Me encantan las texturas, son como sci-fi de los 50s

Emiliano Hernandez-Santana: CCSHabitacion3X4 (Pedro Camejo-Crudomix01)

released by EspaisNetlab for free download
http://espaisnetlab.wordpress.com/046-emiliano-hernandez-santana-psccs/

Emiliano Hernandez-Santana: CCSHabitacion3X4mt (Pedro Camejo-Crudomix01)

Viernes Noc

http://www.dazeddigital.com/music/article/21671/1/stream-cosey-fanni-tuttis-experimental-decade-hopping-mix

Colder – "Crazy Love"
Frank Bretschneider – “A Soft Throbbing of Time
Senking – “Great Day”
CoH & Richard Chartier – “Bleak is My Favourite Cliché”
Andy Stott – “Bad Wires”
The Haxan Cloak – “Observatory”
Atelecine – “Red”
Bohren & Der Club of Gore – “Zombies Never Die”
Vangelis – “Love Theme from Blade Runner”
Martin Denny – “Diga Diga Doo”
Monte Cazazza – “A Gringo Like Me
Mark Stewart – “Stereotype” (feat Nik Void)
Pere Ubu – “Heaven”
Captain Beefheart – “Hard Workin’ Man”
Coil – “Tattooed Man”
The Beatles – “Here Comes The Sun”

Cosey Fanni Tutti 2014 Mix For Dazed Digital

Editado como Microibio #18 en el año 2003, al siguiente año Ricardo Briceño Clarac fallece. Dedicado a su memoria y a la de su padre José Manuel Briceño Guerrero

FLN y Ricardo Briceño Clarac: En vivo en El Martiro

[ANGNET01] DURÁN VÁZQUEZ: NUOVO ORDINE NUOVO
Libre descarga / Free Download

www.angust1a.org/angnet/angnet01-duran-vazquez/

Este trabajo de Durán Vázquez explora la experiencia de la escucha acusmática proponiendo al oyente un paso atrás en la historia, una vuelta al formato monoaural. El álbum se compone de diversas piezas originalmente trabajadas en estéreo pero que luego se masterizaron separando sus canales derecho e izquierdo. Los sonidos sintetizados y los efectos sonoros todavía giran entorno a una dinámica de opuestos que podríamos llamar música improvisada, pero la escucha en sí misma emerge como una voz con un mensaje que nos lleva a preguntarnos: ¿por qué siempre tenemos que escuchar las grabaciones según el patrón impuesto por la industria? Seamos francos, el fascismo capitalista tiene hoy día su punta de lanza en las estanterías de los grandes centros comerciales dedicados a la electrónica de consumo.

DURÁN VÁZQUEZ: NUOVO ORDINE NUOVO: 14 - Control Vocal 03 L

The Papercliped - Remember The Wonder

The Papercliped - In the Hands Ov Good

Mira esta mar from OTO V.A.  2015 (OTO 2015)

Marañón

“Marañón” is the name of a big river that crosses the Peruvian Amazon. I composed this piece strongly influenced by the experience of navigating this and other rivers in the jungle for many days. During this experience, I perceived --in the way that the life occurs every day in those environments--  certain cycles and processes with behavioral patterns that I would later extrapolate in my composition unconsciously. I became aware of this after hearing the piece when it was finished, and I was surprised to find this relation. Some years later, I discovered that some traditional musicians and shamans in South America use these kinds of techniques (the act of visiting special places that are called "places of power" ) to learn how to play the music for a specific traditional celebration or to find the spiritual disposition to resolve some specific problem in their community. It seems that some environments influence us with certain patterns of behavior (shapes); these can be extrapolated to different contexts and experiences that do not have a direct relation to them, at least not in a rational way.

On the one hand, I do not have a conventional education in algorithmic composition; on the other hand, I contemplate 'live phenomena ' as a way to perceive structures for the composition. These two factors prompt me (sometimes in an unconscious way) to de-compose, to meta-compose (when I am programming), to improvise, to listen or to live, in an attempt to throw out a conception of music that follows rational archetypes and paradigms, and instead emphasize the direct experience and its suggestiveness. This piece is my refusal to a totally controlled/abstracted order and represents a way to keep an open mind to a spontaneous organization that emerges from the sound-energy generated by the patterns recreated in the algorithm. 

Emiliano Hernandez-Santana: CCSHabitacion3X4mt (Pedro Camejo-Crudomix01)

Emiliano HernandezSantana

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