reminds me of something Co$$ would spit over... good stuff

Hey fam, I am a poet from Michigan. I will be touring in June/July hitting NJ. We need to link!

I'm loving your soulful beats! respect from Canada, you should peep my beats sometime

time to go paint

In the PNW, floating above the forest. Vibing. Having a good time. 

Above The Trees, Interlude

For when touching the pot and getting burned isn’t enough

I present to you…

The Boy Who Flew to the Sun

The Boy Who Flew To The Sun

This is a cover of Little Fly by Esperanza Spalding off her album Chamber Music Society. This cover uses two acoustic guitars and two voices.

Little Fly - Indigo Una x hrlum

Already Famouz Presents, "Everything We Make Dope! Vol.1"
Produced By, Orchestrated Sounds
Photography By NoONe
Listen to the Mixtape at OrchestratedSounds.com
If You Like Please Like, Repost, & Follow!!

Light My Fire

some sips from the rootbeer.

<a href="https://theartistunion.com/tracks/374a9f" target="_blank" rel="nofollow">Download for free on The Artist Union</a>

Free Download

Cherrybirch

The Funk (prod. Roy ShyftE)

from the upcoming album "The Night Took Us In Like Family"
Pre-Order (4/21): https://itunes.apple.com/us/album/night-took-us-in-like-family/id962648340

Premeired @ Pigeons & Planes: http://pigeonsandplanes.com/2015/03/premiere-lorange-jeremiah-jae-taken-by-the-night/

About the Album:
Enter those bloody alleys blocked off with yellow tape and chalk outlines. Secret backrooms riddled with sly crooks and blunt smoke. Slink into the underworld, the seedy shadowland owned by Jeremiah Jae and L’Orange on their noir-hop opus, "The Night Took Us In Like Family."

Consider it the alchemy of Madvillain and "The Maltese Falcon": a five-part fable of tangled crimes, narrow escapes, and raining lead. The door busts open with “A Conspicuous Man.” L’Orange’s carefully severed cinematic clips hold the frame steady. The Windy City-raised Jae muscles the narrative forward—the hitman creeping.

Beats bend sinister with imagery aiming for the temples. Jae invokes dark clouds, crowns of thorns and LSD eyes. Bars written in dirt. Samples are disembodied and ethereal. It’s like a grand jury indictment doubling as a Greek chorus.  A song title like “Ice Obsidian” says it all. This is frozen lava, black and white celluloid, the spoils won by sinners. Watch your back rap.

Or maybe it’s the hip-hop version of the gangster flicks made before the Hays Code—raw and uncensored, deeply artful without pretension. Pitchfork once described Jae as: “a lot of people talk loud and say nothing; Jeremiah Jae finds strength in the inverse." On "The Night Took Us In Like Family," he inhabits both eulogizer and executioner. He triumphantly looms over the corpses and explains how this all came to be. L’Orange supplies concrete requiems of dusted soul: beats to crack safes, soundtracks to stealth assassinations. 

If gangsta rap remains one of the genre’s most well worn tropes, Jae and L’Orange take inspiration from the rarely tapped roots of the tradition. This isn’t riffing on Oliver Stone’s "Scarface" like popular cliché, but rather the original Al Capone exploitation flick from the early 30s. Jae conjures a villain who vaporizes. Run-the-Jewels-raw but still sophisticated. Cuban cigars stuffed with California chronic.

The picture unfolds wide frame. Guest stars include New York poison dart-thrower, Homeboy Sandman and Blackalicious’ Gift of Gab. The chapters flesh out the story: The Conspicuous Man skulks into “God Complex,” “The Damning,” “Revenge and Escape.” Jae and L’ Orange build their world as a catacomb and find a way to escape just as the walls feel like they’re closing in. It fades out as “A Macabre Instrumental” plays. The funeral is closed casket. The memories aren’t easily disposed. 



L'Orange & Jeremiah Jae - Taken By The Night

composed by shabaka hutchings
performed by shabaka and ligeti quartet
commissioned by leasowes bank music festival

collage image by Alexis Pauline Gumbs

Octavia(for string quartet and clarinet)

Agonist Soundwave Presents: My Favourite Samples Pt. 2 (The spine tingle one)

Final Hideout Pt.1

(pre hardware pass/pre final mix)

Ruff rugged N raw flava 4 the real heads


Enter The Boom Bap

threesomes on the lower deck [Peter Pvrker x Mr. Juicer x Amber Haze]

Hank Lonnie experiments with orchestration and moods, and an attempt at one of the classics!

Hank Lonnie & Høybråten Big Band - We Love Yuji Ohno

This project was inspired by MF DOOM, RZA, 9th Wonder, Kanye West and Adrian Watson. Teamed up with Maple Ave Studios for the mixing and mastering

Cherrybirch

Emaje

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