Name: Fischer Viola - Memories Of Home - by Alex Davis by Embertone in cool
Duration: 2 min 17 s
Description: Works highlighting Embertone's Fischer Viola

This was simply impossible to render less than a year ago! Brilliant!

cool

This is a track composed for MinutePhysics.  Authorized use only.  Please contact me for rights to this track if you wish to use it. 

Thank You!

9 to 5 (Featured on MinutePhysics)

Soundscapes for Sonorous Desert: What Deep Listening Taught Early Christian Monks—and What It Can Teach Us

Sonorous Desert_chapter 3_soundscape

Arcanum OST - 11 - Towns

come with me. and you'll see. that the world is not what we thought it could be. take a tip. it's a trip. but you wouldn't know it to look at it. instead let's cavort. or jump. or skip. we could sink in. this hole goes on forever. taking time. it's well invested.

https://liquidmodern.bandcamp.com/

PoppedOut

'Some' is taken from the new album by Nils Frahm – 'Solo'. Revealed on Piano Day as a free download and available on CD/LP/DL here:
http://www.erasedtapes.com/store/index/ERATP065

iTunes: http://snip.ftpromo.net/soloitunes
Spotify: http://snip.ftpromo.net/solospotify
HDTracks: http://snip.ftpromo.net/hdtracksnf
Qobuz: http://snip.ftpromo.net/qobuznf

Recorded as an Improvisation. Single take, no overdubs.

Fans can donate to the special piano project which will enable Nils and piano builder David Klavins to create the Klavins M450, the tallest piano in the world.

Read More here: www.pianoday.org

“Why does the world need a Piano Day? For many reasons. But mostly, because it doesn’t hurt to celebrate the piano and everything around it: performers, composers, piano builders, tuners, movers and most important, the listener.” – Nils Frahm

HOW WILL YOU CELEBRATE PIANO DAY?

create your own piano events with friends or simply share your videos, poems, photos - anything that is piano inspired. don’t forget to tag us in your posts!

Instagram – #pianodayofficial
Twitter – twitter.com/piano__day
Facebook – facebook.com/pages/Piano-Day/382403391947996
Email – share your fun stuff with info@pianoday.org

Solo

Some

Buy LP/CD/DL

Nils Frahm - Some

Leaning towers only stand together, left alone we fall.

http://www.facebook.com/mattwoodsofficial
http://www.twitter.com/mattwoodsmusic


Leaning Towers

Trailer music from Really Slow Motion / Giantapes Music catalog.

Company: Really Slow Motion / Giantapes Music
Album: Incendus
Composer: Mateo Pascual 

https://www.facebook.com/mateo.pascual.composer
http://www.mateopascual.com/

If you are interested on using this track for your production, please write to contact@reallyslowmotion.com for licensing information. Thanks!

Extinction (Really Slow Motion/Giantapes "Incendus")

An inspiring, uplifting, powerful epic trailer which uses huge taiko drums, majestic horns, lush strings and a full orchestra with mighty choirs, accompanied by pulsating hybrid synths and beats. Building to an awesome climax, it conveys heroism and cinematic hollywood drama. Fantastic for projects that need an inspirational, energetic theme.

Buy Track

Heaven On Earth

Works highlighting Embertone's Fischer Viola

Fischer Viola - Memories Of Home - by Alex Davis

http://mmos.com/review/age-of-conan for Age of Conan reviews, videos, and screenshots!

Browse through hundreds of free to play MMOs and MMORPGs at http://mmos.com

Age Of Conan - Hamlets Of Aquilonia

Test Card 68 (V1)

Armenian Duduk

River Fire
54 bpm
Drums, Hang Drum, Bells, Flute

This piece has 54 beats each minute. At Angkor Wat, a Hindu temple carving has 54 gods in opposition to 54 demons, and in their struggle they create immortality. Mystics (or mathematicians... whatever) in Ancient Greece knew of the prime factorization of this mystic number. 3 by 3 by 3 by 2. What does this all mean? Not much, as it turns out the concept of a "minute" wasn't familiar to the architects at Angkor Wat.

Spirit

River Fire

The Grand Sofia Hotel by Jean-Gabriel Raynaud

Artist: Whale Fall
Album: It Will Become Itself
Release Date: 03.27.2020

We inadvertently recorded this album, titled It Will Become Itself, the evening of June 4, 2018, during one of the rare times all five of us were in Los Angeles. We had a few basic ideas we wanted to try out and, per our usual procedure, launched into a mutual improvisation, which we recorded as nothing more than a reference for further composition and arranging. After the session we all agreed that this was a particularly good take and would be valuable for a future project. 

While going through the archives several months later, we rediscovered the nearly-forgotten recording from that night. We were surprised at what we heard: here was an entire record in embryonic form, recorded in a single 38-minute take. The consonance and connection of the playing caught our attention. Absent the self-consciousness that goes along with recording an album or even playing a show, we had cut loose and just let things flow. The musical negotiations gave rise to some unexpected and beautiful moments. The imperfections added rather than taking away. 

We decided to take this roughly recorded session and apply some polish. Gradually, over the course of a year, we shaped the finished album out of this single take. A couple of the very talented musicians we have collaborated with in the past came through with some stunning improvisations of their own. Finally, we added a short piano piece that had also been recorded spontaneously without intention of release. As the title track, “It Will Become Itself” can be considered both a prelude and prologue to the two longer improvised album sides. The resulting album is intended as a single continuous piece of music in five movements. The title arose during a conversation with a friend about the creative process and seemed an apt description of how the album came to be. 

This far less methodical approach to composition was a departure from the more structured recording studio sessions of our previous records, and a fortuitous chance to continue pursuing new creative pathways and song forms. There was no roadmap for this album, and we were willing to accept the imperfections that come along with spontaneity. The music recorded that June night was only a moment in time, but we’re excited to share what we’ve been able to distill from it. 

Personnel 
Aaron Farinelli: Drums & Percussion  
Ali Vazin: Electric Guitar  
Dave Pomeranz: Electric Guitar  
Erik Tokle: Bass & Electric Guitars, Ambient Moog  
J. Matt Greenberg: Keyboards, Cornet, Flugelhorn  

Featuring  
Artyom Manukyan: Cello  
Daniel Rotem: Tenor Saxophone & Flute   

Performed by Whale Fall, June 4, 2018, Los Angeles, CA 
 Produced by Erik Tokle & Whale Fall  
Engineered by Erik Tokle & Aaron Farinelli  
Mixed by Erik Tokle  at Ghost Factory
Mastered by Pete Lymon at Infrasonic Sound  
Cover Design by Whale Fall

Fischer Viola - Memories Of Home - by Alex Davis

Embertone

Recent comments

Kevin D Cummings

wpear

rodneygates

Marcus Lawson

Related tracks