotmossmusic


I Can't Swim

Pre-Order on iTunes


vocal sample : Goldroom - Embrace

photo: http://tittahitta.tumblr.com




Goldroom

Bones

You Don't Know Me

Fill Your Brains - EP Out Now
http://smarturl.it/fillyourbrains

<3 the track on HypeM 
http://goo.gl/nq5Aao

Midnight Island Video
https://youtu.be/WeF5ogiuHU8

Nylon Premiere
http://www.nylon.com/articles/video-premiere-harrison-brome-midnight-island

harrisonbrome.com
facebook.com/hvrrisonbrome
twitter.com/HarrisonBrome
instagram.com/harrisonbrome

I'm going to fall off of this earth 
Cause I'm living low 
I feel that I've wasted all the wisdom 
That I know 
And I dream of a place somewhere 
To disappear 
Where colours they rain a shower 
That kills your fear 
I want to feel the bliss that 
I deserve 

We're on the midnight island in the heart of the sea 
Let me take you down to the tree of dreams 
So let your body escape 
Take a breath from your mind 
If you would rather rest in a place of paradise 

I'm going to fall into the world of the unknown 
Where the colours they chase the tails of children 
Who've been alone 
And theres waterfalls all around me 
The sky and the stars fill my surroundings 
And in the night I awake here 
To be a better man 

We're on the midnight island in the heart of the sea 
Let me take you down to the tree of dreams 
So let your body escape 
Take a breath from your mind 
If you would rather rest in a place of paradise 

Midnight Island

© 2017 Elliot Moss + Sounds Expensive
Listen on Spotify/Apple: http://smarturl.it/Closedloop

Boomerang

Closedloop

Mr. Quiche

now & then

Produced and mixed by Aidan O'Brien

Nevermind, nevermind, the world will swing back round in a matter of time 
Nevermind, nevermind, whoever said we were made to be two of a kind 

Eat money til my bodies full, just because I want all 
I shoot high I was born this tall, just because and just because 
So bliss, what I cannot see in the world will never bother me 
Don't need soul in my catastrophe just because and all because 

Nevermind, nevermind, the world will swing back round in a matter of time 
Nevermind, nevermind, whoever said we were made to be human kind 
Let it die, let it die, roll me a runway out like I'm ready to fly 
Throw it, throw it down, throw it over you're shoulder 
Are we ever gonna learn, be wise, or we just getting older

Don't care even though I could, just because I've got it good 
Can't give a fuck but I know I should, just because and just because 
Live rich whilst I let you bleed, I'm the only one I see 
Don't need soul when I'm out to feed, just because and all because 

Nevermind, nevermind, the world will swing back round in a matter of time 
Nevermind, nevermind, whoever said we were made to be human kind

Gut Me Like An Animal

Nevermind

Our debut album "When It Was Now," is now available on iTunes- smarturl.it/atlas

Subscribe for more new music on YouTube- bit.ly/W8yTQS
iTunes - www.smarturl.it/atlas
Facebook- facebook.com/atlasgenius
Twitter- twitter.com/atlasgenius
Tour Dates- atlasgenius.com/tour

About Atlas Genius-
The members of Adelaide, Australia’s Atlas Genius do things a little differently….They set about building a studio where they could write and record music for their newly formed band 3 years before they even played their first live show as Atlas Genius. For two years, they devoted their days to constructing their dream studio and spent their nights performing songs by The Police, The Beatles and The Rolling Stones at local pubs to pay the bills. “We really got down and dirty with dry walling and literally laying the floorboards, and at the same time we were taking a couple of days a week to focus on writing songs,” recalls Keith Jeffery, Atlas Genius’s vocalist/guitarist. "We had a lot of song ideas and it was important to us to have our own studio where we could experiment and hone in on our sound," adds brother and drummer, Michael Jeffery. The studio was designed and outfitted by the brothers with the help of their father (who comes from a music and engineering background). Once the studio was complete, the first song that Atlas Genius finished was a song called “Trojans,” which they wrote, recorded and produced in collaboration with their friend, keyboardist Darren Sell. After many weeks tweaking the song, Michael insisted that the song was ready to be heard outside of the studio walls. Within an hour, “Trojans” was on the Triple J Unearthed Website, SoundCloud, and for sale via TuneCore on iTunes, Amazon and Spotify worldwide.

“We had begun to think that music was a pipedream and we had all gone back to university to pursue more realistic careers,” says Keith. “We’d had such a long slog of playing late nights and working all day, and it felt like we didn’t really have anything to show for it.” But then, in the midst of cramming for their Fall 2011 semester final exams, Neon Gold discovered “Trojans” on the Triple J Unearthed Website and wrote a post praising “Trojans” as a song sure to “invade your head, all dressed up in a clever disguise of earnest vocals riding a hooky riff.” Checking the band’s email account for the first time in over a month, the band found that dozens of record labels, publishers, lawyers, booking agents and management companies from all over the world had contacted them.

“We were trying to focus on school, but it was just impossible,” recalls Keith. “So we said, ‘There’s something going on here. Let’s get back to the music.’” The band added manager, Jonny Kaps from +1, to their extended family to navigate all of the interest as the band focused on writing and recording more songs.

Quickly named an iTunes Single of the Week in Australia and New Zealand, “Trojans” reached #4 on Hype Machine by the end of May. In August, SiriusXM Satellite Radio’s Alt-Nation discovered the song on a blog and decided to give it some spins. There was an immediate reaction from listeners, and in September, “Trojans” was placed into heavy rotation, where it maintained a top-five position on the listener-generated Alt-18 countdown and peaked at number one for 4 consecutive weeks in January 2012. “Trojans” began selling over a thousand tracks per week on U.S. iTunes and soon climbed to 45,000 sales - all with zero promotional efforts from the still-unsigned Atlas Genius.

“Knowing we had this audience that was waiting on new songs, we had a much greater sense of purpose than we had before,” says Keith. “It was really exciting to know that there were people who wanted to hear more of our music.” Although labels were clamoring for the band to come to the U.S. and play a series of showcase gigs, Atlas Genius turned down those offers in favor of staying in Adelaide to keep writing and recording new songs. In February 2012, after months of communicating with numerous labels via Skype, the band chose to travel to the US in order to make their label decision.

“We’d never been to America before,” says Keith. “We flew in at night and saw this sea of lights, and it really became apparent to us how massive the U.S. is. It was pretty intimidating - like ‘How do we fit into all this?’” In April 2012, the band returned to the states having made their decision to sign with Warner Bros. Records. “We felt a connection with them,” notes Keith. “Everyone there feels very creative and dedicated to the music.”

The band’s first release from their new label home, the EP Through The Glass (produced, engineered and mixed by the band), came out in June of 2012. With Through The Glass completed, Atlas Genius then holed up in its studio and worked on writing and recording its first full-length album, while at the same time rehearsing for their first ever tour. The tour started in August 2012 and led to three more tours back to back taking them thru to the end of the year. Thus, their full-length debut was finished up between tour dates and got completed just before Christmas 2012. When It Was Now is set for a US release on February 19th, 2013, with an international release to follow soon after.

The debut captures Atlas Genius’s singular combination of sophisticated musicality and warm, wistful spirit. Infused with a classic sensibility, each of the songs would fit seamlessly if somehow slipped into a long-treasured mixtape. On the shimmering “Symptoms,” for instance, taut keyboard riffs mesh with urgent acoustic strumming before the band bursts into a gently frenetic, guitar-drenched chorus. Meanwhile, “Back Seat” blends its pulsing bass throb with a sweetly infectious beat and tender vocals that alternately soar and sigh. And on “Trojans,” Atlas Genius begins with a restrained guitar melody and vocal (“Take it off, take it in/Take off all the thoughts of what we’ve been”) before giving way to the handclap-accented, harmony-soaked refrain and lush yet kinetic bridge.

“It’s still surreal,” says Keith of all that’s happened over the past 18 months. “I think when we were very young, we had hopes that something like this might happen one day,” he continues. (Thanks largely to encouragement from their Beatles fanatic parents, who encouraged the brothers to begin playing music by age 14.) “But then you grow up a bit and it seems less and less likely. So when we put ‘Trojans’ out, we figured it would be a success if maybe a hundred people heard it. We don’t want to force our music onto anyone. Our goal is to write songs that we love and we hope they connect with other people too.”

Buy on iTunes

Atlas Genius - Back Seat

This album was recorded and mixed by @Anthony-James-Fusaro and @DUSTWEST. All instruments performed by Anthony and Dustin. This was mastered by @parisinstereo.

I Can't Swim

Elliot Moss

Recent comments

tcrafter

Nausica Records

Nausica Records

.Kaa

Related tracks