Rime Trails - The Slow Sunset Of Things
Taken from the forthcoming album "Ama Nesciri"

Songs about yearning and grief, kindness and contempt, love and loss.....

shimmeringmoodsrecords.bandcamp.com

Pre Orders start April 26, 2022
Releases May 6, 2022

shimmeringmoodsrecords.bandcamp.com

Digital & Limited Edition CD / 50 copies / Hand Numbered / Hand Made Packages / Brown Kraft and various colored wallets with envelopes

Rime Trails - The Slow Sunset Of Things

Vibration Consensus Reality (for Spectral Multiband Resonator) / Scatterbrains

Vibration Consensus Reality (for Spectral Multiband Resonator)

'How Could I Not?' is available on: 
iTunes - itunes.apple.com/gb/album/id977570924
Bandcamp -tomrosenthal.bandcamp.com/album/bolu

VIDEO : https://youtu.be/rofp-lbj2q4

LYRICS: 
I don't know how your brain works so well and if i did i might explode. 
Even if could, i don't think that i would, want to decipher your series of codes. 
A lifetime of trouble but how could i not love you. 

Yeah we humans we crave a certain certainty but no mystery
ever got old. 

A lifetime of troubles but how could i not love you. 
A lifetime of troubles but how could i not love you. 

Bolu

How Could I Not?

Listen on Spotify

nocturnae is the lead track from the stunning ethereal vocal-infused EP from anita tatlow, featuring collaborations with four eminent ambient artists (be still the earth, cephas azariah, jameson nathan jones, and salt of the sound).

the title translates to 'belonging to the night' and was inspired by the peace that is found in the hours of darkness, and the solace that can be found within.

with this EP, anita wanted to capture both the natural and spiritual elements of the night, which are reflected in the vocals, themes and instrumentation of each song: 
vespers (whispers)
aurora (dawn)
solis (sun)
nocturnae (belonging to the night)
sanctus (sanctuary)

credits for nocturnae
released april 19, 2024
written & recorded by anita tatlow
produced by benjamin tatlow
mastered by marshall usinger
artwork by benjamin tatlow
released on slowecho.space

nocturnae // Anita Tatlow

Something Ephemeral

Intersect

A sound that feels like it’s always been there — “familiar” by instagram.com/sambroughtonmusic is a tender ambient piece where comfort and melancholy meet.

Sam Broughton - familiar

February 14, 1990: Voyager 1 takes the last photo of its mission, at about 6 billions kilometers from the Sun. The photo takes Venus, Earth, Jupiter, Saturn, Uranus and Neptune set around the sun. It's a 'family portrait'. By looking at the photo, Carl Sagan will realize how tiny, fragile and unique our planet, our home is. After the photo was transmitted, Voyager 1's cameras were turned off.

One Last Time

Mount Carmel

Response

For this Exclusive Track Premiere, I'm actually inversing on my roles: instead of being the announcer, I am the featured artist, along with Uwe Zahn, for our collaborative album, title "Aeon" released on Eilean Rec. today.

During our private conversation through music, Uwe and I explored the most mysterious of mediums, dimensions and philosophies - that of "time". Time is what allows sound to exist, by carrying the pressure levels through its mythic axis. Timelessness is unbeknown to man, and concepts like "forever" and "eternity" are captured in a Latin word of "aeon". The German word "unendlich" describes the notion of infinity on which philosophers have puzzled over "ages". And as "finality" is easier to grasp, since all things come onto an end, we're left with "endlich" of ourselves and of our music.

Uwe and I sincerely hope that you connect with our studies and deconstructions thereof, inasmuch as you simply enjoy the beautiful music that we wanted to share, beyond all theories... beyond all thought... beyond all time...

Mike + Uwe
Unendlich, Endlich
Aeon, 8/8/2019

Aeon

Unendlich, Endlich

TRACK PREMIERE : Arovane & Mike Lazarev - Unendlich, Endlich

The end of the year is approaching – can you feel it? It’s got that certain textural quality all of its own: the slightly quieter email box, the emptier train rides and the softer necessity in everything that you do. It’s like the world has collectively decided to just let it go, before the last day at the turn of the decade. And so I find myself in this familiar space, reviewing the year, and playing through tracks, one of which is an appropriate soundtrack to the flow of the moments. Fluctuate is a project by Cameron Brooks, who has previously appeared on these pages with a premiere of his piece “Final Solace“, from the Vicissitude EP released by Subtempo. He is now back, with an arsenal of sounds which still carry his piano forth: the slow evolving synth pads, fluttering echoes, and the sounds of the waves – all of which make up a short charming story that comes directly from the heart. Please enjoy…

Vibration Consensus Reality (for Spectral Multiband Resonator)

Eluvium

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