AJ&Smart Workshop

As well as the previous one, i wasn't able to finish this track as my apartment was burglarised on October 2020.
Around July 2020, i've randomly sent some music to a dear friend of mine: Simon Heah, because he wanted to hear it.
Here is what's left, as well as other lo-fi recordings that i will only share on Soundcloud.
The thieves stole my musical equipment, my computer and the usbs where i kept the projects at the time, gladly i was able to send some audio files to Simon.
There is no reason for me to holding on to it, so here it is...

This track was recorded mainly in the summer of 2019, rearranged around October and November 2019, in my home studio, which at the time was based in Wimbledon.

You can now buy digitally "Unreleased (2018-2020) Vol. I", which is the album where this track is featured, by simply following this link : https://tinyurl.com/yck4mnaa

In Your Warm Embrace (Unreleased Track)

Music Box - The Cinematic Orchestra

Reachy Prints

Pre-order

Hawkmoth

Alcor

Taken from the John Foxx & Harold Budd 'Translucence' - part of a double album with 'Drift Music', re-issued on 16 October 2015 by Metamatic Records. Featuring new artwork and images by John Foxx. 
http://www.amazon.co.uk/exec/obidos/ASIN/B012VUQCM6/metamatic-21
Official Store: http://johnfoxx.tmstor.es/
www.metamatic.com

John Foxx & Harold Budd - Subtext

Geogaddi

Music Is Math

Copia

Requiem On Frankfort Ave

Talk Amongst the Trees

New Animals From The Air

Native Clays

Byzantine by Candlelight

The Mercury Program - You Give Me Problems About My Business

'Pentaptych' is a collection of 9 new tracks from Ryan Lott, taken from the ballet piece commissioned by the Philbrook Museum of Art and presented by Tulsa Ballet. The original evening-length work was choreographed by Ma Cong and included a live, original painting created by Eric Sall on-stage ('Pentaptych''s cover is another of Sall’s pieces). It
premiered in September of 2018 at the Tulsa Ballet Theatre. About the score, Lott writes: "In dance, music is as much the space in which movement occurs as is the room itself. Those of us who write music for dance are, in that sense, architects. For 'Pentaptych,' I sought to create a series of resonant spaces for Ma’s choreography, and for the generation and regeneration of Eric’s paintings. Each musical movement explores a consistent instrumental palette, led by the violin (and its viola and cello counterparts), in various stages of abstraction. We hear familiar sounds accompanied by unknown colors, just beyond the reach of familiarity. My hope is that navigating through this array of “rooms” feels as much like an exploration as a homecoming."

Requiem On Frankfort Ave

Eluvium

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