Simply lovely! Outstanding job on a difficult song! [via https://sc.repostexchange.com]

The last month of the year is when great change comes to you or you do the great change

I love this elyssia keep up the amazing work

Amazing vocals and talent!  I really like the vocal layering and production quality.  Great job! [via https://sc.repostexchange.com]

Great job on this one.  Really like the overall vibe and the vocals are beautiful and powerful.

These Places

“Resist unpleasantness and you will truly Suffer” Lloyd Khan 

https://youtu.be/meAmZE4KFVA

Magical Journey
Lloyd Khan's "Magical Journey" is an instrumental that takes the listener on a joyous adventure. The song starts with lively beats to capture your attention and set the tone for the entire song. 

The precision of the instruments in this song is on another level, with each note 
being carefully played and chosen to create vibrant sounds that are also harmonious and dynamic. The melody is cheerful, evoking a sense of joy and happiness that is infectious. 

The song's tempo is energetic and lively, with a sense of urgency. The song also 
uses short pauses to create drama and suspense to it.  Emma Blair

Kitty Hawk, NC – August 31, 2020 – Sound guru Lloyd Khan is creating a new music genre with the release of his experimental music. Each song by the artist brings a contemporary meaning to the word avant-garde.

Lloyd Khan’s music is a powerful mix of soulful and heartfelt soundscapes. His music is also described as trance-induced funk grooves. Lloyd’s sound is awe-inspiring with a combination of world beat percussion, ethereal guitars, and keyboards, alongside chants, and the spoken word. The songs showcase the mix of international inspiration that comprises of Lloyd’s style. All his music is guaranteed to take listeners on a unique musical journey.

Magical Journey

Bringing our own brand of new classic rock

Warzone

'The Darkest Midnight in December' is an Irish traditional folk carol for Christmas night, after Fr William Devereux, 1728. It is from Fr Devereux's collection of Kilmore Christmas carols, called 'A New Garland'. These Christmas Carols are much more like folk songs.
I used to consider this beautiful Carol, as MY Christmas Carol. I have sung it as a solo during several Christmas concerts when I sang with the choir, 'Tonalis Company of Singers' and the choir 'Choros'. I have also sung it in folk clubs etc.
There are actually quite a few verses, but here I only sing verse 1, first solo acapella and then as a duet with myself with a movable drone and third time as a canon with drones.
This Christmas carol can be found in many Carol books with all the many ornaments actually written into the sheet music, true to the sean noes style from the West of Ireland.

The Kilmore Carols are found only in Wexford, and date back more than 300 years. In 1684 Luke Waddinge, the Roman Catholic Bishop of Ferns, published A Smale Garland of Pious and Godly Songs. The cover inscription continues: "Composed by a devout Man/ For the Solace of his Friends and/ neighbours in their afflictions." The book contained 11 Christmas songs, two of which are still sung in Kilmore today. The texts were new, while the melodies were drawn from various traditional sources.
Waddinge died shortly after his book appeared, but interest in the subject was revived by a Father William Devereux, parish priest of Drinagh, Wexford from 1730-1771 (the current Devereuxes in Kilmore are almost certainly related to this priest). Devereux published A New Garland Containing Songs for Christmas. This included some of his own carols along with a few from Waddinge's collection.

Father R. Ranson, who published an edition of the Devereux book in 1949, claims that "the carols were first sung in a little chapel at Killiane, and tradition seems to indicate that the choir consisted of six men." The chapel in question was "no more than a mud hut".

The carols proved very popular, and manuscript copies quickly spread to neighbouring parishes, including Kilmore. Diarmaid O Muirithe, who has assembled and edited a collection of all the Wexford Carols (The Wexford Carols, Dolmen Press, 1982) observes: "They were sung in most of the churches of south Wexford in the 18th century, and even well into the 19th century. I think it's a great pity that they're now no longer sung outside Kilmore." O Muirithe considers that the church hierarchy in Wexford is to some extent responsible for the carols' decline. "For centuries they had been regarded by the church with a kind of benign tolerance, no more than that."

One priest in Kilmore Quay in the 19th century decided to get rid of the carols altogether and replace them with Victorian hymnody. "But the people in Kilmore decided they wouldn't be banished. The priest was banished instead, because nobody came into the church the next year. The bishop had to transfer him."

The Darkest Midnight in December

The Darkest Midnight in December | Irish Traditional Folk Carol | Marianne Lihannah

Red Tail

Something More

Verse 1:
It’s getting so cold outside, it sure as hell ain’t May
Bonfires and Halloween, takes me back to a better day
It’s been a long, long, and lonely road, don’t know if I can go on
Things are falling apart since you said goodbye, don’t think I can carry on.

Chorus
It’s been a hard traveled road, October’s knocking on my door.
I’ll be holding on for something, maybe a little something more

Verse 2:
I burn a candle every day, drink my coffee and play guitar
Leaves turn to orange and burgundy, then the leaves turn brown and fall
I spend a lot of time trying to take things in, trying to move past where I’ve gone wrong.
I keep finding myself back where I began, singing the same old song.

Chorus 
It’s been a hard traveled road, October’s knocking on my door.
I’ll be holding on for something, maybe a little something more

Verse 3:
My breath’s a ghost on the wind, sun setting on an indian summer day
A full moon chill is setting in but the whiskey warms me as I fade away.
It’s been a long time since I have seen your eyes, I think it’s time I moved on.
October morning’s always take me back to a love that’s long been gone.

Chorus 
It’s been a hard traveled road, October’s knocking on my door.
I’ll be holding on for something, maybe a little something more

Bridge
All right, come on give me something more.

Pending

Something More

Introducing "Exodus" - the latest release by Asher Laub, a virtuoso violinist, composer, and producer. This symphony medley features four traditional songs from the Passover Seder, beautifully arranged to tell the story of the Israelites' journey from slavery to freedom in a unique and captivating way. With a full symphony recording featuring the violin and a range of other instruments, Asher's skill as a composer and producer shines through in this stunning musical masterpiece. So, sit back, relax, and let the cinematic production take you on an epic journey through the Passover Seder's traditional songs.

Found.asherlaub.com/exodus

Exodus

Gone

PROD. & VOCALS BY ME EXPERIMENTAL AS USUAL BAHAHAHAW I HOPE Y'ALL LIKE IT! MUCH LOVE, PEACE, HAPPINESS TO Y'ALL FROM TEXAS!

KRAE- 'YOUR BLUES BABY' (PROD. & VOCALS BY KENNA-RAE)

Ambient Textures_03

Elyssia (Paul Landry and Marianne Lihannah), an Anglo - Danish duo creating new age music, ambient music and progressive rock with beautiful female vocals.
This channel also features songs by Marianne Lihannah in various genres

The Darkest Midnight in December | Irish Traditional Folk Carol | Marianne Lihannah

Elyssia

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