Ease Of Life

Longing

Translation above

Les couleurs de l’amour

De quelle couleur est ton amour ?
Par quel détour est-il menteur ?
S’il est trop blanc
C’est un enfant
S’il est trop vert
C’est qu’il espère
S’il n’est que bleu
C’est pour les yeux
S’il est trop gris
Il n’est qu’esprit
S’il est trop noir
Y a plus d’espoir

Refrain :
Moi, je préfère le rouge
Parce que le rouge, ça tache
Tout comme mon cœur s’attache
Bien plus qu’un arbre à sa souche

De quelle couleur est ton amour ?
Par quel détour est-il menteur ?
Trop incolore
Il s’évapore
Trop éclatant
C’est aveuglant
Trop bigarré
Faut l’éviter
En demi-teinte
L’amour s’éreinte
Et trop brûlé
Faut l’enterrer
(refrain)

De quelle couleur est ton amour ?
Par quel secours est-il sauveur ?
Couleur câlin
J’aime ses mains
Couleur bougeoir
Dans ton regard
Couleur confiance
C’est l’évidence
Couvert d’honneurs
C’est le bonheur
S’il dure toujours
C’est bien trop court
(refrain)

Myckaël Marcovic, 25 mai 2021

The colors of love

What color is your love?
How is it deceitful?
If it's too white
It's a child
If it's too green
It means he hopes
If it's only blue
It's for the eyes
If it's too gray
It's only spirit
If it's too black
Y a plus d'espoir

Chorus :
Me, I prefer red
Because red stains
Just like my heart
Much more than a tree to its stump

What color is your love?
How is it deceitful?
Too colorless
It evaporates
Too bright
It's blinding
Too variegated
Avoid it
In half-tone
Love burns out
And too burnt
You have to bury it
(chorus)

What color is your love?
By what help is it saviour?
Cuddly color
I love his hands
Candlestick color
In your eyes
The color of trust
It's obvious
Covered in honors
It's happiness
If it lasts forever
It's far too short
(chorus)

Myckaël Marcovic, May 25, 2021

Les couleurs de l'amour

grace

And here is the unexpected sequel to "A New Beginning", a happy and energetic piece released quite a while ago. Here, I tried something more melodic and happy, following the essence of the first piece. I confess that I didn't find the technique to compose this very difficult, the good old ascending and descending arpeggios were a little easy to apply here. The most challenging thing here was the mixing, the mastering, and the string melody.

A New Beginning: Home

This was my first experiment with AI music, via UDIO, and I'm grateful to @APi_ZZ  for kindly titivating it up with some percussion and other production bits and pieces. 

Words and musical concept, Annie Dieu-Le-Veut
© Copyright, Annie Dieu-Le-Veut, June 2024. 

Musical arrangement and cover, @APi_ZZ
© Copyright, APi_ZZ (Andreas Pirner) June 2024. 

Words: 
I’ve always been a priestess of the Great Mother,
A powerful one, since the days of Atlantis.
I was among those who were in the City of Golden Gates,
At the sacred temple to the Sun on the island of Ruta. 
When I left with the Seed-bearers for the upcoming Age,
I saw, from the sea, the final deluge as Atlantis went down,
Its brass bells tolling in requiem as its golden domes drowned. 

I watched them build Carnac, Stonehenge and Avebury. 
I came down through the smoking pyres of Varanasi, 
I tended the shrine at Madurai’s temple of Meenakshi.
I was a sacred whore of Ishtar in the city of Babylon.
When we were banished by the Hierophants of Apollo
I followed the ram-headed sphinxes of the Valley of Kings,
across the pool of blue lotuses and under the high pylon 
with its bas reliefs showing the heroic deeds of Ptolemy,
‘till I reached the bronze doors of the sanctum of Black Isis. 

I was the cuen, the power behind Alfred’s throne
His muse who inspired him to fight the Vikings
With the fire in his head aflame, as an ecstatic. 
Then I was in the harems of Constantinople 
Teaching thee concubines ceremonial sex magic. 

I am not a goddess, nor the Great Mother.
I am Her priestess who channels Her ecstasy.
It comes, everyday, through the Door of Dawn,
The Door of Dreams, the Door Without Key. 
She’s not a fair Earth Mother but dark, like Kali. 
A destroyer of maya, a crusher of delusions, 
Some may think Her evil, but I would disagree,
For which ever man She breaks, is broken free.

Priestess Of Avalon

The Âtman Project

"Uncertain Approach" (Jack Miller)
(c) Cenote Music

UNCERTAIN APPROACH

Rescoring of the sequence when birds attack Bodega Bay's school, from "The birds" by Alfred Hitchcock. This first part begins when Melanie (Tippi Hedren) is going out from school while children are singing inside the classroom.

La menace venue du ciel - Part 1

Nice vocals created and provided by SUNO, embedded in a pleasant, folky tune, which I enriched with extra drums and mellotron.

Heaven's Tears

Down by the River, from Elyssia's concept album 'Arcadia'.
Marianne Lihannah - Vocals
Paul Landry, synths, bass guitar and electric guitar with Roland GR-55 guitar synthesizer

www.elyssiamusic.com/
www.myspace.com/elyssiamusic
www.reverbnation.com/elyssia
twitter.com/elyssiamusic
www.facebook.com/elyssiamusic/
www.youtube.com/channel/UCu2-KFD4PYwJCOanCmfGRQQ
itunes.apple.com/us/artist/elyssia/438085629

©2018 Elyssia Music
All rights reserved

Arcadia

Down by the River

Down By The River | Arcadia|

Elyssia (Paul Landry and Marianne Lihannah), an Anglo - Danish duo creating new age music, ambient music and progressive rock with beautiful female vocals.
This channel also features songs by Marianne Lihannah in various genres

Down By The River | Arcadia|

Elyssia

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