Paletto Polis

Vocal Version for Redwing from the album Recovery Plains.

Lyrics:

We work all day
can't we find a way to live a life that we don't hate?
because soon we won't even have time to

Lay in bed
intervalically asleep/awake, but still in bed
just close your eyes instead because we

Take it slow
Baby we're just pawns in someone elses master plan
so just close your eyes, enjoy the ride now

Work all day
it may be time, i'd say, to take a fucking break again
if worse comes to worst, then i'll just end it

Redwing (Work All Day)

idk anymore

Cheeki Breeki

lyrics:

please refer to the title, and make an inference upon the letter that is changed for the second part of the repeated phrase.

tl;dr 
in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the macro in the micro in the mac

in the micro

El 42

VG2U ft. Pibb

Lyrics:

Let's be friends, no ends, just all the meaning.
Later you'll just scrap it all for feelings.
Feelings I'm not allowed to give you.
I say it's ok, but who's deceiving?

Maybe we should just take a breath..
or, maybe we're just short-lived friends...
And, I think it's for the best.

Because all along, it meant nothing to you at all.
How do you expect me to get along?
When I feel like I'm just your rest stop.

There's no reason to believe in anything you say or do to me, it's hopeless..
We're just wasting precious time dividing up what we have left for nothing.

RestStop (All Along)

Lyrics:

You're talking, 
but I'm not listening.
It's always the same game.

I'll take a moment; take a break . .
I know it's much too late.
Sorry, I know you've been patiently awaiting.
Flip the coin, you'll be surprised to meet me eye to eye.
But, your kind doesn't really do that, I've learned.

Now, after some time 
I see clearly refined.
You're not mine.

I'll take a moment to address the feelings that I never felt,
cause all along I knew your grip was loosey-goosey.
I'm just glad I never have to talk to you again.
Those days are gone..

Taking a Moment (Flip the Coin)

Remix A is a more EDM inspired track, with a pretty thick drum beat throughout and some fun little percussion sprinkled around. The main synths are almost siren-like and, to me, instill a sort of urgency that contrasts interestingly with the melody it loops. In the end, my head can't help but move back and forth through this one.

The main melody in this track is sampled from the beginning of Plantasia, an incredibly emotional piece that uses sounds from the Mooooooog

Mort Garson - Plantasia (Remix A)

Remix B goes along with an excerpt from my short film "Making Friends" . The melancholy tone of the song plays well together with the film's subject matter and has cute, contrasting percussion to liven it all up.

Mort Garson - Plantasia (Remix B)

This cover combines both the SNES and Smash Bros. Melee versions of the track. I really like how the snes midi sounds convey a pure feeling of excitement, while melee's composition is a more intricate version of that excitement. Having a love for each, I thought I'd mix both of those elements into one.

F-Zero - Big Blue (cover)

The Legend Of Zelda Twilight Princess - Arbiter's Grounds (remix)

Raul Pineda

reach me at: 
raulpo98@live.com
or @raulp8a on instagram

Pip

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