Curtain Seller

From the LP GEDULDIG (with Kónni Behrendt), out now on Ana Ott.

Geduldig

Steffen Roth - Geduldig

Pre-order: 9th September 2022
Release date: 16th September 2022
Format: CD, Digital

"Persona is a mask, a dream and a tragedy. A language of machines and men, of broken monologues and desperate communication. 
Persona is a a story about vanishing through breathing, about deconstructing the harmony of flesh.
Instrumental and digital discourses melt together, probing the circuits inside the man and the blood inside the machine. 
Sound particles crave to deform themselves, crumbling and crashing with each other and then assuming new form, emotionally reprocessing the spectrum of drone-ambient music, giving it a prose and a narrative.
Persona is a melancholic automaton looking for its alphabet."

Copyright © 2022 ROHS! RECORDS, All Rights Reserved

previews. Paolo Bellipanni - Persona (Album) | ROHS!

Youtube video: https://youtu.be/BNbc4-evQS0
Somos 
Unha area
Nun mar de recordos
Deixando ir o tempo marchar por nos

Estragando 
As nosas almas
Olvidadas 
Nas rompentes das nosas vidas

Somos 
Pequenos heroes
Con barro en lugar de pes
E a area metida no noso ser

Fundimonos 
Cada vez
Ainda que creemos poder
Salvarnos e volver florecer

Os heroes 
Verdadeiros
Non levan nunca
Simbolos no peito

Un corazon 
De seda e ferro
Alumea
Sempre o seu sendeiro 

Somos 
Pequenos heroes
Con barro en lugar de pes
E area metida no noso ser

Fundimonos 
Cada vez
Ainda que creemos poder
Salvarnos e volver florecer

E ahora
Que nos levan
Sinto a culpa
Cravada como unha agulla

Somos 
Pequenos heroes
Con barro en lugar de pes
E area metida no noso ser

Fundimonos 
Cada vez
Ainda que creemos poder
Salvarnos e volver florecer

Lyrics (English)

We are
A sand
In a sea of memories
Letting time march over us

Unravelling
Our souls
Forgotten
In the breakers of our lives

We are
Little heroes
With mud instead of feet
And sand stuck in our being

We sink
Each time
Even though we think we can
Save us and make us bloom again

The heroes
True
Never carry
Symbols on the chest

A heart
Of silk and iron
Illuminates
Always its path

We are
Little heroes
With mud instead of feet
And sand stuck in our being

We sink
Each time
Even though we think we can
Save us and make us bloom again

And now
That they take us away
I feel the guilt
Stuck like a needle

We are
Little heroes
With mud instead of feet
And sand stuck in our being

We sink
Each time
Even though we think we can
Save us and make us bloom again

We are
Little heroes
With mud instead of feet
And sand stuck in our being

We sink
Each time
Even though we think we can
Save us and make us bloom again

Pequenos Heroes

This mixtape has been lovingly prepared by Permanent Fanny

Aleksandra Słyż – BG II
Dali de Saint Paul – Mektoub My Love
Ecka Mordecai – La Charnière
Astrid Øster Mortensen – Hvor Kommer Mørket Fra?
Valentina Magaletti & Marlene Ribeiro – Brasilians on the Internet
Marlo Eggplant – Songed
Teresa Winter – All My Holes
Delphine Dora – Songe
Nour Mobarak – Annabelle
Laila Sakini – That Wave, That Line
Dienne – Ti Saluto
Aylu – Argento
Dania – Aleph
Lesley Flanigan – Retrobuild

Mixtapes

Basta Now # 1 in the attic

‘Plateau’ is a auditory time-lapse history of Scotland’s Cairngorm high plateau. It is composed of four sections corresponding to the fluctuations of cold (Stadial) and warmer (Interstadial) climatic conditions: 

(1) The Last Glacial Maximum / (Late) Dimlington Stadial (27,000 to 16,000 BP)
(2) The Late-Glacial Interstadial (c.14,670 to 12,900 BP)
(3) The Loch Lomond Stadial (12,900 to 11,700 BP) 
(4) The early Holocene (11,700 to c.9,000 BP)

‘Plateau’ is part of ‘Looking Up’, a research project focusing on the post-glacial landscape, archaeology and heritage of the Scottish Uplands, led by Sam Kelley (University College of Dublin, School of Earth Sciences), Graeme Warren (University College Dublin, School of Archaeology) and Alice Doughty (University of Maine, School of Earth and Climate Sciences). 

The technique used to determine the timing of deglaciation on the high plateau involved project scientists collecting samples of rock containing quartz grains — a common mineral that is resistant to weathering. The rock samples were crushed, pulverised, sieved and sorted, before being subject to magnetic and mineral separation in order to isolate the quartz grains which contain ‘cosmogenic nuclides’ from the other minerals that make up the rock. In turn, these nuclides provided a direct means of timing their prehistoric exposure to cosmic radiation as the overlying cover of ice finally melted. In total, these samples give us a picture in space and time of the former glaciers in the Cairngorms in the face of warming post-glacial climate.

This process of sample collection and analysis directly informed the composition of ‘Plateau’. Stones from the locality were collected and their surface interactions recorded at high frequency sample rates. The resulting waveforms were then subjected to granular analysis, so that ‘single-cycle waveforms’ displaying tonal characteristics could be isolated and extracted. These grains of sound became the foundation of the musical composition.

https://www.ucd.ie/archaeology/research/lookingup/

‘Looking Up: the future of early prehistoric heritage in Europe’s mountains’ is funded by the Irish Research Council’s COALESCE programme 2021–2023 (IRC COALESCE/2021/78) and is coordinated by University College Dublin’s School of Archaeology and School of Earth Sciences, with partners in University of Maine, Purdue University (both USA) and Aberdeenshire County Council.

https://www.richardskelton.net/land-music/plateau

Plateau

Vasilis Liolios: bells, singing bowls, objects, semi - modular analog synth
Yiannis Tsirikoglou: electronics Max/MSP
Aris Giatas: bells, prepared piano
Released on Creative sources (structures | cs279)
http://www.creativesourcesrec.com
Originally released on Another Timbre/Anonymous Zone 

Points of attraction

Fragmente einer Erinnerung (2015)
für Flöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug

Ensemble hand werk

Fragmente einer Erinnerung (2015)

Monument

Composed and recorded by Lisa Stenberg on the EMS Synthi 100 in studio KSYME Contemporary Music Research Center, Athens, Greece in 2017.
Produced at EMS Elektronmusikstudion in Stockholm 2017.

Monument

Buy cassette

from KR077 : die ANGEL - Utopien I . LP / DL out on april 24th 2020

Ilpo Väisänen : electronics & effects
Dirk Dresselhaus : electric guitar & effects
Oren Ambarchi : electric guitar & effects

Utopien I

die ANGEL -  Cargo Cult (feat. Oren Ambarchi)

Composition made for the split release "Angry Ambient Artists Vol.2" published on Forwind label in 2017. It's a part of a diptych with the piece called Habitat. 

https://boomkat.com/products/angry-ambient-artists-vol-2

Fragmente einer Erinnerung (2015)

Elnaz Seyedi

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