Creative Time

Download at iTunes - http://smarturl.it/LudovicoRMX

Ludovico Einaudi - Walk (Phaeleh Remix)

"The Last of Us  (Main Theme)" from the soundtrack The Last of Us

Original Score Composed and Performed by:  Gustavo Santaolalla

Score Produced by: Gustavo Santaolalla, Anibal Kerpel, Jonathan Mayer

Score Mixed and Edited by:  Anibal Kerpel, Gustavo Santaolalla, Marc Senasac, Jonathan Mayer, Anthony Caruso, Joel Yarger

Associate Music Producer and Music Integration by: Scott Hanau

Music Editing and Additional Music by:  Andrew Buresh, Anthony Caruso, Jonathan Mayer, Matt Levine, Scott Hanau, Monty Mudd



2013©  Sony Computer Entertainment America

"The Last of Us  (Main Theme)" from  The Last of Us - Original Soundtrack from the Video Game

Taken from my upcoming EP 'Past Perfect', out in July 2014
VLP1401 - Digi / 12"

https://vresh.bandcamp.com/album/past-perfect

More information:
http://vresh.nl/2014/04/listen-to-i-wonder-why-from-booddhas-upcoming-past-perfect-ep/

I Wonder Why

so roel funcken and chris (ochre) teamed up for this remix. 
check it out and give it your support if you like it. 

http://musiconvinyl.com/news/lamb-what-sound-remix-contest


Lamb_Heaven (Roel Funcken & Ochre rmx)

Bunkum Laguna Theme from Little Big Planet 3
by Brian D'Oliveira

GANG Awards 2014 Entry
Best Original Instrumental

Bunkum Laguna Theme

"Out of the Frying Pan" from Little Big Planet 3
by Plaid

GANG Awards 2014 Entry
Best Original Instrumental

Out Of The Frying Pan

"Steam Punk'd" from Little Big Planet 3
by Ugress

GANG Awards 2014 Entry 
Best Original Instrumental

Steam Punk'd

DJ Sona Ethereal (Nosaj Thing x Pretty Lights)

Olives

Released March 7, 2013 on 1320 Records
Available for Free Download: 
digital.1320records.com/search/releas…LEASE_ID=1054

01 - Welcome

Revolves around the two main themes of Innocence & Nostalgia, hiding a secret message for two special friends about a few of the most special times I've ever had.

Name Your Price

Island, Bonfire, Lake

Bandcamp

No Levantarnos

I wrote the piece "Smokestacks, Shorelines" during my Tokyo - Osaka bus trip last year. It's very inspired by the heavy coastal industries along the Japanese coast (like Hamamatsu and Nagoya)

It's from my 7 piece mini album Shiny Silver Lining that will appear next month.

"The main threads of Shiny Silver Lining are those things that come along the way that you didn’t envision in the first place. It’s a change of scenery, transitions, change of seasons, things that get lost, replacing the old veins by growing new arteries and paths, feeling lost in translation, feeling foreign in the familiarity. The color of transformation. It’s about finding positivity in things that get worn out and seeing the good things of dark brooding clouds and waves that are 100 feet high that keep on coming to crush you and all you can do is float."

Pre-order here: http://store.kingdeluxe.ca/album/shiny-silver-lining

Mastered by Shawn Hatfield 
audibleoddities.com 

Cover illustration by Marvin Bruin 
www.marvinbruin.com 

Video for “Sea of Decay” by Kamiel Rongen 
water-ballet.com

All rights reserved 2016

Shiny Silver Lining

Pre-order Album

Smokestacks, Shorelines

Meerkat - A sand filled timber house someplace always dry

Here's a section of a jam session https://soundcloud.com/seanleonard & I had this evening. 

I was messing around with his modular rig + my Mother 32 & Makenoise 0-Coast whilst he was playing a Nord Stage & Dave Smith Instruments - Prophet 6 over it (guy is a BEAST of a keyboardist).

This was the most fun I've had with live music performance in quite a while. 

I've realised over the past 18 months or so that ALL live musical performances are conditional. Some are more conditional than others. In most cases, musical performances adhere to a coherent tempo, key, vibe, feel/swing/groove & motif, and I feel that's important. You need to be coherent with other players for the end result to have any sort of real impact or weight in it's emotional conveyance. So over this past 18 months I've been trying to find a nice balance between coherency/end-result & emotional/ musical expression - I feel like this is the closest I've come to that so far.

More soon...

Mr. Bill & Sean Leonard - Modular Jam

Produced by Fresh Kils
Written by Professor Elemental and MegaRan

DOWNLOAD THIS SONG AT FOR FREE at: 
https://www.patreon.com/professorelemental

See Professor Elemental and Mega Ran live at:
Surya, London :11th May
The Yellow Book, Brighton, 12th May

Brave New World (featuring Mega-ran)

Deadcrush

Deadcrush (Ben de Vries Remix)

This remix medley of mine, based on various themes taken from Nintendo’s Legend of Zelda  game franchise, seems to pop up now and then on the radar of various blogs, so I thought it might be useful to offer a few notes about the circumstances under which it was written. Although I’m a huge fan of the franchise, with many happy memories playing Zelda: A Link to the Past  on my SNES, the remix didn’t come about purely as a celebration of the game and its music; it was written for a 2003 competition (I think it was 2003 anyway — my memory’s pretty hazy) hosted by UK games mag Computer and Video Games, and sponsored by Nintendo and Turnkey (a chain of UK music stores). The possibility of winning a Gamecube bundled with Zelda: Wind Waker, plus an Access Virus Indigo 2  VA synth, was too good to pass up. So over the course of one weekend I set about writing a little remix medley homage to the music of Hyrule.

As luck would have it, after completely forgetting about the competition, I got a phone call a few months later, from one of the competition organisers notifying me of my win, and a couple of days later I received the Gamecube and Access Virus, feeling like an excited kid on Christmas morning. Somewhat regretfully, I then sold the Virus a month or so after, as at the time I was wholly convinced VSTi synths were all I’d ever need (oops), and that the proceeds of the synth would be better spent purchasing another UAD-1 DSP card, as they were a just couple of hundred quid short of a grand at the time. Ah well, at least I still have the Gamecube (mostly used for Mario Kart!).

Creative Time

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